Friday, September 14, 2018

Eliane Elias Music from Man of La Mancha

Eliane Elias
Music from Man of La Mancha
Concord Records

This new release from Elias was a 1995 recording resulted from the request of Mitch Leigh, composer of the Music for the legendary musical, who loved her album playing the music of Antonio Carlos Jobim and wanted her to similarly arrange and produce a recording of the musical's music. This led to the present recording, originally produced for Leigh's private enjoyment and now with the cooperation of his family finally made available to the public on Concord.

There are two sessions represented. One with bassist Eddie Gomez and drummer Jack DeJohnette and the other with bassist Marc Johnson and drummer Satoshi Takeishi with percussionist Manolo Badrena on all but one of the nine songs heard. Many will be more familiar with Elias as a singer, but starting with the opening "To Each His Dulcinea," she displays a crisp, fluid and imaginative attack with the adept accompaniment provided. There is the reflectiveness of "Dulcinea" with some superb playing by Gomez and DeJohnette's use of brushes and the lively swing of "What Does He Want of Me," with her romanticism matched by the light, complementary backing. Elias' touch is more emphatic on "I'm Only Thinking of Him," while DeJohnette opens "Man of La Mancha (I, Don Quixote)," with a crisp rhythmic figure, echoed by Gomez before Elias enters ruminatively. With Johnson and Takeishi, she provides a Brazilian flavor for a memorable, driving interpretation of the musical's most famous song, "The Impossible Dream."

Concord is to be thanked for helping arrange for the release of this superb piano jazz recording that allows us to appreciate a side of Eliane Elias talent that gets overshadowed by her fine vocal jazz recordings.

I received my review copy from Concord Records. I have made minor changes from my review that originally appeared in the May-June 2018 Jazz & Blues Report (Issue 378).  Here is an interview with Eliane Elias talking about the history of this recording.


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