Ear Worms
Stony Plain
About "Ear Worms," his latest recording Duke Robillard states "“Ear Worms was conceived as an album of songs that I heard and was attracted to growing up. They are not of one particular genre or style, but rather songs I heard in my pre-teens to my later teens." The term 'ear worms' itself refers to "a song you can’t get out of your head because you love it so much, or it can also be a mundane piece of drivel that haunts you like a bad dream." Besides find some choice gems, he also has contributed some originals.
Backing Duke and his guitar is his long-term band of Bruce Bears on keyboards, Brad Hellen on bass and Mark Teixeira on drums. Robillard, Bears, and Teixeira each sing one vocal apiece, with guests Dave Howard, Julie Grant, Sunny Crownover, Chris Cole, Mark Cutler, and Klem Klimek, handling the remaining vocals. Duke himself observes he only sings one tune here as his voice has been giving him trouble. A variety of players add their instrumental talents to various tracks. This is a fun, wonderfully played recording with the liner booklets including Duke's comments on each song.
"Don't Bother Trying To Steal Her Love" opens this recording with Dave Holland ably handling the vocal. On this Duke channels Ike Turner a little in his rock and roll solo, Duke's only vocal is on the Gerry Goffin and Carole King penned "On This Side Of Goodbye," which he derives from an Eric Burdon recording. It is Baxter Hall doing the guitar rave-up. "Living With The Animals" was the title of an album by Mother Earth with Duke sounding like B.B. King backing Chris Cote's vocal. Duke's instrumental take on "Careless Love," that he opens focusing on the low strings with reverb and tremolo in Duane Eddy's style before moving to his own style with Bears taking a taut solo and the band striking a nice shuffle groove for all the swing dancers. Other instrumentals include his relaxed, trebly rendition of Arthur Alexander's"Soldier of Love," and the burn the town down cover of Link Wray's "Rawhide."
Arthur Alexander's "Everyday I Have To Cry Some" may be most familiar from Dusty Springfield's recording, but was also recorded by another British singer Julie Grant, who Duke met as a booking agent for Connecticut casinos and then discovered her history. She reprises her recording with Sunny Crownover adding her vocal here with terrific backing. Crownover does a marvelous job reworking Brenda Lee's hit, "Sweet Nothin's." Klem Klimek sounds like Levon Helm on Chuck Berry's "Dear Dad," on which one can almost imagine Duke doing a duck walk. Bruce Bears sings a nice rendition of Lee Dorsey's "Yes We Can" while Teixeira does the same on The Neville's "Yellow Moon." These are marvelously played covers of the New Orleans music classics.
A lovely, jazzy instrumental treatment of "You Belong to Me," brings this thoroughly engaging release to a close. I am sure I am not the only one who will have some 'ear worms' from the performances here.
I received my review copy from a publicist. This review appeared in the May-June 2019 Jazz & Blues Report (Issue 384) although I have made stylistic revisions. Here is a recent performance of Duke Robillard doing a Tom Waits song.
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