Windy City Blues
Stax
This new compilation on Stax brings together selections from various Prestige blues discs featuring Chicago blues acts with a previously unissued Albert King session that Willie Dixon produced in Chicago. This 1970 session is simply stunning as he plays some very hot guitar and sings strongly while backed by a band with a full horn section that complements his performances. The opening track, The Lovin’est Woman in Town, is an original he would record later. Here he just tears into the song with his guitar blasting away on his solo as the horns riff behind him. Equally as good is King’s rendition of Dixon’s Put It All In There and Love Me To Death. One wonders why these songs were not issued until now, as they are first-rate Albert King.
In addition to King, James Cotton handles Dust My Broom, while Otis Spann recreates his It Must Have Been the Devil. Willie Dixon handles a couple songs in an uptown vein with saxophonist Harold Ashby among those backing him. Billy Boy Arnold shows the influence of John Lee ‘Sonny Boy’ Williamson on Two Drinks of Wine, derived from Sonny Boy’s Early in the Morning. Sunnyland Slim advises us that The Devil is a Busy Man, one of three tracks backed by a combo that included King Curtis and an organist. Finally, three alternate takes by slide guitarist Homesick James close this disc out.
In addition to King, James Cotton handles Dust My Broom, while Otis Spann recreates his It Must Have Been the Devil. Willie Dixon handles a couple songs in an uptown vein with saxophonist Harold Ashby among those backing him. Billy Boy Arnold shows the influence of John Lee ‘Sonny Boy’ Williamson on Two Drinks of Wine, derived from Sonny Boy’s Early in the Morning. Sunnyland Slim advises us that The Devil is a Busy Man, one of three tracks backed by a combo that included King Curtis and an organist. Finally, three alternate takes by slide guitarist Homesick James close this disc out.
Most of this is solid, if not exceptional, and it is well worth getting for the Albert King sides. They are that good.
I likely received my review copy from Fantasy Records. This review appeared previously in the March--June 2004 Jazz & Blues Report (Issue 268). You may have to check online for the current availability of this CD or its availability as a download.
I likely received my review copy from Fantasy Records. This review appeared previously in the March--June 2004 Jazz & Blues Report (Issue 268). You may have to check online for the current availability of this CD or its availability as a download.
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