Monday, July 06, 2020

Muddy Waters Blues Band Mud In Your Ear

Muddy Waters Blues Band
Mud In Your Ear
Douglas

Douglas Records has made available on compact disc, “Mud In Your Ear”, 15 selections by the Muddy Waters Blues Band originally issued on two vinyl albums issued back over forty years ago on what was then Alan Douglas’ new label. Muddy Waters is on the session, but limited to backing guitar although taking a few recognizable slide solos. His band at that time included Luther ‘Snake Boy’ Johnson on vocals and guitar; George ‘Mojo’ Buford on harmonica and vocals; Otis Spann on piano; Sammy lawhorn on guitar; Lawrence ‘Sonny’ Wimberly on bass and Francis Clay on drums. 

Johnson and Mojo, along with Spann, would have been featured on the Band’s opening selections before Muddy would be brought up. This recording allows Johnson and Buford to have more of the spotlight then they would live as well as allows us to hear this edition of Waters Band upfront. Johnson takes the bulk of the vocals including a nice rendition of Washboard Sam’s “Diggin’ My Potatoes,” and Muddy’s “Long Distance Call,” with his take on the “another mule kicking in my stall” climax. The title track, heard in a lengthy version and a brief reprise, is an rocking instrumental rendition of “Got My Mojo Working.” There are also solid renditions of “Coming Home Baby” and Jimmy Smith’s “Chicken Shack,” songs that were typical opening numbers. 

Johnson’s “I’m So Glad” is a pretty strong original with Muddy adding some stinging slide. Also nice are his interpretations of a couple lesser known Waters numbers, the brooding “Remember Me,” and Waters’ “Evil,” where he sings that when you see him coming better run and hide. Spann is particularly superb on these and Buford adds some nice harp. Buford comes across well on the first-rate “I’m So Glad,” and “Watch Dog.” The latter number is a slow blues with a clever lyric about needing a watch dog to look after things when he goes away on business. 

This was a tight band and these are solid performances. Johnson did record overseas after leaving Muddy Waters but died much too young while Buford made several albums until his passing a few years back. This is a good document of the Muddy Waters band of the time before Spann left, and while this is not an essential reissue, it is a welcome one.

This was a purchase. This review originally appeared in the September-October 2012 Jazz & Blues Report (Issue 344). Here is a performance from Luther ‘Snake Boy’ Johnson.




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