This album should win McShann many new fans. It swings with a vengence with lots of bluesy swinging piano that shows slight traces of Art Tatum. McShann takes five persuasive relaxed vocals. He redoes "Confessin' the Blues" which he recorded with vocalist Walter Brown and has since been done by Little Walter, B.B. King and the Rolling Stones. Bird, Brown and McShann composed "Hootie Blues" which features some nice electric piano from him capturing an almost organlike flavor. McShann's singing is quite like bluesman Lowell Fulson and it may be more than coincidental that both come from Oklahoma.
Besides the five blues vocals, there are five instrumentals including one solo piece. McShann is in good company with especially good work from Tate and trumpeter Joe Newman. All told a most wonderful album that any lover of jazz or blues can iII afford to be without. Atlantic may be part of the WEA conglomerate but releases like this show that label founder Ahmet Ertegun still hasn't forgotten the music that the label was built on and we are grateful. Mr. Ertegun, may we have more of the same, please.
This review originally appeared in the Buffalo Jazz Report March 1978 Issue 49. I likely received a review copy from the Buffalo Jazz Report, now Jazz & Blues Report. This may be available on CD used or digital. Here is "Blues Devil Jump" from this album,
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