Tuesday, September 01, 2020

The Legends of Specialty Part 3

Among recent reissues in Fantasy's The Legends of Specialty series are the second volumes devoted to Roy Milton, Joe Liggins, Jimmy Liggins and Percy Mayfield along with a volume of Art Neville's Specialty recordings. Another reissue, Shouting the Blues, includes Joe Turner's recordings for the Texas Freedom label Big Maceo's Specialty sides, and recordings by Smilin' Smokey Lynn and H-Bomb Ferguson. Musically, most of these recordings date from the heyday of jump blues, the late forties through the mid-fifties. All six releases contain Billy Vera's perceptive annotations and discographical information. 

By virtue of his success with his brothers today, Art Neville is perhaps the best known of any of these artists. His Specialty Recordings: 1956-58 collect the recordings he made after recording Mardi Gras Mambo with the Hawketts for Chess. These early sides include some demos along with such sides as Oooh Wee-Baby, Cha Dooky Doo, with its famous distorted guitar and a duet with Larry Williams on Rocking Pneumonia and Boogie Woogie Flu. These sides did not enjoy great commercial success when initially issued, and while there is unquestionable historical interest to some of these sides, and fans of New Orleans R&B will be interested, this is one of the weaker Specialty reissues. 

Shouting The Blues is dominated by some great jump blues by Joe Turner and Smilin' Joe Lynn. Turner's eight songs were initially issued on the Houston Freedom label and three (including the rocking Adam Bit the Apple) include Goree Carter's T-Bone Walker inspired guitar and a great jump band. Big Maceo had suffered a stroke and was unable to play at the time he recorded his enjoyable, but not essential 1949 Specialty recordings. On these, his protege Johnnie Jones took the piano chair. Smilin' Smokey Lynn was a Los Angeles based shouter heard with trumpeter Don Johnson's band. He is an enjoyable singer, if not in the same league as Turner. Many of his performances are rehashed versions of R&B hits. State Street Boogie reworks James 'Widemouth' Brown's Boogie Woogie Nighthawk, the torrid Run Mister Rabbit, Run, derives from Hot Lips Page, and Feel Like Ballin' Tonight, derives from Roy Brown's Good Rockin' Tonight. The imaginative Chesterfield Baby, celebrates Lynn's women who satisfies his soul. Closing with two previously unissued tracks by H-Bomb Ferguson, this is an interesting but not essential collection. 

This review appeared in Jazz & Blues Report in 1993. I am splitting it up and will include this top paragraph with all three parts. I received my review copies from Fantasy Records. I am not sure about the availability of these albums, although one might check ebay. Here is Art Neville's Specialty Recording of Cha Dooky Doo.

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