Electric Fantastic
Self-produced
Beth Moore (vocals, keyboards) and Chance McColl (guitar and vocals) lead a spirited journey towards where the blues and jazz worlds intersect. They suggest one think about “[w]hat if Groove Holmes had duetted with Boogaloo Joe Jones with drums, upright bass and a 3-part horn section.” These Atlanta performers spin a memorable album of primarily organ-guitar jazz.
The title track gets this album off on a toe-tapping mood within unison organ-guitar lines met by riffing horns. Moore certainly shows off her greasy sound with choruses of alto sax and fiery trumpet before McColl’s bluesy solo. McColl’s “800 East” is a nicely paced blues with sterling solos from most of the and members. The Latin groove of “Beth’s Bounce” provides a refreshing change of atmosphere.
In addition to being a noteworthy organist and pianist, Moore’s relaxed vocal delivery gives her vocals appeal, such as heard on pop-soul of “Like A Symphony,” with its brassy horn riffs. Also of note is her lovely singing on the band’s imaginative performance of Supertramp’s “The Logical Song.” McColl’s “If You Really Loved Me,” is straightforward blues with his honest, direct vocal. Moore’s organ solo provides the appropriate feel followed by bluesy muted trumpet and alto sax. McColl’s guitar solo is a model of taste, tone, and expression.
Pedal steel guitarist Ben Holst guests on “I Remember Danny Gattoon.” It is an atmospheric tribute that sets a mood as opposed to presenting the guitar wizardry Gatton for which he is remembered. It is one example illustrating how well The Moore-McColl Jazz Society set a mood and how well they play throughout this very captivating recording.
I received my review copy from a publicist. Here is a video for the title track.
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