This is the second album from the New Moon Jelly Roll Freedom Rockers. As I noted in the review of Vol. 1, the genesis for the New Moon Jelly Roll Freedom Rockers was on a tour bus when Mavis Staples and Charlie Musselwhite hot the road together with the North Mississippi All Stars. Eventually, Luther Dickinson (guitar, mandolin, and bass) and his brother Chris (drums and washboard) sat down for a guitar jam with ex-Squirrel Nut Zippers leader Jimbo Mathus, along with their father, Jim Dickinson (on piano), and blues greats Charlie Musselwhite (on harmonica) and Alvin Youngblood Hart (guitar and mandolin) for a blues and roots music celebration under the rubric of the New Moon Jelly Roll Freedom Rockers. After Jim Dickinson died in 2009, the recordings hung out in archives until Stony Plain founder Holger Petersen heard about the sessions. He expressed his enthusiasm to release the recordings. Luther Dickinson and his partner/engineer Kevin Houston finished the production of this and the earlier album.
Things start with Charlie Musselwhite's "Blues For Yesterday," a song recently re-recorded with Elvin Bishop. In addition to his harmonica, there is some sterling slide guitar in the backing (by Hart?). Alvin 'Youngblood' Hart handles the vocal on the revival of the Sir Douglas Five rocker, "She's About a Mover." I assume Jim Dickinson played the cheesy Farfisa organ on this.
Jimbo Mathus wrote and sings a raucous shuffle "Searchlight (Soon in the Morning)" with Musselwhite wailing on harmonica and Jim Dickinson rollicking on piano besides Mathus' effective guitar solo. Mathus' "Greens and Hams" is a marvelous original that evokes Tommy Johnson and Charlie Patton. Jim Dickinson is featured on four vocals, including a late in the evening sounding interpretation of Charles Mingus' "Oh Lord, Don't Let Them Drop That Atom Bomb On Me." One can hear another Dickinson vocal on a cover of Junior Wells' "Messin' With the Kid." This latter performance provides another showcase for Musselwhite's harmonica along with some stinging guitar (from Luther Dickinson?).
Musselwhite returns for the swamp blues feel of his topical original, "Black Water," which is followed by Alvin 'Youngblood' Hart's country blues original, "If Blues Was Money," with Musselwhite's harmonica supporting Hart's husky singing. Luther Dickinson might have added a mandolin to this track. Luther Dickinson's whiny slide guitar is at the fore for his thoughtful rendition of Earl Hooker's "Blue Guitar." Jim Dickinson closes this volume with an atmospheric cover of The Mississippi Sheiks' "Blues Is a Mighty Bad Feeling," with a steady groove, moody guitar, and harmonica.
About the first volume, I concluded, "The performances are mostly top-flight, resulting in some serious fun." This quote also pretty much summarizes the music on this disc as well. Like the first volume, this album will have considerable appeal to blues and roots music fans.
I received my review copy from a publicist. Here is "She's About a Mover" from this album.
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