Larry Davis - Funny Stuff - Rooster Blues
Best known for the original recording of "Texas Flood," which was popularized by Stevie Ray Vaughan, Larry Davis had a relatively short but distinguished career, which included at one time being signed to B.B. King's Virgo label. Originally a bass player, he started playing guitar while touring with Albert King.
In 1982 Rooster Blues issued his album, Funny Stuff, which won the 1982 Handy Award for Best New Album and contained the two tracks that won for Best Single. Davis sang with plenty of gospel-based soul while playing his Flying V Gibson in a hard-edged style that clearly reflected Albert King's influence. He produced one of the strongest recordings of the Eighties. This is a welcome reissue of that album.
From the title track, a terrific song about a lady who has hoodoo'ed him to the closing rendition of Albert King's "Got to Be Some Changes Made," Davis pours his heart into the vocals while turning out some high-energy solos. Other high points include his funky renditions of "That Will Never Do" and George Jackson's "Find' Em, Fool 'Em & Forget 'Em." There are also the searing, slow blues "Teardrops" and "Worried Dream."
Legendary saxophonist and producer Oliver Sain produced this as well as played sax and keyboards. Billy Gayles, of Kings of Rhythm fame, played drums on half of this while Johnny Johnson played piano on five of the ten tracks. The album holds up wonderfully and one would be hard-pressed to find any better modern blues recordings since this came out. There may be some as good, but not better.
Jeffrey Scott - Rattlesnake Daddy
With John Jackson as his uncle, and friends with the likes of John Cephas and Doc Watson, one
should not be surprised that the debut album of Jeffrey Scott, the self-produced "Rattlesnake Daddy" is firmly in the East Coast fingerstyle guitar tradition.
This disc contains a selection of songs from Blind Blake, Blind Boy Fuller, Arthur Crudup, and Big Bill Broonzy among others, Scott displays a crisp, fluid guitar style while his tenor is a bit brighter sounding than John Jackson's straightforward delivery of a lyric. Perhaps he is not yet as deft a guitarist as his uncle or John Cephas, but he does maintain a nice relaxed groove on "Step It Up and Go" as well as "That's All Right Mama."
This is a very enjoyable disc and indicates Scott is a talent with more than simply promise here.
These reviews originally appeared in the 2001 November DC Blues Calendar, then the DC Blues Society's newsletter. I have made minor edits for readability. I likely received the Larry Davis from a publicist. I do not remember whether I bought the Jeffrey Scott or not. The Jeffrey Scott is currently available at Amazon. The Larry Davis may be hard to find. Here Jeffrey Scott performs "Red River Blues."
No comments:
Post a Comment