Jordon Dixon On!

Jordon Dixon
On!
Self-produced

"On!" is the second recording by Washington DC area tenor saxophonist Jordon Dixon. Dixon, a graduate of the jazz program of the University of the District of Columbia (UDC), today is no young prodigy although when he was 15 sitting in at bars and clubs in his native Baton Rouge, he may have been considered as such. He came to DC after serving as a musician in the US Marine Corps. Graduating from UDC, he released the self-produced "Conversation Among Friends" which was issued in conjunction with his senior recital.

Dixon composed the nine compositions heard here (one in two takes) and backed by a superb band of some of the DC area's finest musicians. The remarkable Allyn Johnson, who is the head of Jazz Studies as UDC, plays piano here. He also engineered, mixed, and mastered this recording. On bass is Herman Burney who like Johnson is a respected educator and mentor to many local jazz artists and played with Freddie Cole, Terrell Stafford, Rene Marie, and others. On drums is Carroll V (CV) Dashiell who has played with Benny Golson, Bobby Watson, the late Geri Allen, and others.JS Williams adds trumpet to two tracks.

The material ranges from blues, hard bop and ballads and Dixon impress the listener with his big tone and the repertoire. On the opening track, "Notes From the Nook," Dixon displays his full sound and the authority with which he plays the blues. Johnson, who is also heard on organ, follows with a terrific solo before Burney takes an arco bass solo. The tempo picks up with the brisk pace of "Way too Serious," with the leader navigating the tempo with ease. "What You've Done For Me" is a lovely ballad where Dixon's warmth is complemented by Johnson's excellent accompaniment and solo. Dashiell's crisply kicks off "We Kin," a lively hard bop performance.

The title track opens with some rhapsodic piano before shifting to some hot swing with Burney and Dashiell driving this spirited number with Burney and Johnson also contributing cogent solos. "Flame and Friction" is a late-night blues with JS Williams adding his trumpet on this first-rate selection. "Lee Lee Dee" is a robustly played swinger followed by a precious ballad "She Meant It When She Said It," with Burney's solo giving this performance deep roots. Williams returns for "Fake Flowers," a tune that hints at a New Orleans parade as well as the church music all these artists grew up with. Dashiell takes a strong, crisp solo here.

An alternate take of "Notes From the Nook," closes this recording. Jordon Dixon impresses with the invention and passion he brings. One can hear the influences of Coltrane and Sonny Rollins at times, but also with his big tone and warmth, and affinity for blues and ballads will especially appeal to fans of Houston Person and the late Stanley Turrentine and Gene Ammons. Simply stated, this is a fabulous recording.

Jordon Dixon will be celebrating a CD Release Show Monday, June 10th 7:00 pm, JAZZ Alive@UDC, part of the DC Jazz Fest's Jazz in the 'Hoods.' For more information on this performance, check www.dcjazzfest.org. This looks like a show not to miss, although I will be unable to attend because of travel.

I received my review copy from a publicist. Here is a video of Jordan at a student recital performing "Lee Lee Dee."

Kris Funn CornerStore

Kris Funn
CornerStore
Self-produced

The CornerStore - "On the corner of bebop and hiphop, hard rock and hard knocks … Here in West Baltimore. This ain't just a store. It's a metaphor for our lives. … So take a look around. We ain't got what you need, but I know we got what you want. … Thank You For Shopping With Us… Welcome to the corner store." This bits and pieces excerpt comes from Paige Hernadez's narration of the opening track of bassist Kris Funn's long-awaited recording "CornerStore," which is also the group under which this music is presented in public.

Funn is a second generation jazz artist whose father Charles is also a noted educator who was honored a couple years ago by the Jazz Journalists Association as a jazz hero. Kris Funn may be familiar to those who are fans of trumpeter Christian Scott's music as he has been part of Scott's band for a number of years as well as is heard on Scott's recordings. Funn has also played and recorded with vibraphonist Warren Wolf and too many others to note, and when the Mid-Atlantic Jazz Festival needed a rhythm section for the great Benny Golson, Funn was on bass.

The rest of the CornerStore includes drummer John Lampkin (or Quincy Phillips), guitarist John Lee and saxophonist Tim Green. Allyn Johnson and Janelle Gill add piano to a few tracks. When this writer first saw Kris Funn and CornerStore at a Capital Bop (Local DC jazzgroup) produced show several years ago, it was Lee and Lampkin. Seeing the group on this and other occasions I told Kris he needed to record this group. I was not alone in this, and finally we have this recording.

The music here brings together the mix of lyricism, blues feeling, funk and more, that characterize the CornerStore performances. Blues is a root of Funn's compositions, often repeating a melodic phrase before the compositions open in unexpected and delightful fashions. The opening "Visceral," a trio performance with Funn, Lampkin and Lee imaginatively and energetically taking us through this blues. It was on the following "Gemini," with Green's alto added, that one starts to appreciate the melodic elements of Funn's music with his singing tone in harmony with Lee's guitar on stating the theme. The performances are full of fun (no pun intended) as well as imaginative playing with unexpected twists.

The only number on this that was a bit disappointing was "Thursday Night Prayer Meeting," and that is because pianist Allyn Johnson is spectacular as usual, but he dominates the performance that it minimizes the stop-time, bass break that is part of why this such a favorite of the CornerStore's live performances. At the CD release party at the Kennedy Center (viewable at the Kennedy Center's website), they closed with this. While Johnson was perhaps even more astonishing, the bass break was also more prominent. But it still is a very good performance. In any event, this terrific album has been well worth the wait for us.

I purchased this. It is available from various internet stores including at bandcamp, https://cornerstoremusic.bandcamp.com/album/cornerstore. At another CD release party at the Washington DC Leica Store, Kris Funn and the CornerStore are seen performing "Thursday Night Prayer Meeting," with Herb Scott on alto sax, John Lee on guitar and John Lampkin on drums.

Tenth DC Jazz Festival June 24-29

Trombone Shorty will be one of the featured acts at 2014 DC Jazz Festival. Photo © Ron Weinstock

The Tenth DC Jazz Festival will bring a wide range of jazz to Washington DC June 24-29. First known as the Duke Ellington Jazz Festival, the festival changed its name a few years ago. This year the Festival also moves to later in June. 

Helen Sung will be part of a salute of Women In Jazz

The Festival takes place in a number of venues in the Nation’s Capital over this period. Once again The Hamilton Live, a few blocks from the White House, will feature a wide range of artists over the Festival span. Located at 1600 14th Street, NW, Performers at the Hamilton Live will include Paquito D’Rivera, The Dizzy Gillespie Afro-Cuban Experience, Snarky Puppy, Brass-A-Holics, Etienne Charles and Rudresh Mahanthappa, and a salute to Women in Jazz with rising stars Tia Fuller and Helen Sung. Also, the Roy Hargrove Quintet will be there for a Prelude Kickoff Concert, June 21.

Frederick Yonnet. Photo © Ron Weinstock

There will be three days of performances at Yards Park at the Capital Riverfront. This is a follow-up to last year’s highly successful show at Kastles Stadium with The Roots. Fans will enjoy jazz at the Capitol Riverfront overlooking the Anacostia River where there will be wine and beer tastings, chef demonstrations and a marketplace. Performers for Jazz at the Riverfront include Trombone Shorty, Gregory Porter, Rebirth Brass Band, Yasiin Bey (aka Mos Def) and very special guests, vocalist Akua Allrich and harmonica virtuoso Frédéric Yonnet. 


The Festival Also promotes Jazz in the ‘Hoods that takes place in over 40 venues with more than 80 performances in 21 neighborhoods around the city. Featured partners include The Howard Theatre, Bohemian Caverns, CapitalBop D.C.’s Jazz Loft Series, East River Jazz, the National Gallery of Arts Sculpture Garden, and Late Night at Loews Madison, among other venues. Artists include Marc Cary, Corcoran Holt, Lafayette Gilchrest, Allyn Johnson, Orrin Evans, Sharón Clark, Sin Miedo, Matana Roberts, and many more. 

Also taking place will be a program, Dave Brubeck Reimagined, at the Sixth and I Historic Synagogue. Renowned pianist Cyrus Chestnut and his quartet will bring unique interpretations of the music of Dave Brubeck. There will also be the annual Jazz ‘n Families Fun Days at the Phillips Collection that celebrates the synergy between jazz and the visual arts, with performances in the Phillips Collection’s music room and auditorium by more than a dozen regional artists and youth ensembles. Performers will include Rochelle Rice, Noble Jolley, Herman Burney and the Jazzin’ at Sitar Ensemble, Trio Caliente, Kayla Waters, and Tony Martucci 
 

Orrin Evans will be one of many performers as part of Jazz in the ‘Hoods

As can be seen, this is quite a line-up of performers. There will also be a variety of educational programs taking place at this time as well. For more information (including the festival schedule when it is released), visit www.dcjazzfest. org.

2013-0919 Nasar Abadey at Museum of American Art-9190316

2013-0919 Nasar Abadey at Museum of American Art-9190316, a photo by NoVARon on Flickr.

Nasar Abadey and Supernova® were the featured performers at the Museum of American Art's monthly Take 5 series of Jazz Concerts on Thursday evening, September 19, 2013. The them of this concert was Jazz and the Civil Rights movement as the master drummer-composer Abadey led his quintet through jazz compositions inspired by the Civil Rights Movement, including works by Max Roach, Charles Mingus, John Coltrane, Cal Massey and Allyn Johnson.

With Abadey were pianist Allyn Johnson, bassist James King, saxophonist Joe Ford, and trumpeter DonVonte Mccoy for some excellent music. I only was there for the first of two sets when they opened with Charles Mingus' "Work Song," continued with a Cal Massey composition whose title I forgot, continued with Coltrane's "Alabama" and the set concluded with an Allyn Johnson composition "Four Voices Silenced." I am not sure about if the name of this latter composition is correct and will correct when I have fuller information. On this last number, they were joined by vocalist Navasha Daya for an extraordinary performance that concluded a remarkable set.

While this was recorded and filmed from the audience, this group and their performance of this material certainly needs to be memorialized and I know I would welcome a CD of this group performing this material.

Simply outstanding. Here are a few addition photos from this performance.

Navasha Daya singing with Allyn Johnson on piano, Joe Ford on alto sax, DonVonte McCoy on trumpet, Nasar Abadey on drums. Not visible is bassist James King

James King

Navasha Daya

Allyn Johnson

Elijah Jamal Balbed's Checkin' In Today

Elijah Jamal Balbed caught at an earlier performance at the Smithsonian's Kogod Courtyard

One of the Washington DC area's most accomplished young musicians is saxophonist Elijah Jamal Balbed. At jams, performances with other artists and his own engagements, he has displayed a robust style displaying a musical maturity way beyond his years. He issued recently his first recording as a leader Checking In where he is joined by some of the DC area's most accomplished musicians including pianists Harry Appelman and Allyn Johnson, trumpeters Alex Norris and Donvonte McCoy, bassists Eric Wheeler and Zach Brown, guitarist Samir Moulay, and drummers Carroll Vaughn Dashiell III. 

Included are seven studio recordings from two sessions and a live performance from the Strathmore with a band that included Norris and Dashiell. Musically this is some fine playing in the vein of some of the classic Blue Note and Prestige recordings of the seventies by Wayne Shorter (whose Infant Eyes is interpreted), Booker Ervin, Freddie Hubbard, Woody Shaw and similar artists. The disc opens with the leaders own Macrophobia, which displays a a full tone that goes beyond his influences. It is followed by a wonderful rendition of Freddie Hubbard's tribute to his contemporary Booker Little, Lament For Booker, which allows everyone to stretch out. Norris is terrific here as is Appelman, flautist Brent Birckhead, and Balbed. The title track is the last one featuring the group with Appelman and Norris and a is a brash, bouncy performance.

Imanust (Tsunami spelled backwards) reminds me of some of Woody Shaw's very sophisticated compositions with bassist Brown taking a brief solo before the leader takes the forefront with Kush Abadey propelling things along. Keep Me From Fear was inspired by a poem by Brendan Ogg, who died way too young. It is a lovely ballad with Balbed opening in a feathery manner with guitarist Moulay complementing the opening statement. Throughout, pianist Johnson plays superbly where comping behind Balbed and others or in one of his beautiful solos. McCoy's trumpet is another pleasure to be enjoyed here, especially on his solo during Brief Encounters, followed by an excellent rendition of Shorter's Infant Eyes. 

The live recording For Minors Only strongly closes out Checking In. Balbed has received much praise   from CapitalBop.com (which selected this as amongst the finest Washington DC new releases of 2012) and the Washington City Paper (Best New Saxophonist in 2010). This writer has been impressed every time I have had the pleasure of seeing Elijah Jamal Balbed perform. This music swings, the arrangements are first-rate, the ensemble playing is terrific, and the solos are consistently inventive resulting in this marvelous debut album. This was crowd-funded through Kickstarter and available through cdbaby.com and available as a download from itunes and other download sources as well as from cdbaby.

I write this and post this a few hours before Balbed leads a program devoted to one of his influences, Wayne Shorter, at the Kogod Courtyard at the Smithsonian's Museum of American Art. The program is a tribute to Wayne Shorter's 80th birthday year, and he will showcase Shorter's early works (prior to his tenure with Miles Davis). Balbed's group will include Alex Norris on trumpet, Samir Moulay on guitar, Harry Appelman on piano, Herman Burney on bass, and Billy Williams on drums. It is free and starts at 5:00PM and runs until 7:00PM. Food is available in the snack bar and there is a free drawing workshop  taking place at the same time where one can build a sketchbook from recycled materials. This workshop is in conjunction with the exhibition Abstract Drawings. Here is Elijah Jamal Balbed from a couple years ago performing one of songs Wayne Shorter wrote for Miles Davis.

I purchased Checking In. 

I cursorily proofed this but will do a more thorough proofing later.

2011-0211 Mid-Atlantic Jazz Festival-2189165

2011-0211 Mid-Atlantic Jazz Festival-2189165
Originally uploaded by NoVARon

First night of the 2nd Mid-Atlantic Jazz Festival and among the featured performers was Nasar Abadey & Supernova. I first met and watched Nasar play while living in Buffalo where he was a member of Birthright. Supernova, named after the Wayne Shorter recording, was formed in 1976. After relocating to Washington DC in 1977, Nasar continued the group with various personnel over the years. The current line-up includes saxophonists Gary Thomas and Joe Ford, Bassist James King and pianist Allyn Johnson. Thomas was not part of Supernova as they performed to open the main stage for the Festival and performed a terrific set mostly with selections taken from his newest CD, "Diamond in the Rough."