Various Artists
It's The Best Stuff Yet
Frog Records UK
This is a double CD set of rare Piedmont blues packaged in a DVD sized box with a 32-page booklet. One CD is a collection of rare sides, unissued tests, clean originals and field recordings of classic Piedmont blues. The second CD contains the entire 1956 sessions by Blind Willie McTell (The Last Session) that was recorded by Ed Rhodes that includes material that was not included in the original Prestige release of such material. The handsomely illustrated 32-page booklet includes essays from Paul Swinton and Chris Smith, along with full discographical information.
The first disc includes some spectacularly wonderful performances of Piedmont blues with a spotlight primarily, but not exclusively, on the blues of Atlanta. It opens with a wonderful duet by Ruth Willis and Blind Willie McTell, "Talkin' to You Wimmin About the Blues," followed by McTell accompanying a vocal by her. Then comes the sublime first recording by McTell, "Mamma, T'aint Long Fo' Day'," with a wonderful vocal and superlative 12-string slide guitar. Performances like this as much as the better-known "Statesboro Blues" explain why McTell is regarded as among the greatest blues artists who ever played. Also included on this disc is McTell's Library of Congress recording of "Delia's Gone," about a 14-year-old girl shot by her 14-year-old boyfriend.
The McTell sides are not the only brilliant performances here. There is Blind Blake's "West Coast Blues" from his initial recording session, as well as a previously unissued test by Blind Boy Fuller of "Rag, Mama, Rag #1." This superb, animated performance had the great Fuller supported by Gary Davis on guitar and Bull City Red on washboard. Then there are two terrific performances by Prince Moore about who little is known and two wonderful performances from unissued tests by Buddy Moss. "Red River Blues #2" is another fabulous Piedmont fingerpicked blues. Curley Weaver, with harmonica player Eddie Mapp, deliver a bit of hokum on the title track, while there are two dynamic songs from Barbecue Bob with his robust vocals and 12-string guitar playing. Also, there is a radio aircheck of Josh White performing "John Henry," as well as short unexpurgated party disc of "Darktown Strutters," that definitely is not radio-friendly. The great Virginia Piedmont blues artist, John Jackson is heard on two stunning selections from private recordings that show the influence of Blind Blake.
The remaining selections on this first disc are of similar interest and merit. If this was issued as a single disc, one would recommend it highly. The second disc contains the entirety of the recordings, both songs, and interview segments, that Ed Rhodes made with Blind Willie McTell and issued in part as "The Last Session." as we hear him tell stories about the instrumental "Kill It Kid Rag," and "The Dyin' Crapshooter's Blues." There are surprising songs like "Pal of Mine," 'Salty Dog," "My Blue Heaven," and "Wabash Cannonball," along with McTell's remembrances of his early life and more. This second disc is not only a historical document but contains more exquisite blues and folk songs. In addition to this, there is an interview by Larry Cohn of Ed Rhodes discussing Mctell and the recordings produced by Rhodes decades later.
There have been some extremely important releases of historical blues material this year. "It's The Best Stuff Yet!" is as good as any of them and would make a terrific holiday gift to the blues fan in your world, or simply a marvelous gift for oneself. For more information on this release visit Frog Records at their website: https://www.frog-records.co.uk/products/its-the-best-stuff-yet. Frog Records has a superb catalog of vintage blues and jazz reissues including what is generally considered the best sounding reissue of Bessie Smith's music (on 8 CDs).
I purchased this.
Ron Weinstock's semi-regular collection of observations, reviews and more about blues, jazz and other matters informed by the blues tradition.
Showing posts with label Atlanta blues. Show all posts
Showing posts with label Atlanta blues. Show all posts
Wednesday, December 04, 2019
Saturday, September 22, 2012
Sweet Betty's Live & Let Live
Based in Atlanta, Sweet Betty started singing in church and later after
singing around was encouraged and featured by saxophonist Grady ‘Fats’
Jackson. Performing, she made many fans including Bob Margolin who
introduced her to Tim Duffy, head of the Music Maker Relief Foundation.
Sweet Betty had a cd on JSP some years ago, but it was a special treat to receive from the Music Makers Foundation her newest recording, Live & Let Live. On it she is backed by bassist Bill Rich and drummer Kester Smith of Taj Mahal’s band, keyboards from Dave Keyes and a variety of other musicians that provide a definite uptown blues and deep soul feel. The material covers a range of moods and grooves.
The disc opens with the shuffle, Party, where Betty launches into her vocal with the force of a Koko Taylor although with a bit cleaner deliver. Next she handles Eddie Hinton’s soulful Everybody Needs Love, and Joe South’s Untie Me. The title track has a nice funk groove with Sweet Betty soulfully telling us that we have to live for oneself and not someone else, but most importantly live, live and let live and love one another. Touched By You is a strong southern blues number with a nice dance groove followed by a terrific rendition of Damn Your Eyes. Other pleasures to be heard include Sam Cooke’s Ain’t That Good News and two gospel numbers that close out this wonderful release.
This is yet another nice addition to the Music Maker catalog and can be purchased from the website, www.musicmaker.org. Purchases not only support the artist but also the mission to help the pioneers of Southern musical traditions. Visit the website, www.musicmaker.org.
This review originally appeared in the November 2005 DC Blues Calendar. I do not know if I received this from Music Maker Foundation as a premium for membership or received a review copy. Here is a video clip of her backed by The Shadows at Blind Willie's in Atlanta.
Sweet Betty had a cd on JSP some years ago, but it was a special treat to receive from the Music Makers Foundation her newest recording, Live & Let Live. On it she is backed by bassist Bill Rich and drummer Kester Smith of Taj Mahal’s band, keyboards from Dave Keyes and a variety of other musicians that provide a definite uptown blues and deep soul feel. The material covers a range of moods and grooves.
The disc opens with the shuffle, Party, where Betty launches into her vocal with the force of a Koko Taylor although with a bit cleaner deliver. Next she handles Eddie Hinton’s soulful Everybody Needs Love, and Joe South’s Untie Me. The title track has a nice funk groove with Sweet Betty soulfully telling us that we have to live for oneself and not someone else, but most importantly live, live and let live and love one another. Touched By You is a strong southern blues number with a nice dance groove followed by a terrific rendition of Damn Your Eyes. Other pleasures to be heard include Sam Cooke’s Ain’t That Good News and two gospel numbers that close out this wonderful release.
This is yet another nice addition to the Music Maker catalog and can be purchased from the website, www.musicmaker.org. Purchases not only support the artist but also the mission to help the pioneers of Southern musical traditions. Visit the website, www.musicmaker.org.
This review originally appeared in the November 2005 DC Blues Calendar. I do not know if I received this from Music Maker Foundation as a premium for membership or received a review copy. Here is a video clip of her backed by The Shadows at Blind Willie's in Atlanta.
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