Kid Ramos/ Bob Corritore Phoenix Blues Sessions

Kid Ramos/ Bob Corritore
Phoenix Blues Sessions
SWMAF Records/ Vizztone

This album is one of three new releases from harmonica player and blues producer Bob Corritore's vaults. These are sessions from the late 1990s to the early 2000s that were initially released as a benefit album for Kid Ramos in 2012 when he had a cancer scare. It has been revised, remastered, and reimagined for a commercial release. Included are previously unissued material, new mixes of material, and alternate takes. Besides Ramos on guitar and Corritore on harmonica, Chico Chism is on drums throughout. Chico sings on one track. Other singers here include Nappy Brown on two songs, Henry Gray on four (he plays piano on five), Chief Schabuttie Gilliame on two, Big Pete Pearson on two, and Dr. Fish on one. Other players include Johnny Rapp on guitar or mandolin, Paul Thomas on bass on all but one song, Mario Moreno on bass on one, and Tom Mahon on piano for six.

There is plenty of straight-forward and noteworthy performances starting with an exceptional shuffle rendition by Nappy Brown of Walter 'Lightnin' Bug' Rhodes' "Aw Shucks Baby," with the Kid laying down an easy rhythm accompaniment as Henry Gray rocks the ivories. In contrast to Nappy's blues shouting, he takes a more relaxed folky vocal on Smokey Hogg's "Baby Don't You Touch My Clothes." Kid Ramos is more prominent with some slashing guitar backing Henry Gray's vocal on "Come On In." I am not familiar with Dr. Fish, but he is outstanding singing Eddie Boyd's "24 Hours." Corritore is terrific on chromatic harmonica while Kid Ramos plays some jazzy single note fills. Henry Gray returns for a first-rate rendition of Elmore James' "I Held My Baby Last Night." Gray is upfront with Kid Ramos' guitar in the background as he channels some of Elmore's accompaniments to Willie Love and Sonny Boy Williamson. Gray also enthusiastically revives Hot Lips Page's "They Raided The Joint," and the easy rocking shuffle "Talkin' Bout You."

Big Pete Pearson's cover of Albert King's "Natural Ball" is taken at a more relaxed pace than King's original, with Kid Ramos adding drive to the groove with his playing. Kid Ramos' stunning Muddy Waters styled slide guitar is present on Pearson's reworking of Little Milton's recording "Possum in My Tree." Pearson takes this strong soul-blues and makes it an intense Chicago blues for one of this album's highlights. Chico Chism handles the vocal on an imaginative rendition of "Mother-in-Law Blues," as Kid Ramos channeled Willie Johnson and Calvin Newborn. It is a sterling performance taken at a much slower tempo than the song is usually performed at. Chief Schabuttie sings "No More Doggin'" with a hoarse, graveling vocal set against a chugging groove. Kid Ramos adds some stunning playing to Schabuttie's "Snake Crawls at Night" that closes this disc.

Blues lovers will enjoy this collection of very entertaining traditional ensemble blues, and for those, like me, who missed the original release will welcome this edition.

I received my review copy from Vizztone. Here is a performance by Bob Corritore and Kid Ramos but not from this album.

Henry Gray Plays Chicago Blues

 

Since he moved back to Louisiana a few decades ago, former Howlin Wolf pianist Henry Gray has kept playing but has never enjoyed the level of recognition that contemporaries, such as Pinetop Perkins, have received. Besides being in Wolf's band for an extended period, Gray did a fair amount of session work, recording with Jimmy Rogers, Little Walter, Billy Boy Arnold and Jimmy Reed, as well as making his own recording for Chess. The biggest influence on Grays style is Big Maceo, and like that great master, he is a strong, two-handed player and he certainly sings with a definite sense of urgency.

Gray did record some swamp-blues flavored sides for an Arhoolie anthology, and some singles for small Louisiana labels, an album for Antone's which I believe is long out-of-print, and a live album for Lucky Cat which would have been better if some of the performances had been edited to be tighter. Hightone has issued a new cd by him, Plays Chicago Blues , which has him backed by guitarists Bob Margolin and Kid Ramos, fellow Wolf alumni Chico Chism on drums and Bob Corritore on harmonica.

My promo cd does not provide any more detailed information, but these are from various sessions that Corritore produced over several years. Its a nice mix of material including covers of classic Chicago blues including a couple songs associated with Elmore James, It Hurts Me Too and I Held My Baby Last Night, as well as Wolf's How Many More Years , The Maceo influence is quite evident on the slow moody Trouble Blues and It Hurts Me Too, while Henry’s Houserocker is a strong, rollicking instrumental. There is nothing fancy about this music but it strikes this writer as the best currently available disc of Henry Gray's music available.

Henry Gray had a recent album issued under Bob Corritore's direction, The Henry Gray/ Bob Corritore Sessions Vol. 1 that I will post my review of tomorrow. This review was written in  mid-2001 and likely was published in Jazz & Blues Report and the DC Blues Calendar. I likely received a review copy from Hightone and this may be still available.

Here is Henry in performance in 2009 at the Louisiana Music Factory.