Showing posts with label DC Blues Festival. Show all posts
Showing posts with label DC Blues Festival. Show all posts

Sunday, August 17, 2014

Plenty of Labor Day Weekend Blues in Washington and Baltimore

Selwyn Birchwood, seen at 2013 DC Blues Society show will be appearing at the DC Blues Festival and Alonzo's Memorial Picnic this Labor Day weekend
For those in the Washington and Baltimore area, Labor Day weekend brings some exceptional music. Saturday August 30, the DC Blues Society presents its annual DC Blues Festival at the Carter Barron Amphitheatre in Northwest Washington DC, and the next day (August 31) the Baltimore Blues Society presents its annual Alonzo Memorial Picnic at the Rosedale Maryland American Legion Hall.

The DC Blues Festival has an excellent line-up headlined by a terrific singer Shakura S’Aida along with a bright young blues artist from Florida, Selwyn Birchwood. One will also get to hear some electrifying sounds of the Eddie Turner Band; Washington vocalist Shirleta Settles and Friends; the southern soul and blues of The Hardway Connection; and Stacey Brooks, winner of the 2013 DC Blues Society Battle of the bands and one of the area's most popular female blues singers. Also at this festival will be some workshops at the John Cephas workshop stage along with a jam session from members of the Archie Edwards Blues Heritage Foundation Jambassadors. This free festival begins at Noon and runs until about 7:30 PM at the Carter Barron Amphitheater which is located at 16th and Colorado Streets NW in Washington DC. For more information visit www.dcblues.org.

The Alonzo's Memorial Picnic also has an impressive lineup which includes Selwyn Birchwood as well as another impressive young singer-guitarist Jarekus Singleton. Also on this line-up will be Gaye Adegbalola & The Wild Rutz, a four woman a capella group led by one of the former members of saffire-the Uppity Blues Women; and the swing-Chicago blues stylings of Doug Demming, Dennis Gruenling and The Jewel-Tones. This show will take place from 1 to 9PM (doors open at 12:30PM). The Rosedale American Legion Hall is at 1331 Seling Ave., Rosedale, MD 21237. For more information, including ticket price, visit www.mojoworkin.com.

Here are some videos to highlight some of the performers.

Here is Shakura S'Aida from a recent Toronto appearance. I am especially looking forward to seeing her as I was unable to attend some festivals she was scheduled at. Her album Brown Sugar was one of my favorite albums of 2010 and her most recent album, Time, is equally impressive in not simply her vocals and the backing but the range of material she performs. If you click on the underlined Brown Sugar,  you will see my review of that recording.




Selwyn Birchwood was the winner of the 2013 International Blues Challenge and he previously appeared at a DC Blues Society show in October 2010. He brings plenty of enthusiasm and energy as well as a fine band and his considerable talent.  Here he performs the title track of his debut Alligator album, Call No Ambulance. I look forward to seeing him perform in DC and Baltimore.



How many festivals can claim to present two winners of The International Blues Challenge presented by The Blues Foundation. The Hardway Connection won the Challenge in October 1994 (It used to be held the Sunday after the King Biscuit Festival) edging out Susan Tedeschi's Band. They do a nice mix of soul and southern soul classics and strong originals with three exceptional singers, Jerome MacKall, Toni Love and Robert Owens. MacKall may be the best deep soul singer you never heard (a cross of Otis Redding and Al Green) while Owens is a nephew of the legendary Don Covay.



Illness prevented me from attending the Pennsylvania Blues Festival where Jarekus Singleton appeared, but I keep hearing raves about him. His music is quite original and striking and you can click on the title of his Alligator debut, Refuse to Lose, to see my review of it. I am certainly looking forward to seeing his performance at the Alonzo's Memorial Picnic. Here is a clip from the 2014 North Atlantic Blues Festival from this July.


Stacey Brooks is a DC area favorite and here she is performing her signature song, My Name Is Stacy.


Here is Gaye Adegabalola and the Wild Rutz.


Saturday, August 25, 2012

Sista Monica Parker Headlines 24th DC Blues Festival

Sista Monica at 1997 DC Blues Festival.
Photo © Ron Weinstock
The 24th DC Blues Festival takes place, September 1, 2012. It is at the Carter Barron Amphitheater in NW Washington, DC, starting at noon and running until 7:30PM.

Headlining the festival is the marvelous Sista Monica Parker, who is returning to the Festival after 15 years. Her appearance in 1997 was her first appearance on the East Coast and was one of the finest performances by anyone in the Festival’s history. She does not appear on the East Coast very often so we are fortunate to have the Lioness of the Blues, as the guitarist Vasti Jackson was first to describe her, returning with her outstanding band. I myself have written, “Sista Monica is as compelling a vocalist as anyone in the blues.” She is one of the few living singers one can compare to the greats like Big Maybelle and Etta James. She is that powerful a singer. She has a new release on her Mo’ Muscle label, Living In the Danger Zone.

Also appearing on the festival line-up (and they are closing out the Carter Barron show) is Sugar Ray & The Blue Tones. I first met Ray Norcia when his band then included Ronnie Earl (Horvath) and backed up J.B. Hutto in New York City (the year was 1978). He is still going strong and plays Chicago blues styled blues with an urban touch with a terrific band that includes Monster Mike Welch on guitar and Anthony Geraci on piano. As a vocalist his smooth delivery evokes Junior Parker and he is a strong, but not flashy harp player. Sugar Ray fronted Roomful of Blues for a period as well as led the Blue Notes for over thirty five years. His most recent CD is the Severn issued Evenin’ which I reviewed when it was released last year.The Lionel Young Band is also on the line-up. I have not seen them, but they were winners of the 2011 International Blues Challenge. Young hails from Colorado and plays fiddle in addition to guitar.


Dr. Ayaba Bey will be singing with the
Dc Blues Society band. Photo © Ron Weinstock
Clarence ‘The Blues Man’ Turner, who was the winner of the 2011 DC Blues Society Battle of the band as well as the DC Blues Society Band featuring Ayaba Bey rounds out the line-up. I might add that the DC Blues Society Band sounds better every time I see them with a fresh repertoire of songs and D. Bey is a wonderful singer who should not be overlooked. They are a reason to get to the Festival when it starts.

The festival will also have its usual workshops as well on the John Cephas Workshop Stage located at the main gates in front of what would ordinarily be the ticket booth for the Carter Barron. Nadine Rae will once again lead a vocal workshop, while Mike Westcott will head the guitar workshop. 'Choo Choo' Charlie Williams will conduct the Children's harmonica workshop and the Archie Edwards Blues Heritage Foundation Ensemble once again is featured on the workshop stage.  

The Festival is free and no tickets are required for the Festival. The Festival schedule is up on the Blues Society's website, http://dcblues.org/bboard/phpBB2/viewtopic.php?p=4345.

Afterwards the DC Blues Society holds the Festival After-Party (and fund-raiser) featuring the Lionel Young Band at the American Legion Post 41, 905 Sligo Avenue, Silver Spring, Maryland. The Legion's entrance is actually on Fenton Street by the Parking lot. The After-Party starts at 8:30PM and is a ticketed event. Advance tickets are available online at a discount over the door price at the Society’s website, www.dcblues.org or one can call 301-322-4808.


Members of the Archie Edwards Blues Heritage Foundation including Eleanor Ellis, Rick Franklin and
Dave Jackson performing at the Workshop Stage during the 2011 DC Blues Festival.
Photo © Ron Weinstock
BTW, the Lionel Young Band will also be appearing along with The Holmes Brothers and Mikey Jr., at the Baltimore Blues Society's annual Alonzo's Memorial Picnic on Sunday, September 2 at the Rosedale Maryland American Legion Hall. Check out mojoworkin.com for more information.


Be part of the Carter Barron crowd for the DC Blues Festival!
Photo from 2011 Festival © Ron Weinstock

Saturday, September 11, 2010

Doug MacLeod at the DC Blues Festival

I first heard about Doug MacLeod through his album, "No Road Back Home," an album that certainly holds up decades after it was originally issued. One of the tracks, "Its the Blues," which opens as he recalls being with George 'Harmonica' Smith and William Clarke in Oakland and staying in this fleabite hotel before launching into the song about that night's performance. While that recording featured Doug with a band, and today he plays solo, the core of his music is there: his storytelling, conversational introductions and interaction with the audience and his vocal delivery which exemplifies the notion of "relaxed intensity," that I believe Bruce Bromberg first employed about Lightnin' Hopkins.

"No Road Back Home," also included perhaps his most famous composition, "Nightbird," which was a favorite of the late Washington, DC radio programmer, Jerry "The Bama" Washington. perhaps that is where the late Eva Cassidy heard it, and her version is one that Doug feels is the best. So much so, that he no longer performs it, but a recognition of how strong her rendition was.

At the Carter Barron on September 4, Doug spun his stories and played some mighty fine acoustic guitar. As I was photography the festival, I was not carrying a notebook or recording song titles. But one song he did perform, "The Long Black Train," that was on his first album, and also on the more recent (2008) Black & Tan album, "The Ultrecht Sessions." On this recording he is joined by bass and percussion on some tracks, but not this one. But back to Doug's performance, one is struck by his soulfulness, his strong musicianship, and the humor. And while he is a masterful acoustic blues player, at no point does his playing overshadow his songs or his vocals.

I do not recall the last time Doug had been in the Washington DC area, and in any event he should be on the left coast of states more frequently. I actually purchased "the Ultrecht Sessions," after his performance and it is a superb reminder of this terrific performance.

Monday, September 06, 2010

Diunna Greenleaf Rocked the DC Blues Festival

Diunna Greenleaf and the Blue Mercy Band, with Jonn Richardson on guitar, was to these ears the highlight of this year's DC Blues Festival, this past Saturday, September 4. I had seen Diunna on the Blues Cruise several years back and at the Pocono Blues Festival. She was good now, but listening to her now was a revelation. She has grown as a singer and can really belt out a lyric without getting shrill or falsely frenzied. Jonn Richardson was superb as well. Highlights included a rendition of "Possession Over Judgement Day," a tribute to John Lee Hooker, and a terrific "(Call It) Stormy Monday," with great guitar. Some of the performance was songs from her last recording, "Cotton Fields to Coffee House," which is a few years old, but just touches on how good she is live. Its time for a new recording by her and her tight band.

The DC Blues Festival is a free festival for which I was one of those with a photographer's pass to shoot for the DC Blues Festival.

Sunday, August 10, 2008

Lil' Dave Thompson's Blues


Playing with Booba Barnes as a teenager, and later recording for Fat Possum, while touring with R.l. Burnside, Jr. Kimbrough and others, Mississippi blues man Lil’ Dave Thompson may not be 40, but he has developed into a terrific modern bluesman. Thompson had an impressive debut album on Fat Possum followed by an excellent recording on the British JSP label. Despite his hill country roots, his stinging guitar and forceful vocals owes much to the legendary Albert King, joining such other significant blues artists as the late Son Seals and Larry Davis as well as the muscular blues of Michael Burks who display King's influence . Thompson’s new album, Got to Get Over You Electro-Fi), displays that he has developed his own blues style. He is a fiery guitarist, whose tone evokes King, although like others he has a busier style. Tied to this is soulful, expressive singing and a program of strong blues originals including the title track and rocking shuffles like Out in the Cold, and Hard Headed Woman. Need For Speed, the lone instrumental, is a showcase for his searing fretwork. Recorded in Toronto, Electro-Fi backed Thompson with a tight band with organist John Lee and saxophonist Pat Carey impressively adding their voices, but the spotlight remains most impressively on Thompson and with this recording and his striking, intense performances (this writer just saw him at the Pocono Blues Festival), his stature in the blues world should be growing.

Lil' Dave will be appearing at the free 20th DC Blues Festival put on by the D.C. Blues Society on Saturday August 30 at the Carter Barron Amphitheatre in NW Washington DC. He will also appear at the Festival After Party at Surf Club Live that evening. For more information visit the D.C. Blues Society's website.

Saturday, August 09, 2008

Gilbert-Carter Will Jazz the Blues at DC Blues Festival

Here is a review of a very talented Washington DC based vocalist, Janine Gilbert-Carter that is of note. I also selected this as an outstanding recording of 2007. I found out that she and Sandra Y. Johnson will be appearing at the DC Blues Society's 20th DC Blues Festival as The Jazzy Blues Women, and be backed by a band that includes Vince Smith on keyboards and the legendary Dohn Nunley on saxophone. They are scheduled to appear at around 3:30PM

Originally from Pennsylvania, but a resident of the Washington D.C. area since 1988, vocalist Janine Gilbert-Carter has distinguished herself both as a gospel and jazz singer. Jazz Karma has just issued her new album, A Song For You, Live at the 15th Annual FMJS East Jazz Festival that should hopefully make her better known outside of the Nation’s Capital. The February 2006 appearance at the East Coast Jazz Festival captured here has her backed by a wonderful band featuring saxophonist Paul Carr, guitarist Steve Abshire, pianist Chris Grasps, bassist Gavin Fallow and drummer Clyde Adams. And while Carr gets a number of strong solos here, with his Texas-based tenor playing being especially nice, Ms. Gilbert-Carter is front and center possessing a delivery that swings along with the band over a wonderful range of material that includes songs associated with Dinah Washington (What a Difference a Day Makes); Big Maybelle (Candy); Shirley Horn (Here’s to Life); Percy Mayfield (Please Send Me Someone to Love); Etta James (At Last); and Denise LaSalle (Someone Else is Steppin’ In). And then there are the standards like All of Me, and When I Fall In Love. No matter how familiar a song is, Janine Gilbert-Carter brings a breath of fresh air in her interpretations, with her phrasing and the sophisticated bluesy inflections she adds. I was familiar with Leon Russell’s A Song For You, from Donny Hathaway’s recording. The rendition here does evoke Hathaway’s prior recording but she provides an equally stirring performance. She transforms Denise LaSalle’s soul-blues classic, Someone Else is Steppin’ In, into a swinging blues as she belts out the lyric on a stunning performance (Carr’s tenor solo also deserves note). It must have been quite a night to see Janine Carter-Gilbert at the East Coast jazz Festival when this was recorded. The proof is this terrific album that that is available at cdbaby.com.

Thursday, April 19, 2007

Haywood 'Little Sonny' Warner 1930-2007


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Originally uploaded by NoVARon.
I already have expressed my appreciation for the late Little Sonny Warner, but felt it useful to place a lengthier obituary for this wonderful singer and person.

Haywood, ‘Little Sonny’ Warner, one of the greatest blues artists to emerge from the Washington DC music scene passed away on April 12, 2007 from the effects of prostate cancer. Warner, born October 30, 1930, grew up in Falls Church, Virginia on Shreve Road, behind what was then Peacock Buick. As a teen he was part of a gospel group "The Four Sons" who sang at the Second Baptist Church in Falls Church. This was the beginning of his lengthy musical career. This group went up to New York and as the Rockets, backed legendary Atlantic Records session pianist Van Walls on Walls' single releases, "After Midnight" and "Open the Door."

Sonny became part of the DC music scene, singing at various area clubs while holding down a day job. In the mid 1950s he became valet for the legendary Lloyd Price in Prices’ touring band who had established the Washington DC based KRC label with Harold Logan and Bill Boskent. Being a valet also included some part-time vocal duties, Initially he shared duties with Price’s cousin, Larry Williams but Specialty Records' Art Rupe got Williams to sign with Specialty and start on his own career. Warner wasn’t unhappy, telling blues scholar Larry Benicewicz ““You see, Larry was also a hairdresser, which gave him an advantage, because Lloyd would always want to look good for his public. I could never compete with that.”

Benicewicz noted that Warner tired of Price’s grueling road itinerary and returned to the Washington area where still popular as a local entertainer he began hanging out at various clubs, including the legendary Maryland venue, where he would sit in with the locals. he recalled to Benicewicz, ““I met Jay McNeely at a place called Evan’s Grill in Forrestville, MD, and his singer wasn’t doin’ nothin. The crowd egged me to go on, so I got Jay to agree. I never saw that vocalist again.” Jay asked Sonny to go on the road with him and a few months later he Sonny left his day job and small local gigs behind to join McNeely in Seattle where Big Jay was based. He fronted McNeely’s Band, scoring with his Ray Charles influenced vocals. In Seattle, they were recorded at the Birdland club which McNeely later issued on his Swingin’ label (and this is available today on Collectables) which mixed a number of wild instrumentals showcasing McNeely’s honking tenor sax along with Warner’s soulful singing which included an early version of “There is Something on Your Mind.”

Big Jay’s recording of “There is Something on Your Mind” with Little Sonny’s vocal was the big moment in Sonny’s career, with the record going gold. The record, issued on the Swingin' label of Hunter Hancock, Roger Davenport and McNeely became a major R&B smash in 1959, even reaching #44 on the Pop Top 100. Sonny’s wonderful delivery of the lyrics and his ad-lib scatting towards the vocal’s end is still appealing almost five decades later. It was a classic recording of a terrific song and has been covered by numerous performers including Bobby Marchan, James Cotton, Kenny Neal, Professor Longhair and B.B. King. Over the next couple years, several more singles, some simply instrumentals, were waxed by McNeely and band but none reached the success of the song that took Big Jay, Little Sonny and band across the country playing some of the great venous and sharing the stage with other R&B giants.
Eventually, Sonny left McNeely and returned to the Washington DC area. He was able to hook up with Bill Boskent who Sonny would have gotten to know when he was with Lloyd Price because Boskent was Price’s road manager. Larry Benicewicz notes that Boskent recorded Sonny producing a pop flavored ballad “Wallflower” backed by the bouncy “That’s For Me” (both Boskent compositions) for the first Bee Bee (for Bill Boskent) release in 1961, and two more sides (duets with Marie Allen) in 1962. Benicewicz stated the recordings had an impact in the Mid-Atlantic region, but did not break out as had been hoped. Then Boskent recorded Warner for a band new Lloyd Price enterprise, Concertone records, but again the recording did not meet expectations. Later in 1966, Sonny recorded what was possibly his best know post-Big Jay recording, the single “Bell Bottom Blue Jeans” and Been So Long,” which was produced by Ted Bodner. The former tune remained a staple of his repertoire until the end.

Over the next few decades, Sonny continued to perform, being one of the most highly regarded artists in the region. He evoked Ray Charles as he sang blues and soul songs, and was always backed by a crack band. He continued to play the top venues in the region, and when Lamont's opened in 1990, was its opening act. He performed at The Taste of DC and twice was featured at the DC Blues Festival (1992 and 1998) where he captured his audience with his singing and his stage presence, being a whirling dervish on the stage. And as former DC Blues Society President Bob Gray would say, no one could sing “There is Something on Your Mind” like Sonny Warner could.

One highlight of recent years was being reunited with Big Jay McNeely at the August 1997, Hot August Blues event in Monkton, Maryland. It may have been the only time since he split from McNeely in the early sixties that the two shared the stage together. Brad Selko, who with his late wife Marcia, produced the event, mentioned that people still tell him that Sonny’s performance that day was among the most memorable shows they had ever seen. This writer also remembers Sonny as one of the acts at the 2000 Gator Blues Festival at Lamont’s where he left the stage to wade into the enthusiastic crowd.

Sonny continued performing, but slowed down his pace. He was discovered by Falls Church community activist David Eckert. Eckert, who had worked vigorously to recover the civil rights legacy of the Falls Church area, earlier helped the region appreciate the role of Piedmont Blues pioneer John Jackson. Eckert helped arrange performances for Sonny at the City’s First Friday celebration, the annual Tinner Hill Festival (a celebration of the first rural NAACP chapter in Virginia) and at the City of Falls Church’s"Concerts in the Park" series held Falls Church's Cherry Hill Park.

In more recent years Sonny endured some health ailments. He was diagnosed with prostate cancer and received treatment and slowed down his performances. Some of his last performances were as part of a revue, The DC Allstars that included Pookie Hudson & the Spaniels, The Jewels, The Velons, The Orioles, Skip Mahoney & the Casuals, and The Winstons. Still the health problems limited his ability to perform. When Big Jay called Sonny to join him in Italy to help Jay celebrate his 80th Birthday, Sonny was unable to join his fellow legend.

I happened upon Sonny and his wife Catherine on several occasions the past couple years, and it would always bring a smile just to chat with him. Even when last summer at a Safeway parking lot, when he told me his was undergoing chemo for the prostate cancer, he still had the infectious smile and optimism about the future. Sonny was as nice a person as he was one of the finest blues singers ever to come out of Washington. And he was so good that if there is ever a DC Blues Hall of Fame, he will be one of the charter members.

Sonny was survived by his wife, Catherine, seven children and two stepchildren; sister Jessie Mae Simmons and brother, Joseph Hunter; 13 grandchildren, 12 great-grandchildren, eight sisters-in-law, six brothers-in-law, numerous nieces and nephews, other relatives and many friends. To his family we extend our condolences.