Schapiro17 - Human Qualities

Schapiro17 - Human Qualities - Summit Records

Composer-arranger Jon Schapiro, currently a professor at Yeshiva University, formed Schapiro17 as a vehicle for his writing and to showcase some of New York's top musicians. The members on this recording are trumpets: Bryan Davis, Andy Gravish, Eddie Allen, Noyes Bartholomew; trombones: Alex Jeun, Deborah Weisz, Nick Grinder, Walter Harris saxophones: Rob Wilkerson, Candace DeBartolo, Paul Carlon, Rob Middleton, Matt Hong piano: Roberta Piket; guitar: Sebastian Noelle; bass: Evan Gregor; and drums: Jon Wikan. 

This big band opens like a modern New Testament Count Basie Band with the opening "Count Me Out." This composition transforms itself into a more contemporary vein with Rob Middleton's remarkable tenor sax, a piano interlude by Roberta Piket that evokes Duke Ellington, and Deborah Weisz's wooly trombone solo. This results in a memorable performance. "Tango" opens with bassist Noelle in duet with baritone saxophonist Matt Hong before the reeds and full band join. Schapiro's scoring provides a turbulent setting for Hong's rambunctious solo. Then there is the driving, irresistible groove of "Hmmm" with Piket laying down a barrelhouse piano progression for the high energy horns, Andy Gravish's scorching trumpet, and Paul Carlon's high-spirited tenor sax solo. All of this exceptional music is set against Schapiro's top-flight arrangement to builds up to an explosive climax.

The one song that Schapiro did not write is an evocative rendition of "The First Time Ever I Saw Your Face." Schapiro initially provides a haunting setting for Eddie Allen's mournful trumpet. Against the brooding atmosphere, Allen's trumpet becomes a bit more luminous. The title track is built around a fair amount of counterpoint by the ensemble. It also has dynamic solos from Rob Wilkerson on alto sax and Nick Grinder on trombone. These two trade-off with each other with their counterpoint playing over Schapiro's dense, volatile arrangement. 

The remainder of this recording is full of the same superior ensemble playing, marvelous and imaginative arrangements, and terrific solos by the ensemble's members. Guitarist Noelle especially shines on "Hallelujah." On "A Bounce in Her Step," Schapiro imaginatively incorporates various bebop phrases, especially from "Billie's Bounce." Drummer Joe Wikan lays down a funky groove while Alex Jeun's growling trombone evokes Tricky Sam Nanton on the closing selection, "House Money." 

With the fabulous music on this album, Schapiro17's "Human Qualities" is an outstanding contemporary big band recording that sounds fresh with repeated hearings.

I received my review copy from a publicist. Here is a link to a video of "The First Time I Ever Saw Your Face." https://youtu.be/U3UEci0kktw.

Peter Hand Big Band Out of Hand

Peter Hand Big Band
Out of Hand
Savant

A few years ago, guitarist Peter Hand led a big band, featuring tenor saxophonist Houston Person on a wonderful live recording on Savant “The Wizard of Jazz: A Tribute to Harold Arlen.” The Peter Hand Big Band returns with a new studio recording, also on Savant, “Out of Hand.” Again, Person is present (on three selections), and a number of top-notch players are heard here including saxophonists Bruce Williams, Kenny Berger, Don Braden, and Ralph LaLama; trumpeters Eddie Allen, John Bailey and Valery Ponomarev; trombonists John Mosca and Vincent Gardner; and a terrific rhythm section of pianist James Weidman, bassist Harvie S and drummer Steve Johns.

Person is featured on three selections, a swinging rendition of Bobby Hebb’s “Sunny”; the classic Harold Arlen torch song “Blues in the Night”; and the Strayhorn/Ellington classic “Day Dream.” Person brings his warm, rich tone and the melodic quality of his improvisations set against Hand’s wonderful arrangements as well as Hand's own clean, crisp guitar. On the opening Sunny,” trumpeter Ponomarev takes one of several sharp-toned solos that exhibit an authority similar to that of Person. Selections like these evoke a classic Oliver Nelson Big Band album “Live in Los Angeles” that featured guitarist Mel Brown on a couple selections as well as Nelson’s arrangements for some of Wes Montgomery’s Verve recordings.

Hand is a wonderful guitarist in the vein of a Montgomery, Kenny Burrell, Grant Green and the like with a definite blues sensibility. Hand’s original “Out of Print Blues” (called Out of Hand Blues” in Donald Elfman’s liner notes) is a nice swinging blues with strong solos from Bruce Williams, Harvie S and Vincent Gardner in addition to the leader. Another Hand original is the waltz “Listen to Your Heart” with its effective use of muted brass, flute, flugelhorn and soprano saxophone with Braden taking a nice soprano sax solo set against the riffing horns while Ponomarev is in more melodic vein.

Hand displays a romantic sensibility of a lovely ballad “Barbara Rose,” while the up-tempo “The Elevator” is a feature for LaLama’s robust and forceful playing and will evoke the Ellington classic “Cottontail.” After the light Latin groove of “Night Echo” (Hand, Bailey, and Weidman stand out here); we are treated the splendid “Day Dream,” before Hand enlivens “Summertime” with his arrangement in 6/4 and employment of flute, clarinet, bass clarinet and muted brass to provide musical colors for Allen’s vibrant trumpet and Weidman’s piano. It is a superb close to this splendid big band recording.

I received my review copy as a download from a publicist. This review originally appeared in the March-April 2015 Jazz & Blues Report (Issue 359). Peter Hand Big Band has a new CD out that I will be reviewing shortly. Here is "Sunny" from "Out of Hand."