Tomislav Goluban Chicago Rambler

Tomislav Goluban
Chicago Rambler
Spona

I recently reviewed a fascinating recording by the Croatian harmonica player Tomislav Goluban with the keyboards of Toni Starešinić which resulted in some fascinating sonic explorations. The present CD is more in the vein of Chicago styled blues and was produced in a Chicago studio with a band consisting of Eric Noden on guitar; E.G. McDaniel on bass; and Kenny 'Beedy Eyes' Smith on drums with Joe Filisko adding harmonica on two songs. Goluban wrote eleven of the twelve songs. The other song is a traditional Croatian song.

Goluban’s nickname is ‘Little Pigeon’ and the album kicks off with a hard-rocking instrumental that displays his by full-bodied harmonica style, “Pigeon Swing.” It is followed by “Locked Heart,” a charming performance in the manner of Slim Harpo with a low-key vocal and harp and suggests Slim Harpo’s “Raining in My Heart.” Goluban may not be the most expressive singer, but his soft-spoken vocals do display a genuineness. This makes his original “Jerry Ricks on My Mind,” a moving remembrance set to a rhumba groove as he sings “Hey Mister Jerry would you play a song for me …,” with Noden playing atmospheric slide guitar. This is also performed acoustically with the guitarist evoking Ricks finger-style approach.

Besides his appealing singing, the backing adds to the charm of these performances whether the driving shuffle of “Bag Full of Troubles,” with some spectacular harmonica from Filisko or the moody slow blues “Can’t Find Myself,” with a marvelous harp solo that adds to the song’s feel. Then there is “One Way Ticket” which opens as an unaccompanied harmonica train solo before morphing into small group train blues. “Do the Right Thing,” is an original using the Bo Diddley beat, followed by the autobiographical “Little Pigeon” with Filisko on harp set against a classic Muddy Waters styled backing.

An easy rocking rendition of a traditional Croatian song “Išem budem v kleticu (I’ll Go to My Cottage),” closes a surprisingly engaging recording that delights with each listening.

I received a review copy from a publicist. This review originally appeared in the March-April 2019 Jazz & Blues Report (Issue 383). Here is a video of "Locked Heart."

Billy Boy Arnold's Heartfelt Big Bill Broonzy Tribute

The last year and a half saw two books about the great Chicago-based blues artist big Bill Broonzy. Bob Riesman’s I Feel So Good, emerged as the major chronicle of Broonzy’s life, correctly information about his date and place of birth and his development of his musical career. While he made use of archival interviews and other materials, one of his sources was bluesman Billy Boy Arnold was captivated by Broonzy as well as Broonzy’s friend, John Lee ‘Sonny Boy’ Williamson and while Billy Boy wanted to record with Broonzy, Broonzy directed him to musicians more in keeping with the contemporary blues scene.

Now over fifty years after Broonzy’s passing, Billy Boy has recorded a tribute album, Sings Big Bill Broonzy on Electro-Fi. It is produced by Eric Noden who plays acoustic guitar and others supporting Billy Boy are Billy Flynn on electric guitar and mandolin, Beau Sample on acoustic bass and Rick Sherry on washboard, percussion and clarinet. The 15 songs, all written by Broonzy, selected were recorded between the late 1930s and the early 1950s.

Bob Riesman in his liner notes that they attempt to play in the spirit of Broonzy’s work, rather than recreate the recordings. The lack of piano as well as Billy Boy’s harmonica helps to insure that. Arnold’s vocals also do not possess the ebullient quality that Broonzy brought to his recordings (the late John Cephas was one of the few singers of the past few years who had a comparable vocal style), but then again Muddy Waters’ vocals also lacked Broonzy’s good-natured exuberant quality when he recorded his Broonzy tribute shortly after Broonzy’s passing.

There is the lament of Sweet Honey Bee followed by the lively, relaxed swing of Going Back To Arkansas where Sherry contributes washboard and clarinet to help contribute a flavor of some of the Broonzy-Washboard Sam collaborations. Arnold added additional lyrics to the nice slow blues, Girl In The Valley a.k.a. Water Coast Blues, with Sherry again adding washboard while Flynn contributes mandolin in support. Key to the Highway is among the best known songs heard here and done quite strongly with some nice guitar in the backing.

These performances do also highlight Broonzy’s gift at crafting sophisticated songs with irony and wit in his expression of the blues, analogizing to a rooster in Looking Down At Me, or take the voice of a prisoner in Cell No. 13 Blues. The rendition of the former song is done in the fashion that Sonny Boy Williamson might have performed the song with a nice harmonica break. There is the mix of the contemporary and traditional in I Want You By My Side, that adapts the melody of Careless Love, and has a crisp Billy Flynn guitar solo.

The easy swing is also present when Billy Boy sings about Living On Easy Street, where he tells women if you want money get your man on the WPA but if you want good loving you got to do what I say. When I Get To Thinkin’, is nicely reworked and a bit more laid back than the Muddy Waters more emphatic 1960 recording that is a bit more threatening towards his lover. Arnold also provides his own spin to Broonzy’s fanciful It Was Just a Dream with its surrealistic imagery has been revived and reworked by a number of bluesman, most notably the late Louisiana Red, as he sings about waking up in the White House and the President shaking Bill’s hand.

This recording was heralded in Bob Riesman’s Broonzy biography, and its release has met the expectations for it. Today, one might find it hard to appreciate how significant Big Bill was in the history of the blues. Along with Riesman’s book, this tribute recording addresses that in a fine and spirited manner.

I was provided my review copy from the label.  Here is a video clip of the legendary Big Bill Broonzy.

Here is Billy Boy Arnold doing a Sonny boy Williamson number.