A Few Blues Shows Coming to DC of Note

Photo © Ron Weinstock

Jody Williams, pictured above at the 2007 Pocono Blues Festival, is one of the treasures of real deal blues artists who are still with us. A member of Bo Diddley's Band for a period, as well as making some pioneering recordings, we are fortunate that he resumed playing after several decades away from music in part because of the bitterness relating the song Love Is Strange. He has two truly wonderful blues albums out on Evidence that blues fans need to own. Anyway Jody is part of a tour, Blues At The Crossroads II: Muddy & The Wolf which also will include the Fabulous Thunderbirds featuring Kim Wilson, Tinsley Ellis, James Cotton and Bob Margolin. It is at the Birchmere in Alexandria, Monday February 18. Visit www.birchmere.com for more information.

Memphis Gold and Charlie Sayles will each be performing at JVs this week. Photo © Ron Weinstock

JV's in Annandale, Virginia is celebrating its anniversary and has some great shows this week. Tomorrow, Tuesday, February 12, Charlie Sayles will be leading a band with Clarence 'The Bluesman' Turner on guitar while on Wednesday, February 13, Memphis Gold will have a special show with some special guests including keyboards and saxophone. Friday, February 15 The Mac Arnold Band will be appearing. Mac Arnold is a former bass player who worked with John Lee Hooker and Muddy Waters while on Sunday, February 17, the early afternoon show will be a great group including Big Joe Maher, Marty Baumann and Bill Heid. Catfish Hodge  will be coming to JVs on Saturday March 2.

Incidentally, Memphis Gold is at the Westminster Presbyterian Church (401 I Street SW, Washington DC), as part of its Blue Monday series tonight, February 11, and next Monday (February 18), Little Royal will perform. There is a shuttle from the Waterfront Metro stop.

Moeller's Raunchy Blend of Blues and Funk Guitar Sizzles

Johnny Moeller may be best known as guitarist with The Fabulous Thunderbirds, but this Dallas Texas area native has been turning heads with his raw, soul-funk blues guitar playing that comes across as a wild blend of Freddie King, Jimmy Nolan, John Lee Hooker and Frankie Lee Sims. Having an eclectic taste (the title of one of his early recordings was a homage to an Ohio Players recording “Funky Worm), he has shown this on his prior recordings. Now Severn Records has issued his latest recording as a leader album, BlooGaLoo. Severn has used his guitar playing on many of recent recordings by Darrell Nulisch, Lou pride and Steve Guyger. “BlooGaLoo” was recorded over four years and includes some originals along with covers. The backing band is Matt Farrell’s keyboards, Steve Gomes on bass and Rob Stupka on drums with appearances by Shawn Pittman, Kim Wilson and Lou Ann Barton on vocals (Wilson on harp too), along with horns, background vocals, hollering and percussion.

The opening track opens with a Jimmy Nolan-ish riff before turning into an instrumental that could have been an unreleased Freddie King instrumental with plenty of funky, nasty guitar. Pittman handles the vocal for the funky, “I’m Movin’ On Up,” with a chugging rhythm before Pittman encourages the number one guitar player in the land with some searing playing. Moeller may not be a great singer, but he certainly puts plenty into his vocal on Earl KIng’s “Trick Bag,” with a hyper kinetic rhythm section and imagination use of a tape loop of a baby and taking a hot, brief break. Matt Farrell’s organ is really strong here as well as lends it a greasy flavor. Kim Wilson handles the vocal on the racing shuffle rendition of Jesse Anderson’s “I Got a Feelin’,” with Wilson playing some Sonny Boy Williamson-ish harp and Moeller rocks out on his break. Lou Ann Barton adds her voice behind Moeller on a nice funky duet, “I’m Stuck on you,” and takes the lead on the slow blue ballad “Everybody’s Got to Cry Sometime,’ where Moeller rips off single note runs that creates tension with the emphatic slow-drag rhythm here. “Theme From the One-Armed Swordsman,” is a moody instrumental with plenty of hard chords mixed with single note bursts against a walking tempo. Wilson takes a nice vocal, Wilson telling his woman he is leaving her on the uptempo the shuffle “Well Goodbye Baby,” with another hot solo. “Shufflin’ Along,” is a medium tempo-ed guitar rocker followed by the surprising closing performance, a strong cover of an early John Lee Hooker recording, “Teasin’ Baby,” where he certainly evokes the great, early solo boogies recorded by the late great bluesman six decades ago.

Fans of raunchy blues guitar mixed with heavy doses of funk, and rock’n’roll will certainly find this latest effort by Johnny Moeller much to their taste. He certainly has shown himself as a distinctive, and strong guitarist as a sideman, and this release will certainly enhance that reputation and add to the fact he is a credible vocalist.

This review originally appeared in the June 2010 Jazz & Blues Report (Issue 326). Severn Records sent this writer the review copy.