Wynonie Harris - Don’t You Want To Rock?

Wynonie Harris 
Don’t You Want To Rock? 
The King & Deluxe Acetate series 
Ace Records 2-CD set UK Import 

Wynonie Harris, the great blue shouter known as “Mr. Blues,” is the subject of a superb double-CD reissue on the English Ace label which the label describes on its website as “23 of the R&B superstar’s seminal King sides in best-ever sound, plus an entire CD of alternates, all mastered from fresh transfers from the original acetates.” These are Harris’ first recordings for the Cincinnati based King Records label and find him backed by Dexter Gordon, Hot Lips Page, Tom Archia and many others with songs that would become classics, including his cover of Roy Brown’s “Good Rockin’ Tonight,” heard with an alternate take and a breakdown take. There are the big band renditions of Louis Prima’s “Oh Babe!” and the Ruth Brown hit “Teardrops From My Eyes,” bawdy numbers like “She Just Won’t Sell No More,” and “I Like My Baby’s Pudding,” and the humor of “Grandma Plays the Numbers.” There is a lavish booklet with session-by-session annotation that comes with this. It is probably this writer’s favorite blues reissue of 2015. 

 I purchased this and it was published the the 2015 Jazz & Blues Report Gift Guide (downloadable from jazz-blues.com website as a pdf file that includes 2016 Gift Guide and Gift Guides from prior years).  Here is the Wynonie Harris recording of  "Grandma Plays the Numbers."

The King Jazz Story

The King Jazz Story
Storyville Records

The Swedish Storyville Records label has issued a 5 CD box set, "The King Jazz Story" which reissues all of the recordings from this fabled late 1940s label associated with clarinet player and reefer supplier to Louis Armstrong, Mezz Mezzrow. The aim of Mezzrow and his associates in the label was to present some 'authentic' jazz and most of these recordings based on blues and classic New Orleans jazz featured the great Sidney Bechet on soprano sax along with Sammy Price on piano on many tracks as well.

The first CD for example opens with 11 very strong blues and boogie woogie piano solos by Sammy Price followed by two vocals by Pleasant Joseph backed by Price. Then there are 11 tracks (including alternate takes) by a group of Mezzrow, Bechet, Price, Hot Lips Page, Pops Foster and Sid Catliff with four vocals by Joseph. Interspersed with the music are tracks where Mezzrow discusses the label and the making of some of these recordings.

The remaining four CDs are full of various configurations of Mezzrow-Bechet groups and showcase the genius of Bechet. The songs are presented in the recorded order so one does get several takes of the same songs together so one may wish to use shuffle when listening to the nearly 6 hours of music and short spoken interludes. There are so many outstanding selections including "Perdido Station Stomp," "The Sheik of Araby," "Ole Miss," "Out of the Gallion," "Tommy's Blues, " and "The Blues and Freud." The booklet accompanying the box contains Chris Albertson's essay on the label, Mezz and the music contained here and for fans of classic jazz it is a real treat for all of these recordings to be available.

I purchased this box set. This is one of a number of short reviews I have written for the 2015 Holiday Gift Guide edition of Jazz & Blues Report which is available at jazz-blues.com. Here is Mezz Mezzrow and Sidney Bechet.

Wynonie Harris Don't You Want To Rock

Wynonie Harris
Don't You Want To Rock - The King & DeLuxe Acetate Series
Ace Records (UK)

Wynonie Harris, the great blue shouter known a "Mr. Blues," is the subject of a superb double-CD reissue on the English Ace label which the label describes on its website as "23 of the R&B superstar’s seminal King sides in best-ever sound, plus an entire CD of alternates, all mastered from fresh transfers from the original acetates." These are Harris' first recordings for the Cincinnati based King Records label and find him backed by Dexter Gordon, Hot Lips Page, Tom Archia and many others with songs that would become classic, including his cover of Roy Brown's "Good Rockin' Tonight," heard with an alternate take and a breakdown take. There are the big band renditions of Louis Prima's "Oh Babe!" and the Ruth Brown hit "Teardrops From My Eyes," bawdy numbers like "She Just Won't Sell No More," and "I Like My Baby's Pudding," and the humor of "Grandma Plays the Numbers." There is a lavish booklet with session-by-session annotation that comes with this. It is probably this writer's favorite blues reissue of 2015.

I purchased this CD. This is one of a number of short reviews I have written for the 2015 Holiday Gift Guide edition of Jazz & Blues Report. Here is one of the songs on this reissue, although not as mastered here.

Some Choice Savoy Blues On Retrospective Anthology

The following brief review of a compilation of blues recordings, mostly classic tracks from the forties and fifties from the Savoy label, appeared originally in the March-April 2004 Jazz & Blues Report (Issue 267) and is still available.

The historic Savoy catalog has been reissued numerous times over the past few decades, making available seminal reissues of blues, jazz, and rhythm and blues. The catalog may now be in new hands and it seems the label is being mined yet again. One of the new releases is Savoy Blues 1944-1994 which is a three disc sampler that not only includes classic recordings by Joe Turner, Johnny Otis, Little Esther, Little Miss Sharecropper (Lavern Baker), John Lee Hooker and Big Maybelle, but also recordings by Eddie Kirkland, Robert Lockwood and Charles Brown that reflect the acquisition of the Muse and Trix catalogs to supplement the Savoy classics.


Opening with Hot Lips Page’s Uncle Sam’s Blues and closing with Charles Brown’s I Got a Right to Cry, the three discs cover a wide spectrum of music including Billy Eckstine’s classic Jelly Jelly, Gatemouth Moore’s Walking My Blues Away, Billy Wright’s Stacked Deck, Doc Pomus’ cover of Joe Turner’s Hollywood Bed, Turner’s My Gal’s a Jockey, John lee Hooker’s Miss Pearl’s Boogie, Joe Williams’ In the Evening, Nappy Brown’s The Right Time, Big Maybelle’s Blues Early, Early (Parts 1 & 2), Eddie Kirkland’s Snake in the Grass, and Robert Lockwood Jr.’s Selfish Ways.


A review of these titles should give an idea of the range of material presented here from the swing and uptempo mood of Hot Lips Page and Gatemouth Moore, to John Lee Hooker’s delta blues boogie and Eddie Kirkland’s mix of soul and delta blues. With good sound and good notes on the performers by compiler Billy Vera, this serves as a solid overview of the riches of the Savoy Catalog and is value priced as well.

I do not recall if I was sent a review copy from Jazz & Blues Report or the record company.