Showing posts with label Jesse Williams. Show all posts
Showing posts with label Jesse Williams. Show all posts

Wednesday, December 23, 2020

Duke Robillard & Friends Blues Bash!

Duke Robillard & Friends
Blues Bash!
Stony Plain

Duke Robillard had built up such a distinguished body of recordings as an artist and producer over five decades. This latest release is another chapter in his well-regarded career about which he states is "packed with plenty of bright sounding Fender guitar a la Ike Turner, Lefty Bates, etc. Just a good listening or dancing record like the blues records I bought when I was a kid." His intent was "to make a straight vintage-style blues album with rhythmic grooves and no hook-laden songs." "Blues Bash!" Certainly accomplishes his objective.

Playing on this recording is his band of Bruce Bears on keyboards, Mark Texiera on drums, and either Jesse Williams or Marty Ballou on bass. Then there is the horn section of Greg Piccolo on tenor sax, Rich Lataille on alto and tenor sax, and Doug James on baritone sax. Mark Hummel adds harmonica, and Robert Welch adds piano on one track. On a cover of Smiley Lewis' "Ain't Gonna Do It," the band consists of Mark Braun on piano, Marty Ballou on bass, Marty Richards on drums, Al Basile on cornet, and Sax Gordon on sax. Besides Duke, Chris Cote and Michelle Willson are heard on vocals.

Duke is focused playing his Fender guitar on these recordings, whether evoking Ike Turner behind Cote's vocal on the cover of the Kings of Rhythm recording "Do You Mean It," or channeling Lefty Bates on a rendition of Bates' instrumental "Rock Alley." He plays in the manner of Johnny Rogers in the cover of Roy Milton's shuffle "What Can I Do," as well as suggesting early Johnny Guitar Watson on "Give Me All the Love You Got."

The music is impeccably played with some top-flight singing, especially from Cote on "Do You Mean It" and Wilson, as she interprets a lesser-known Helen Humes recording, "You Played on My Piano." Her vocal exhibits plenty of humor the lyrics lend themselves to. Duke himself sings quite well with the Chicago styled blues "No Time," with Mark Hummel adding harmonica on perhaps Duke's finest vocal on the album. The other players are sterling, including Piccolo with a booting tenor sax solo on "Rock Alley" and Doug James rousing baritone on "You Played on My Piano."

The rest of the ten tracks are as entertaining and well-played with a special salute to the jazzy atmospheric instrumental "Just Chillin'" that closes this latest outstanding recording from Duke Robillard.

I received my review copy from a publicist. Here is "Do You Mean It!" from Blues Bash!"

Tuesday, October 16, 2012

Sunny Crownover and Her Joy Boys


Sunny Crownover is a Boston based vocalist that grew up[ as a military daughter, although spending much of her life from high school in Austin, Texas, honing her chops in various blues groups, and since moving to Boston sang with the 2120 South Michigan Avenue, a blues band led by Harvard professor Charles Sawyer. She becomes the axis around which guitarist Duke Robillard gets to put together a project to salute some of the women song stylists of the 30s to 50s. Duke added saxophonist and clarinetist Billy Novick, bassist Jesse Williams and rhythm guitarist Paul Kolesnikow to form Sunny and Her Joy Boys, with an album Introducing Sunny and Her Joy Boys on Stony Plain Records. 

With the exception of one track on which Duke plays conga drums, it is interesting that this swing-oriented album was made with a drummer, although the bass and rhythm guitar do provide a foundation for the engaging swinging performances. Sunny possesses an attractive voice with nice diction and phrasing. Although some of the material is more novel like the opening Strictly From Dixie, there are a number of well known standards of the era such as You’re Driving Me Crazy, Between the Devil and the Deep Blue Sing, Today I Sing the Blues, and Duke Ellington’s I Got It Bad (And That Ain’t Good).” The performances are enhanced by the swinging accompaniment and Novick’s traditionally oriented reed work is exemplary as are Robillard’s fills and solos. While having a very attractive voice, Sunny is not convincing as a bluesy ballad singer on Today I Sing the Blues, or I’ve Got It Bad, but her voice and delivery suits upbeat lyrics like Wrap Your Troubles in Dreams

For those looking for an engaging pop-jazz revival album of swing tunes from the classic era of American songs, this should fill the bill. 

This review originally appeared in the April 2009 Jazz & Blues Report (Issue 325). I have made some minor edits to the review. Duke has produced a new album by Sunny Right Here, Right Now, on Shining Stone Records that I will be posting a review of in a day or two. This new album is in a straight blues vein. Here is a video that was made to promote Sunny and Her Joy Boys.