Al Muirhead Quintet -Live from Frankie's & The Yardbird

Al Muirhead Quintet -Live from Frankie's & The Yardbird - Chronograph Records

This album captures Canadian trumpeter Al Muirhead in two performances from a 2018 Canadian Jazz Festival tour. Muirhead, whose career spans eight decades (he first recorded in 1953), leads a top-flight quintet on these recordings. Common to both performances are Muirhead on bass trumpet and trumpet, Kelly Jefferson on Tenor Saxophone, and Neil Swainson on bass. Guitarists Reg Schwager and Jim Head, and drummers Jesse Cahill and Ted Warren round up the players on performances from Yardbird Suite in Edmonton, Alberta, and Frankie's Jazz Club in Vancouver, British Columbia.

Before the tour, a setlist of jazz standards was provided for the improvisations. Muirhead writes, "What you are about to hear is not your usual slick, well-rehearsed, beautifully arranged recording. It is music being performed by a group of musicians, some meeting for the first time on the bandstand, playing the music they love. It is raw, spontaneous, and more importantly, it is real. Musicians working together, knowing their roles, their functions, listening to one another to make music." 

Muirhead's is heard primarily on bass trumpet, which one might mistake for a trombone. He and Jefferson are terrific on Sonny Rollins' "Tenor Madness," on which everyone solos. Different performances of the jazz classic open and close this album. Muirhead exhibits a definite warmth and somewhat wooly texture to his sound on the classic ballad "Emily." At the same time, he certainly can build heat playing bass trumpet as he exhibits on Clifford Brown's "Joy Spring." Jefferson impressed this listener throughout with his full-bodied tone, fluid playing, and imaginative, lyrical improvisations. His open trumpet playing is stellar on "Mona Lisa." Guitarist Head shines with his fleet playing on "Emily," while guitarist Schwager dazzles on "Joy Spring."

Listeners will find plenty of heat and heart in this album." Live from Frankie's & The Yardbird" brings together some first-rate, straight-ahead bop and swing characterized by a top-notch ensemble playing and outstanding soloists.

I received a download to review from a publicist. Here is a short soundcheck of "Emily."

TuneTown - Entering Utopia

TuneTown - Entering Utopia - Three Pines Records

About the debut album "There From Here," by the Canadian trio TuneTown, I concluded, "While the members of TuneTown are each excellent players, playing together, they are a superlative trio." This recording is the new release by the trio of Kelly Jefferson (Saxophones), Artie Roth (Bass), and Ernesto Cervini (Drums, Percussion & Bass Clarinet). The present album, like the debut, is a mix of originals (including contrafacts) and standards.

Cervini's "Hello Today" introduces all three as they alternate with brief solos. Jefferson particularly impresses on a bluesy performance that suggests an acidic Johnny Hodges. Roth contributed the title track, a radical reworking of "Out of Nowhere," with a gorgeous sax solo over a floating pulse. Cervini's "Billyish" is a hard-bop original showcasing Cervini along with Jefferson's sterling sax. 

Other notable tracks include Roth's "Sycamore," a contrafact of "Poinciana," set to 7/4 time with a captivating performance, and the interpretation of Charlie Parker's "Cheryl" with brawny sax from Jefferson and Cervini's propulsive drum solo. On the closing "Blue Gardenia," Cervini is on the bass clarinet instead of drums and provides texture and counterpoint to Jefferson's sax, with Roth's bass anchoring an evocative performance. 

Also, there are several free-form trio improvisations on an album that is an outstanding follow-up to their debut album. TuneTown certainly is making its mark as a first-rate contemporary jazz ensemble.

I received a download to review from a publicist. Here is their performance of "Sycamore."

TuneTown There From Here

TuneTown
There From Here
Slammin Media

"There From Here" is the debut album from Canada's newest collective, a chord-less trio, TuneTown. TuneTown was formed in 2015 and pools the talents of Kelly Jefferson (saxophones), Artie Roth (bass), and Ernesto Cervini (drums). The three are among Canada's top improvisers and contributed individually or collectively eight compositions that are played here along with covers of Duke Ellington and Cole Porter. There are, of course, precedents for this chord-less bands, including Sonny Rollins (Live at the Village Vanguard), Ornette Coleman classic quartet, Steve Lacy-Roswell Rudd's School Days Band, and Bill Dixon-Archie Shepp Quartet. In more recent years, we have had notable saxophone trios such as Joe Lovano, J. D. Allen, and Ravi Coltrane (with Matthew Garrison and Jack DeJohnette). Such a musical setting often can be a high-wire act without a net, but the trio is exemplary. There is plenty to stimulate the listener's attention throughout "There From Here."

One obvious thing is how well the members of TuneTown play together. While dedicated to Thelonious Monk, Cervini's "The Monks of Oka" is named after the monks in Quebec who make "really stinky cheese." It is a performance that suggests a classic Ornette Coleman recording with Jefferson's exhilarating saxophone elaborating on Cervini's theme. Roth and Cervini provide backing in a manner of Charlie Haden and Eddie Blackwell, before they each take very crisp, focused solos. Based on the Sammy Fain composition, "Alice in Wonderland, Artie Roth's "As She Wonders," is dedicated to his mother. As Roth's bass anchors the trio, Jefferson on soprano sax displays a mastery of dynamics in crafting his solo. On a standout interpretation of Ellington's "Sophisticated Lady," Roth's bass and Cervini's skillful use of brushes back Jefferson's exquisite tenor sax.

Roth's "Split Infinity" is a contrafact of "All The Things You Are" and again displays the bassist's virtuosity whether anchoring the trio or soloing. On Cole Porter's "All of You," Jefferson plays vibrantly in a manner of Sonny Rollins or Joe Lovano with Cervini displaying his ability to accompany and enhance the tenor sax solo. Jefferson's "Kindling," has a terrific serpentine soprano sax solo along with an excellent drum solo. "Transient Space" closes this recording on a meditative tone. It opens with Arco bass with it has an unhurried tempo. Jefferson's soprano sax adds to the reflective quality of the performance.

While the members of TuneTown are each excellent players, playing together they are a superlative trio. Their terrific debut is highly recommended.

I received a review copy as a download from a publicist. Here is a publicity video for this release.

Al Muirhead's Canadian Quintet Undertones

Al Muirhead's Canadian Quintet
Undertones
Chronograph Records

Western Canadian Jazz Icon, Al Muirhead, came to wider prominence in North America with the release of his JUNO-nominated debut album ‘It’s About Time’. At the age of 82 years old, he is making up for lost time with his fourth release in just three years. This recording features Al on the rare bass trumpet with his new Canadian Quintet, all Canadian jazz heavyweights: Kelly Jefferson (sax), Reg Schwager (guitar), Neil Swainson (bass) and Ted Warren (drums).

Muirhead, as trumpeter, composer, arranger, sideman and recording artist has been making listeners take notice for longer than jazz fans might realize. Born in Regina, Saskatchewan, in 1935, he was playing in the Regina Symphony and dance bands by age 12. Muirhead started listening to and being influenced by the likes of Dizzy Gillespie, Miles Davis, and Louis Armstrong. While Muirhead’s playing is infused with the indelible influence of the jazz giants, he brought his own flowing, melodic sound to a career in which he has worked with legends such as Diana Krall, Paul Anka, Rosemary Clooney, Frank Mills and Dizzy Gillespie.

The bass trumpet looks like an oversized version of that brass instrument with a sound like a valve trombone. There are ten songs, eight of them are standards and two originals with the overall tenor of the music being swing to bebop. It is a swinging ensemble and Jefferson is a fine solo foil for Muirhead's melodic trombone sorties with a clean tone and a driving style while guitarist Schwager has more than several occasions to display a fluid attack and thoughtful solos. His comping and the support of Swainson and Warren help generate the nicely paced swinging performances.

The album opens with this he easy bluesy stride of "A Tune For Cal," written for the memory his older brother. Muirhead has an ear for classics of the big band including "Rose Room" that opens with his attractive playing followed choice solos from Jefferson and Schwager with the bass and drums providing a sure foundation as well as a solid bass solo. I'm am most familiar with "'Deed I Do," from the Count Basie recording featuring Jimmy Rushing in which Muirhead delights with his slightly gruff lyricism. The relaxed swing of the rendition of "You're My Everything" is followed by Muirhead's "Take It To Bank Tom," dedicated to Canadian musician Tommy Banks, and also has a bluesy feel in the leader's relaxed solo. It is followed by a marvelous interpretation of the Mancini and Mercer classic waltz, "Charade," with Jefferson's driving, searching solo contrasting with the leader's raspy, yet lyrical, playing.

After a lovely "I Don't Stand a Chance With You," with a splendid solo from Muirhead, the album closes with a spirited rendition of "Four Brothers," a number chosen to honor his sister Elaine, with solo spots to the entire band. Muirhead and his quintet are an impressive, swinging ensemble that have produced a wonderful swinging release.

I received a download to review from a publicist. Here is an interview with Al Muirhead.