The DIVA Jazz Orchestra & the Boys

The DIVA Jazz Orchestra
DIVA & the Boys
MCG Jazz

This latest album by The DIVA Jazz Orchestra is part of a celebration of 3 years of MCG Jazz, a label with which they have been associated with for over 25 years. This recording memorializes performances by the DIVA Jazz Orchestra at the Manchester Craftsman's Guild on March 10 and 11, 2017. These evenings they were joined by special guests clarinetist, Ken Peplowski, trumpeter Claudio Rodoti, trombonist Jay Ashby and guitarist Marty Ashby. Under the leadership of drummer Sherrie Maricle, the members of the Orchestra were Alexa Tarantino- alto sax, soprano sax, flute, and clarinet; Scheila Gonzales - alto sax, flute, and clarinet; Janelle Reichman tenor sax and clarinet; Roxy Cross, tenor sax, flute, and clarinet; Leigh Pilzer - baritone sax and bass clarinet; Tanya Darby - lead trumpet & flugelhorn; Jami Dauber - trumpet & flugelhorn; Rachel Therrien - trumpet & flugelhorn; Barbara Laronga- trumpet & flugelhorn; Jennifer Krupa - lead trombone; Linda Landis - trombone; Leslie Havens - bass trombone; Tomoko Ohno - piano; and Noriko Ueda - bass.

About the Diva Jazz Orchestra I commented in a review of their last CD, "25th Anniversary Project," that "Certain things should be taken for granted about this recording including the excellent playing, ensemble work, and a first-rate rhythm section, along with marvelous arrangements and orchestrations resulting in a terrific modern big band recording." The same applies here to the eight compositions, and their solos are of equal quality to their famous guests. This is evident during the first selection, Noriko Ueda's arrangement of Benny Goodman's "Slipped Disc," which features Ken Peplowski and Janelle Reichman on clarinet. The two who swap lines while the rhythm section briskly propels them, and the full band joins in, and the orchestra trades four with Marcie before the tempo rockets to the close. Jobim's "A Felicidade" is one of three bossa nova compositions heard here. Besides Rodoti's mellifluous trumpet, Roxy Cross's lyrical tenor saxophone is spotlighted along with bassist Ueda. Jay Ashby contributed "Deference to Diz," a relaxed big band bop-flavored number that incorporates phrases from some Gillespie classics. Peplowski, Roditi, and Jay Ashby solo along with pianist Ohno with the full band riffing in support.

Jay Ashby also arranged the Ivan Lins-Vitor Martins' composition "Noturna" with Jay's melodic trombone in focus while Marty Ashby plays chords on acoustic guitar. It is a beautiful performance. Peplowski opens "The One I Love Belongs to Someone Else." Trumpeter Jamie Dauber is showcased playing with a mute and pianist Ohno displaying her fluid approach while the arrangement allows the intensity to build to an explosive close. Roditi takes up the piccolo trumpet his "Piccolo Blues," a performance on which The DIVA Jazz Orchestra evokes the later Count Basie Band. Besides Roditi, Jennifer Krupa's trombone and Alexa Tarantino's soprano saxophone are featured on this.

Closing this recording, there is an elegant rendition of "Estate," featuring Peplowski's clarinet, and a rousing rendition of Plas Johnson's "Bucket O' Blues." The latter number showcases all the members of the saxophone section who trade fours with each other before pianist Ohno channels Junior Mance and Harold Mabern for her solo. The full band takes out "Bucket O' Blues" in a highly animated fashion. It caps another exceptional recording by The DIVA Jazz Orchestra.

I received my review copy from a publicist. Here is a recent performance by The DIVA Jazz Orchestra.

 
 

The Diva Jazz Orchestra 25th Anniversary Project

The Diva Jazz Orchestra
25th Anniversary Project
ArtistShare

Sherrie Muncie was playing drums in a band that Stanley Kay, one-time manager and relief drummer for Buddy Rich, was conducting. Struck by on her extraordinary talent, he began to wonder if there were other women players who could perform at the same level. The search was on and through nationwide auditions, the foundation for DIVA was poured in June 1992, with its first performance on March 30, 1993 at New York University. Since their premiere performance, DIVA has toured the world to critical and popular acclaim and long ago transcended whatever novelty some may have initially viewed them.

In the subsequent quarter center they have become one of the most respected jazz big bands as Diva exudes the excitement and force found in the tradition of the historic big bands but with an eye towards today’s progressive sound and originality, performing all over the world at clubs and festivals in among such cities as New York City, Washington D.C., Los Angeles, Chicago, Montreal, Paris, Rome, Zagreb and Bern. They have shared stages with some of the most revered performers including Nancy Wilson, Joe Williams, Diane Schuur, Carmen Bradford, Marlena Shaw, DeeDee Bridgewater, Rosemary Clooney, Clark Terry, Dr. Billy Taylor, Tommy Newsom, Randy Brecker, Dave Brubeck and many more.

The personnel on this celebration of a quarter century of music is Sherrie Maricle - Music Director/drummer; Noriko Ueda - bass; Tomoko Ohno - piano; Leslie Havens - bass trombone; Sara Jacovino - trombone; Jennifer Krupa - trombone; Rachel Therrien - trumpet, flugelhorn; Barbara Laronga  - trumpet, flugelhorn; Jami Dauber -  trumpet, flugelhorn, manager; Liesl Whitaker - trumpet, flugelhorn; Leigh Pilzer - baritone saxophone, bass clarinet; Erica von Kleist - tenor saxophone; Janelle Reichman - tenor saxophone, clarinet; Mercedes Beckman - alto saxophone, flute, clarinet; and Alexa Tarantino - alto saxophone, soprano saxophone. Not only are these outstanding musicians, but twelve of them are composers and arrangers with nine of them contributing the twelve originals here.

Certain things should be taken for granted about this recording including the excellent playing, ensemble work, and a first rate rhythm section, along with marvelous arrangements and orchestrations resulting in a terrific modern big band recording. Just to touch on a few of the ten tracks this disc opens with the driving, swinging swagger of Leigh Pilzer's "East Coast Andy," that has searing trumpet from trumpeter Jami Dauber along with Pilzer's husky baritone. This listener detects a middle-eastern flavor to Janelle Reichman's hauntingly lovely "Middleground," with a neat, short electric piano solo from Tomoko Ohno before Reichman's clarinet solo. Reichman and Ohno's arrangement handsomely frames her twisting, invention solo which is full of warmth. There is a retro tinge to Barbara Larongo's "Jami's Tune," with nicely played muted brass before the reeds blast in leading into Liesl Whitaker's muted trumpet solo with Marcie's crisp drums leading to some nice middle register trumpet and then trading lines between the two featured players. Tomoko Ohno's "La Americana" has a latin flavor with the composer soloing along with drummer Marcie, clarinetist Reichman, and guest soloist, Marcia Callas on congas.

Trombonist Jennifer Krupa says that what she values most about DIVA is "collaboration, camaraderie, and creativity. I hope when the listeners hear "A Quarter Past the Last Minute," they will feel as joyful, optimistic, resilient, and determined as DIVA!" Those feelings likely are also felt about the entirety of The Diva Jazz Orchestra's remarkable "25th Anniversary Project."

I received my review copy from a publicist. This review originally appeared in the May-June 2018 Jazz & Blues Report (Issue 378). Here is a recent performance from the Diva Jazz Orchestra from this year.

Leigh Pilzer Strunkin’

Leigh Pilzer
Strunkin’
Self-Produced

One of the mainstays of the very fertile Washington D.C. jazz scene, this is the first album for baritone saxophonist, composer and arranger Leigh Pilzer. A member of the Smithsonian Jazz Masterworks Orchestra and The DIVA Jazz Orchestra as well as one who frequently can be heard with other area ensembles. On this album, recorded live at the 6th Annual Washington Women in Jazz Festival, she leads a terrific ensemble that also includes Jen Krupa, trombone; Sherrie Maricle, drums; Amy Shook, bass; and Jackie Warren, piano. She composed six of the eight compositions with Amy Shook contributing "Brag Time," and Jen Krupa contributing “Duel at Dawn."

The title track is a jaunty number that to me suggests a classic Prestige Records date with Pilzer's vigorous, heavy tone suggesting the likes of Pepper Adams, Nick Brignola, and Cecil Payne, while Krupa's trombone complements Pilzer and displays her own strong playing, with Warren also spotlighted. This is a superb rhythm section. There is a nice romantic tinge to "Blue Moo," with Krupa taking the lead as Pilzer weaves around her on the head on this wonderfully paced number that also showcases Amy Shook's firm, driving bass. A Harry Carney-Duke Ellington flavor is heard on a lovely ballad "Miss Ally In Allyworld," while Shook opens "Brag Time" with a finger popping groove on this hard swinging number that has  marvelous growling trombone in a Tricky Sam Nanton manner, along with Warren's rollicking piano. Pilzer seems to relish focusing on the low end of the baritone's register, yet swings in an effortless sounding manner as on "Thaddish," as well as her bossa nova "It's Anyone But You," with its exchanges between her and Krupa and also provides solo space for all including Marcie. There is a playful opening of bop-laced "Duel at Dawn," with Maricle's drums adding considerable heat with echoes of Tadd Dameron on the close.

What a wonderful recording. These are all musicians playing with passion, intelligence and imagination and with the excellent rhythm section and the marvelous solos, one has a superb recording that has one wanting more.

I received as a download from a publicist. Here is Leigh Pilzer's recent performance at Phillips Collection as part of the 2017 DC Jazz Festival.

2013-0418 Frank Basile Celebrates Pepper Adams at Kogod-7736

2013-0418 Frank Basile Celebrates Pepper Adams at Kogod-7736, a photo by NoVARon on Flickr.

Thursday April 18, the monthly Take 5! program at the Smithsonian's Museum of American Art featured baritone saxophonist Frank Basile and his group celebrating the music of the late Pepper Adams.

Frank Basile

Adams, one of the most celebrated baritone players of the sixties until his death in 1986, first came to notice when he co-lead a group with Trumpeter Donald Byrd. He may be best known for his associations with Charles Mingus and the Thad Jones-Mel Louis Village Vanguard Orchestra, but was also a composer of note as well as a great player.

Basile, one of the finest young baritone sax players on the New York scene, has recorded CDs of Adams composition and brought his arrangements of Adams music for a group that included fellow baritone saxophonists Leigh Pilzer and Brad Linde. The rhythm section included pianist Hod O'Brien (who had played with Adams), bassist Tom Baldwin and drummer Tony Marucci.

It was a real pleasure listening to the three saxophonists, each with their own distinctive sound playing Adams' music. Reminder that the Take5! series takes place the third Thursday of the month and starts at 5:00PM, and runs until 7PM (8PM in the late spring and summer).