Wee Willie Walker & The Anthony Paule Soul Orchestra After A While

Wee Willie Walker & The Anthony Paule Soul Orchestra
After A While
Blue Dot Records

An encounter performing in Europe first brought together California guitarist and band leader Anthony Paule with deep soul-blues singer Wee Willie Walker. This has led to the present recording where the one-time Goldwax artist is backed by a full band led by Paule. I recently reviewed a live album from the Notodden Blues Festival with a band led by Kid Andersen, about which I concluded "Wee Willie Walker certainly has it still and this live recording suggests just how moving and powerful a performer he remains." Walker is also present on a recent recording by Austrian organist Raphael Wressnig & Brazilian guitarist Igor Prado singing several songs that were associated with the legendary Little Willie John.

The present recording opens with the Memphis soul-styled "Second Chance," with the rhythm of Paule, Tony Lufrano on keyboards, Paul Olguin on bass, and Derrick 'D'Mar' Martin on drums laying down a form base for Walker's church-rooted singing with brassy horns. It was written by Christine Vitale, who contributed to several other songs including the title song and a performance (including the horn arrangements and Charles McNeal's wonderful tenor sax solo that evokes Little Willie John and other legends). Walker recorded George Jackson's "I Don't Want To Take A Chance," as a demo 50 years ago, but gets to record it anew for this marvelous rendition that again conjures up the classic R&B era of the 50s and early 60s. His soulful phrasing is supported by the handsome playing and Paule adds some nice chords and fills. Then we get a little big band treatment of the Lil Green classic "In the Dark," strongly sung in a manner that Little Willie John might have done it, and Paule takes a strong guitar solo in a jazzy-blues vein on this superb performance.

The message song "Hate Take a Holiday," has its call for love to take out hate, and folks of all colors and creed walk together in peace. teh recording has organ grease and a somewhat spare rhythm backing. It is followed by the Tex-Mex tinged romantic ballad, "Thanks For the Dance," with Paule on acoustic guitar on a song with a feel of a Drifters recording. There is a bit of Muscle Shoals funk underlying "If Only," while the soul ballad "Cannot Be Denied," is a lovely blue ballad. Both of these were written by Walker with Vitale and Paule. There is a stunning cover of a Little Willie John recording, "Look What You've Done To Me (not the Boz Scaggs song)," with brilliant playing from trumpeter Tom Poole and trombonist Derek James. Vitale and Paule's original "I Don't Want To Know," is a superb original blues in this same vein with a choice jazzy Paule solo.

After a punchy instrumental, "The Willie Walk," there is a wonderful duet with Terry Odabi updating The Clovers' hit "Lovey Dovey" followed by a return to the Memphis sound on a terrific soulful cover of the Mable John classic "Your Good Thing (Is About To End)." This is an excellent close to an imaginatively programmed and arranged recording, that showcases one of the last original soul singers. We should be thankful he is with us and  still sings with all his vocal talent intact on a terrific recording.

I received my review copy from a publicist. This review originally appeared in the November-December 2017 Jazz & Blues Report (Issue 375), although I had edited my original review to clarify some points. Here is Wee Willie Walker & The Anthony Paule Soul Orchestra performing at the 2015 Porretta Soul Festival.

Bey Paule Band Not Goin' Away

 

The Bey Paule Band, a terrific soul-blues band featuring the vocals of Frank Bey and the guitar of Anthony Paule, return with "Not Goin' Away" (Blue Dot Records). The disc follows-up the terrific "Soul of the Blues." Like its predecessor, it mixes  choice originals with a few strong covers of lesser known material. In addition to Bey and Paule, the Band includes Tony Lufrano on keyboards; Paul Olguin on bass; Paul Revelli on drums; Mike Rinta on trombone; Tom Poole on trumpet and Nancy Wright on saxophone with guest appearances from Christoffer 'Kid' Andersen on guitar (and he co-produced, recorded and mixed this); and Jack Sanford on baritone sax with back-up singers added to half of the selections here.

Bey stands out as a singer (in my review of "Soul of the Blues" I compared him to Solomon Burke and Mighty Sam McClain) and he puts his stamp on everything here (except the instrumental "Noel's Haze") starting with the autobiographical opening "Black Bottom" where he sings about growing up in the Georgia sticks and now fronting a eight-piece band. Its slightly swampy feel is followed by the deep funk of "Kiss Me Like You Mean It," with some nifty guitar runs from Paule and greasy organ from Lufrano with punchy horns. Mike Rinta and Paule are responsible for the popping horn arrangements throughout. One track with punchy horns is the driving original from Bey, Paule and Christine Vitale, "Right In Front Of You," about a guy who understands the woman's problems but can't win her heart. It has strong playing from Lufrano on piano and Paule on guitar.

Vitale and Paule contribute "Next To My Heart" that comes off like a vintage seventies deep southern soul recorded at Muscle Shoals with an outstanding Bey vocal. "Nobody's Angel," another Vitale original, evokes some of Clarence Carter's recordings, with its storytelling and message and is wonderfully delivered by Bey and the band. The title track is a terrific rocker with a wonderful groove and Rinta delivering a superb trombone solo wonderfully framed by the other horns and the chicken fried organ. "Don't Ask Me How I Feel" is a blues performance that to these ears comes off as a cross of Al Kooper mixed with Donny Hathaway with perhaps the best horn arrangement here.

On "Not Goin' Away," the Bey Paule Band again provide listeners with a superb soul and blues recording. The album has a strong and varied program that is consistently well sung and performed. Certainly anyone who enjoyed "Soul of the Blues" will enjoy this, while fans of soul and blues who may not have heard them previously will find much to savor on this stunning recording.

A publicist sent me my review copy. While written for Jazz & Blues Report, I do not believe this review has been published. Here is a video of the Bey-Paule Band performing.

Cathy Lemons Black Crow

Bay area singer Cathy Lemons brings a rich plate of musical gems including blues and blues-infused rock in a fashion that might suggest Bonnie Raitt. She perhaps a bit more grit in her vocal textures than Raitt, but communicates with perhaps a bit more understated approach and than Raitt. Her no album Black Crow (VizzTone) is a wonderful recording comprised mostly of her thoughtful originals ranging from rocking shuffles Texas Shuffle, strutting funk of I’m a Good Woman to soulful country-laced laments as on Kiernan Kane’s Ain’t Gonna Do It.

Her vocals strike the listener with their natural, relaxed and soulful quality. She is backed by a fine band with co-producer Steve Gurr on guitar, Paul Olguin on bass, D’Mar or Robbie Bean on drums, and Kevin Zufti on keyboards on three tracks. Doug James adds sax on three selections, Volker Strifler plays guitar on two, while Kid Andersen, another co-producer (who also recorded mixed and mastered this), adds organ to one selection and sound effects to another.

The title track is a country-rock number with a evocative lyric and her moving, smokey vocal supported by understated atmospheric backing as she weaves a lyric if a maimed black crow with her relationship to her man with the lament, “You’re my maimed black crow; All I ever wanted was your wings around me; I swear we both got to burn; But I’ll take you with me.” The laid back feel of this performance is followed by the Hip Check Man with  nifty guitar and harmonica from Gurr on a rocker with a driving groove and an understated, almost spoken, vocal. You’re in My Town, a slow blues, has echoes of Boz Scaggs in Gurr's guitar and the backing, as Lemons warns her man to take that woman from out of his eyes, or it will be the last thing he ever does. A gem is her cover of Earl King’s It All Went Down the Drain with the restraint of her vocal and Volker Strifler’s guitar adding to the atmosphere. There is a pleasant cover of James Brown’s The Big Payback with James  on baritone sax followed by another slow blues lament I’m Gonna Try.

Strifler adds a bit muscle to his guitar backing on the rocking Texas Shuffle as Lemons sings about give her an old time Texas Shuffle as she tries to get out of town. The album closes with The Devil Has Blue Eyes, with Gurr’s acoustic guitar and harmonica, is her reworking of Skip James’ Devil Got My Woman. It is a lament about how the devil took her man away, “Heart has no say; The heart has no say; This devil has taken my love away,” It has an austere and haunting quality and completes what is a memorable and recommended recording.

I received my review copy from VizzTone. Here Cathy performs Black Crow.