Saturday, November 20, 2010

Rob Stone's Lively Celebration of Chicago Blues

Chicago harmonica player Rob Stone was new to these ears until I heard him on several tracks on a new Earwig disc by Chris James and Patrick Rynn, “Gonna Boogie Anyway.” Stone is a long-time associate of James and Rynn and they worked together as the C-Notes, which included touring with drummer Sam Lay. Stone had an album on Earwig 7 years ago, Just My Luck,” and the label has just released his new album, “Back Around Here,” which reunites Stone with the pair along with pianists David Maxwell and Aaron Moore, drummers Willie Hayes, Willie ‘Big Eyes’ Smith and Sam Lay, and a sax section led by Rodney Brown. The result is a set of classic Chicago blues that rocks and swings.

As a harmonica player, Stone has a fat tone that shows the influence of Little Walter, Big Walter, the two Sonny Boys and Junior Wells, while vocally his influences include Sam Cooke and Ray Charles as well as Muddy Waters and Howlin’ Wolf. Eight of the twelve songs were co-penned by Stone, James and Rynn and are solid idiomatic tunes. I really like Stone’s unforced, unaffected singing which is mixed with some exceptional ensemble playing.

The title track is a marvelous rocker with great piano from maxwell and a cutting solo from James as the saxophones add an uptown flavor. Aaron Moore’s piano is the anchor behind the slower tempo and Sonny Boy II styled harp on Sonny Boy I’s “Love You For Myself,” with Moore taking a terrific solo. Magic Sam’s “Give Me Time,” is in a more R&B tinged vein with James supplying guitar evoking the blues legend who left this world way too young 40 years ago which is followed by a terrific shuffle about spending too much, “I Need to Plant a Money Tree,” with some very effective Big Walter Horton inspired harp and Jeff Stone adding guitar to that of James to help sustain the driving groove.

Chicago All Night,” has a rumba groove with Maxwell setting the tone with his two-fisted playing as the saxes riff away. “Sloppy Drunk Blues,” has been recorded numerous times, but Stone’s interpretation goes back to the Leroy Carr rendition as James lays off here as Maxwell and Rynn provide support. “Can’t Turn Back The Clock,” is a rocking boogie with Maxwell, Rynn and Sam Lay, with a terrific piano boogie woogie solo from Maxwell. “It’s Hard But It’s Fair,” is an bluesy reworking The 5 Royales classic vocal group rocker. “Dragon Killers,” is a hot instrumental that suggests Little Walter’s “Roller Coaster.” His playing on this shows plenty of drive as well as a clean, full-bodied tone.

Stone is a regular at the Chicago House of Blues’ “Back Porch Stage,” and the strong, Windy City sounding blues heard here, one can understand why. He plays strong blues that plays tribute to the music that is his inspiration. But as evidenced by the music on “Back Around Here,” Stone treats the idiom as not simply history, but as a living tradition to be celebrated.

For purposes of FTC regulations, a publicist working for the record company supplied my review copy.

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