Wednesday, March 28, 2012

Chris Barber's Memorable Musical Journey

In celebration of Chris Barber’s 80th Birthday, Proper Records has compiled a double CD compilation of performances, Memories Of My Trip, that display how central a figure on the English music scene for six decades. The performances give a suggestion of the breadth of his musical interests which are centered around jazz, blues and skiffle. While several years ago there was a three CD series of primarily blues recordings from the 50s and 60s, the present compilation is more of a retrospective of some the many legendary and contemporary performers in performance with him. Barber himself provides recollections of the performers and the songs heard herein.

Opening is a Brownie McGhee recording from a Folkways recording of McGhee, that provides this compilation with its title, presenting McGhee’s fond recollections of his European travels with Chris and his traditional jazz band. McGhee, and his partner Sonny Terry, are heard on two selections with the traditional gospel number Do Lord, Do Remember Me. It is a spirited ensemble performance with Ottilie Patterson, Barber’s regular vocalist sharing the lead with Brownie. Weeping Willow is a recording of Barber on trombone with Eric Clapton taking the vocal and playing guitar. Muddy Waters and Pinetop Perkins can be heard on an enthusiastic rendition of Kansas City, with Muddy vigorously calling out for Chris. It is followed by a nice James Cotton performance backed by Alexis Korner on guitar and Chris on bass.

Rory Gallagher is heard playing slide and singing Muddy’s Can’t Be Satisfied, with just Barber’s bass and this is followed by Lonnie Donegan doing a raucous Diggin’ My Potatoes, backed by a full band. Barber traveled to Canada to play with Jeff Healey and His Jazz Wizards for a atmospheric blues Goin’ Up The River, with Barber singing and playing nice tailgate trombone along with the able support of Healey’s restrained guitar and trumpet. Van Morrison is heard on two nicely sung blues performances from a 1998 performance and a somewhat over-the-top vocal on Oh Didn’t He Ramble, from 1976 on a session that also included Dr. John. Ottilie Patterson herself was featured on Lonesome Road, while gospel legend Alex Bradford takes the lead on Couldn’t Keep To Myself where Chris and other band members provided the backing vocal chorus.

Traditional jazz with a New Orleans flavor is represented by selections by such important artists of the time as clarinetist Edmond Hall with a nice medley that included St. Louis Blues, and a brilliant version of the New Orleans jazz staple, High Society. Keith Emerson would be better known as a member of Emerson Lake and Palmer, but when he recorded Rock Candy in 1966, he was playing organ in the vein of Jack McDuff and Jimmy McGriff. Barber’s trombone spices up to this funky blues instrumental. A couple of selections feature former members of Louis Armstrong’s All Stars as Trummy Young brings his vocal and trombone (in addition to that of Chris) for Georgia On My Mind. Clarinetist Joe Darensbourg is heard on an intimate small group recording of a swing staple, “Rose Room.”

Another New Orleans clarinetist, Albert Nicholas, is spotlighted on the Ellington staple, “C-Jam Blues,” with lovely guitar from John Slaughter while Stu Morrison’s jangly banjo adds a clipped rhythmic flavor behind Nicholas’ very fluid playing. Eddie Durham was arranger for Count Basie and other bands, and one of the first jazz electric guitarists to record. He was also a trombonist of considerable capability and is featured on a blues that was called “Jack Teagarden Blues” after that famous trombonist.

After “Tailgate Boogie,” featuring the piano of Sammy Price, the CDs close with performances with Jools Holland and Mark Knopfler (of Dire Straits fame). Holland’s rendition of Jelly Roll Morton’s “Winin’ Boy Blues” is a marvelous rendition of this classic. Knopfler is on an appealing low-key rendition of The Delmore Brothers’ “Blues Stay Away From Me,“ with some lovely trombone from Barber along with a lovely updating of the Dallas String Band’s ”Dallas Rag” that opens with some nice picking from Knopfler. Pat Halcox’s trumpet is also quite nice here. These are very amiable performances that conclude a varied and entertaining release. Memories Of My Trip is Chris Barber’s own musical capsule of a musical life well lived.

My review copy was provided by a publicist for the recording. Here is a video of Chris Barber.

2 comments:

Wayno & his better half Sherry said...

I’m big fan of the album Chris Barber in Switzerland by Chris Barbers Jazz & Blues Band, it is one of my all time favorites. The cut “Tight Like That” IMHO is second only to ‘Sing Sing Sing’ as the greatest big band stomper ever recorded. It is an absolutely terrific arrangement;I can only imagine what the audience felt when the band rolled with that tune out on them.

On another note, I enjoy your blog immensely; read it every morning here at my desk in Alaska.
Also n another note, four sixty y/old couples are going to Jazz Fest 2012 for the first time (NOLA too) and would be grateful if you could post a “who you would try to see” if you were (are?) going.
I found your blog last spring when I was researching Jazz Fest and I think you may have had a similar ‘who to see’ post then.
Thank you for your blog, keep ‘em coming.

Wayne in Alaska

Wayno & his better half Sherry said...

I’m big fan of the album Chris Barber in Switzerland by Chris Barbers Jazz & Blues Band, it is one of my all time favorites. The cut “Tight Like That” IMHO is second only to ‘Sing Sing Sing’ as the greatest big band stomper ever recorded;an absolutely terrific arrangement. I can only imagine what the audience felt when the band rolled with that tune out on them.

On another note, I enjoy your blog immensely,read it every morning here at my desk in Alaska.
On another note, four sixty y/old couples are going to Jazz Fest 2012 for the first time (NOLA too) and would be grateful if you could post a “who you would try to see” if you were (are?) going. I found your blog last spring when I was researching Jazz Fest and I think you may have had a similar ‘who to see’ post then.
Thank you for your blog, keep ‘em coming.

Wayne in Alaska