Sunday, November 09, 2014
Don Pullen's Richard's Tune
The five compositions performed on Richard's Tune, (including two takes of Big Alice), illustrate what Stuart Boomer describe in his liner notes as “a lyric historicism, a capacity to invoke the past in the light of the absolute present and presence, drawing at will on the history of jazz and its still potent roots in blues and gospel.” This aspect is evident on the title selection which ranges from the post-Monk piano tradition (some evokes Randy Weston to these ears) and includes a brief dense, percussive segment that mixes with the general lyricism of much of his playing on this. His playing here also illustrates his precise touch.
The longest selection is a dedication to Malcolm X Suite (Sweet) Malcolm (Part : Memories and Gunshots), a number that, with elegance, lyricism and passion, mixes Pullen's gospel and soul roots with percussive free passages for a musical tour de force. It is followed by Big Alice, a bouncy number with a rhythm and blues underpinning. Boomer notes that this was rare sideman original that Mingus would perform with his group and here it is a joyous performance with its almost New Orleans feel . Song Played Backwards is played in reverse of the note sequence that Pullen composed. It is densest and most percussive performance on this rerelease.
Don Pullen passed away in April, 1975 at the age of only 53. Delmark is to be thanked for making Richard’s Song readily available again as it is a buoyant, passionate display of Don Pullen’s piano mastery and marvelous compositions.
I received my review copy from Delmark.