While I have sen her compared to Bonnie Raitt, only one selection "Shackin' Up," with Schell's slide guitar and a funky-rock groove suggests Ms. Raitt. Her natural and soulful delivery is more in line with say, Tracy Nelson, and she is able to fill a room, yet never sounds harsh or mannered. The Staton-Carter "Sweet Feeling" is a terrific southern soul vocal that sounds like it could have been recorded in Muscle Shoals, and "Born to Love You," an original by Callahan and Arms is a similar strong deep soul performance. "Seven States Away," is a rocking shuffle by her and James as she sings about having to drive home to Philadelphia for sweet baby and being so many states away. James lead jazzy guitar and Finnigan's greasy organ supports her honey-drenched heart-felt vocals.
Certainly having this terrific band helps make her cover of Waits' "Way Down in the Hole," with Powers on harmonica. The band's dynamics in backing her, Braunagel's touch and groove and Callahan's nuanced singing contributes to the delivery of the gospel lyric. Then there is her handling the Egan-Flett "You Don't Know Your Mind," with James contributing nifty guitar (he is such a refreshing change from so many guitar bangers out there). "Crazy About You Baby," credited to Sonny Boy Williamson is probably best known from Little Walter's recording. Ike and Tina did a marvelous rendition on the "Outta Season" album, and that is the source for her first-rate rendition here, some spicy guitar from James.
"Sweet Soul" is a marvelous recording with excellent material (both new and covers of lesser known numbers), terrific production and playing, and Deb Callahan's superb singing. Let folks compare her to Bonnie and Tracy. After listening to her, folks will be comparing other singers to her.
I received my review copy from a publicist. This review appeared in the November-December Jazz & Blues Report (Issue 363) (downloadable at jazz-blues.com) although I have made a few stylistic edits from the review that appeared there. Here is a video about the making of this recording.