Dave Specter Knows The Blues From the Inside

Dave Specter
Blues From the Inside
Delmark Records

This latest recording by the veteran Chicago blues artist Dave Specter is the first to sport his vocals, in addition to his ingenious, twisty guitar and songwriting. He has a number of musicians supporting him, including Brother John Kattke on keyboards and vocals, Harlan Terson on bass, Marty Binder on drums, and the Liquid Soul Horns on three selections. Also, Jorma Kaukonen guests on guitar for two tracks.

Specter wrote 11 of the 12 songs (some with Bill Britcha) opening with the title track with its more memorable lyrics about various hardships and paying the dues and playing the blues. It is one of three selections on which he sings, and if not a great singer, he sings quite credibly. His guitar playing is terrific as his band gets a nicely paced shuffle groove together. Specter and Britcha also wrote the lively "Ponchatoula Way," with its Crescent City groove that Kattke takes the soulful vocal on. There are some tempo shifts. Still, it is fascinating listening to Specter builds his solos as the horns riff. Kattke, on piano, also solos here. Kattke also takes a soulful vocal on "March Through the Darkness," a number with a Muscle Shoals feel, with Tad Robinson and Devin Thompson providing the vocal backing. Of course, Specter dazzles again on guitar with his taste and solo construction with Kattke soloing on the organ.

"Sanctifunkious" is a funky instrumental in the manner of a classic Meters recordings. Another instrumental is the Latin-flavored "Minor Shout," that sounds inspired by Santana. Like his playing throughout this recording, Specter's playing is sterling, full of unexpected, imaginative twists with his thoughtful, uncluttered attack. Jorma Kaukonen adds guitar to "How Low Can One Man Go?" with Specter delivering a convincing partially talking vocal with the two trading guitar lines. He also wrote the lyrics to "The Blues Ain't Nothing," a gem of an uptown blues with another first-rate vocal from Kattke and superlative guitar from Specter and then Kaukonen. Sarah Marie Young sings the gospel-blues ballad from Bill Britcha, "Wave's Gonna Come." Britcha plays acoustic guitar on this song while Specter's fretwork accents her superb, gospel-rooted vocal.

An atmospheric instrumental "String Chillin'" closes another recording from Specter that is wonderfully recorded and has excellent material, some first-rate singing, and outstanding playing. It is another notable addition to Specter's body of recordings.

I received my review copy from Delmark Records. This review appeared in the January-February 2020 Jazz & Blues Report (Issue 388). Here is a video of "How Low Can One Man Go?"