Lonesome Thing: Anaïs Reno Sings Ellington & Strayhorn

Anaïs Reno - Lonesome Thing: Anaïs Reno Sings Ellington & Strayhorn - Harbinger Records

Listening to this debut album by Anaïs Reno, one is astonished that she was 16 years old. Yet, she sounds as if she was much older. At 16, she has received acclaim for her dedication to jazz and the Great American songbook, having won several awards previously and having performed at Birdland Jazz Club, the Friar's Club, Carnegie Hall, and other locations. This is pretty heady, but she comes from a musical family, her father being a former opera singer (who helped develop her vocal technique), and her mother is a concert violinist. 

Pianist Emmet Cohen leads the backing trio with Russell Hall on bass and Kyle Poole on drums. Tivon Pennicott adds tenor sax to several tracks, and her mother plays on two selections. Cohen and Reno did the musical arrangements. The songs include some of the most familiar songs of the Ellington-Strayhorn songbook. With the Cohen trio providing exquisite support, Reno displays a supple, honey voice, as well as having a wonderful sense of time, clarity of her phrasing, and dynamics. This can be heard from the opening moments of "Caravan" with a delightful Pennicott tenor sax solo to the rousing closing of "Take the 'A' Train," again with more splendid tenor sax as well as Cohen's sublime piano. 

Other songs that stand out include a captivating rendition of "Mood Indigo," where her mother contributes a violin solo that evokes Stephan Grappelli. Reno captures the meaning of the lyrics, such as the longingness expressed in a rendition of "Daydream" and the bluesy feel she provides singing "I'm Just a Lucky So and So." This latter number is one of several showcasing her horn-like scatting. Cohen's accompaniment and solo are particularly gripping, and the preciousness of her performance of "Lush Life." There is also a stunning mashup of "Chelsea Bridge" and " A Flower is a Lonesome Thing." She delivers "Chelsea Bridge" as a wordless vocal" before singing "A Flower" with a touch of gentle melancholy. 

As Will Friedwald writes in liner notes, "At 16, Anaïs achieved what precious few adults accomplish: namely, to actually enhance our appreciation and enjoyment of the Ellington-Strayhorn canon." There is little one could add to Friedwald's concise appreciation of this superb recording. 

I received my review copy from a publicist. Here Anaïs Reno sings "A Flower Is a Lonesome Thing."

John DiMartino Passion Flower: The Music of Billy Strayhorn

John DiMartino
Passion Flower: The Music of Billy Strayhorn
Gemini Music Co.

As Russ Musto observes in the liner notes to pianist John DiMartino's new recording, the music of Billy Strayhorn "has become recognized as one of the most important bodies of work in 20th Century American music." DiMartino, a pianist some may know from his stints with David 'Fathead' Newman and Houston Person, first got acquainted with Billy Strayhorn's music when, as a 15-year-old, an older cousin requested he learn a tune. Later he heard Grover Washington's recording of "Passion Flower," Bobby Tucker gave him the music for "A Flower Is a Lonesome Thing." In recent years, he has been performing this music with Paquito D'Rivera.

DiMartino leads a quartet of Eric Alexander on tenor saxophone, Boris Koslov on bass, and Lewis Nash on drums. Raul Midón sings on one selection. From the swing of the opening "Johnny Come Lately" to the haunting beauty of "Chelsea Bridge" and "Passion Flower," the quartet develops the inherent melodic qualities and beauty of Strayhorn's music. Alexander is in excellent form as a ballad master and storyteller in the tradition of Johnny Hodges, Ben Webster, Houston Person. At the same time, bassist Koslov and drummer Nash add their own contributions.

Whether soloing or adding his flourishes comping behind Alexander, DiMartino displays grace and taste. His solo rendition of "A Flower is a Lonesome Thing" is one of delicate beauty. Then there is his exquisite accompaniment to Midón's vocal on "Lush Life." He also adds a new veneer to such classic tunes as "Star Crossed Lovers," played as a bossa nova, the spirited "Raincheck," and "Take the A Train." With the outstanding backing provided as well as his marvelous piano, John DiMartino's "Passion Flower" is a sublime recording that does justice to Billy Strayhorn's superb music.

I received my review copy from a publicist. Here is "Chelsea Bridge" from this recording.

Duke Ellington and Orchestra in Zurich with Special Guest Don Byas

TCOB Music calls itself The Montreux Jazz Label ™ and has several different series which can be distinguished by the color of the CD spine. Red is devoted to bebop, hardbop and postbop, green is devoted to the Swiss Radio Days Jazz Series and has vintage jazz concerts recorded by Swiss radio (I have heard an excellent live Art Blakey set), while blue is devoted to the music of the forties and fifties in general. One of the recent productions in the blue series presents vintage Duke Ellington & Orchestra.

Live in Zurich, Switzerland presents a May 1950 performance by Ellington in Zurich that certainly will be welcomed by fans of the Duke Ellington. The Ellington Orchestra that day included trumpeters Harold Baker, Ernie Royal and Ray Nance; trombonists Lawrence Brown and Quentin Jackson; saxophonists Jimmy Hamilton, Johnny Hodges, Harry Carney, Jimmy Hamilton and special guest Don Byas; the Duke and Billy Strayhorn sharing the piano chair, Wendell Marshall on bass, and Butch Ballard sharing the drums with Sonny Greer.

In addition to Don Byas’ appearance here, the program is quite fresh opening with Suddenly It Jumped, before going into Ring Them Bells. Creole Love Call features Kay Davis’ remarkable vocalizing while Harry Carney gets to showcase his baritone on Paradise. Air Conditioned Jungle showcases Jimmy Hamilton’s clarinet, while Byas shines on How High the Moon, which opens as a ballad for two or so minutes before the band kicks up the tempo first moderately, then ratchets it up into hyperdrive before Byas slows it down for its ending.

The Tattooed Bride, which was then a relatively recent composition of the Duke, is the lengthiest performance here with Lawrence Brown’s trombone and Jimmy Hamilton’s clarinet prominent Billy Strayhorn takes the piano chair for the band’s his classic, Take the A Train, while Frankie and Johnny features a healthy does of rollicking stride piano from the Duke, some violin from Ray Nance and more clarinet from Hamilton.

More piano is heard in the introductory portion of Rockin’ in Rhythm. Johnny Hodges’ alto is featured on the tone poem, Violet Blue, and the hot blues, Jeep is Jumping. It likely is Ray Nance handling the vocal on W.C. Handy’s St. Louis Blues, while trumpeter Ernie Royal is showcased on S’Wonderful, opening first using a mute before launching into his bop-inflected saxophone. This is a very welcome addition to the Ellington discography with its interesting personnel and the very interesting selection of material. The sound of this live recording sounds pretty good as well.

This review appeared in slightly different form in the April 2008 Jazz & Blues Report (Issue 303). I believe I received my review copy from that publication. This is still available including as mp3s.