The Mike Wheeler Band follows up their Delmark debut "Self Made Man" with "Turn Up !!" Guitarist-vocalist-songwriter Wheeler's band has not changed with Brian James on keyboards, Larry Williams on bass and Cleo Cole on drums with Kenny Anderson's trumpet and Hank Ford's tenor sax adding musical seasoning to the proceedings. Wheeler wrote 12 of the 13 songs (two in collaboration with bandmates) and there is one cover of a Little Milton number. About "Self-Made Man" I wrote that Wheeler's performances had quite a bit of fervor with "plenty of drive in his playing and urgency in his impassioned vocals."
His range as a writer and performer are displayed on the opening selection "Sweet Girl," and then contrasting "You Don't Do Right," with an insistent groove supporting his fervent vocal complaint, the punching horns and blistering guitar to close this. Brian James also adds considerable musical coloring under the vocal. "Yeah!" is a hard driving funk-blues followed by the heavy metal of "Brand New Cadillac." Others might disagree, but I found the backing and playing here overbearing and the vocal sounds strained. To these ears, that is the only misstep on this recording. It is a relief after that track to hear the swinging shuffle "Talking To Myself," followed by the driving groove of the title track as he celebrates being turned up when around his girl.
Other standout tracks include the marvelous blues-ballad, "Nothing Lasts Forever," the hot funk-blues of the celebratory "Living the Dream"; the early in the morning slow blues, "A Blind Man Can See," with terrific guitar; a funky interpretation of Little Milton's "That's What Love Will Make You Do," and the closing topical blues about wanting to cry watching the TV news, "Sad State of the World," with James' gospel-tinged piano adding to the mood. Once again, Mike Wheeler, and his outstanding band, has delivered a terrific set of straight-ahead, soul-rooted modern blues.
I received my review copy from Delmark. I have made minor revisions inthe review that originally appeared in the July-August Jazz & Blues Report (Issue 367). Here Mike Wheeler is performing Little Milton's "That's What Love Will Make You Do" from several years ago.
Having played with a who’s who of the blues world for three decades (including Big James Montgomery and the Chicago Playboys, singer guitarist Mike Wheeler has a new CD on Delmark, Self Made Man. He is joined on this by his band of Brian James on keyboards, Larry Williams on bass and Cleo Cole on drums with young harmonica wiz Omar Coleman added to three tracks.
Wheeler and band wrote most of the songs and there is only one cover, and provides plenty of fervor in his performs with plenty of drive in his playing and urgency in his impassioned vocals. As evident in the opening Here I Am, there are evident soul and gospel roots to be heard in his vocals (which remind this listener of Michael Hill, although Hill’s singing is cooler). And he writes interesting, fresh songs as on Here I Am where he thanks his woman who lets him back in her life and he has done wrong. Big Mistake is a more traditionally styled song with some interesting twists in its groove a he sings about he made a mistake taking a woman in his life as she is more than he can take. Coleman adds harmonica to the peppy title track, where he notes he is a self-made man who made himself have the blues. In addition to telling his stories, his playing really catches the ear with a jazzy sensibility and his fresh twists and turns.
His soul roots are evident on the topical song, Join Hands with his message of people getting together and help each other as “we the people, together we stand, let’s work together, I know we can … join hands,” playing with fire here. A nice cover of Willie Dixon’s Let Me Love You Baby,, set to the Rollin’ and Tumblin’ melody (therefore sounding different than Buddy Guy’s 60s Chess recording), is followed by You’re Doing Wrong, an West Side styled blues with one of his most impassioned vocals here and searing guitar. Moving Forward has some funk styled guitar (he mentions Eddie Hazel with respect to his playing here) and funk groove. On Chicago Blues, he mentions loving all music but if he has to choose, give him the Chicago blues.
Self Made Man certainly will make many take notice of a very distinctive talent who has a very distinctive approach compared to other contemporary blues acts. Jimmy Johnson is another act who has blended elements of blues and soul and created a very personal approach to the blues and based on Self Made Man,” Wheeler has the talent to produce a similar musical legacy.
I received a review copy from Delmark. Here is a video clip for your enjoyment.
Peaches Staten is a new name to this writer and is one of the the unheralded blues artists that Swiss native Chris Harper intends to record and get wider exposure for. Staten is a tough vocalist with influences from Koko Taylor, Mavis Staples and Etta James amongst others. Originally from MIssissippi, she grew up in Chicago raised “on a steady diet of blues, soul, gospel and R&B” to quote Sandra Pointer-JonMike es who wrote the liner notes to Staten’s Cd “Live at Legends” (Swississippi Records). A world traveller, she has spent time in a zydeco band and an Afro Brazilian Samba Ensemble and worked around the world. On one of her song introductions she mentions living in Sweden. This CD was recorded at Buddy Guy’s Legends on the last Sunday before the club moved to its new location. She brings her voice and frottoir (rubboard) to the fore with a band that includes Mike Wheeler on guitar, Larry Williams on bass, Brian James on keyboards and Cleo Cole with Harper guesting on harmonica for several tracks.
She brings a big voice that is evident on her cover of Etta James “I’d Rather Be Blind,” which is solid if in the shadows of the original. This cover shows how strong a voice she has and her relaxed timing in her delivery. Much of this showcases her ability to project lyrics at varying tempo and also that she is a pretty fair songwriter. The opening “Long Distance Telephone Call,” opens with her urging the Legends’ crowd to put their hands together as she sings about missing her man who is so far away and has to hear his voice. The tempo slows down a bit for the soul-based “Don’t Rush Me,” followed by Chico banks’ “It Must Be Love,” which the late Banks wrote for Mavis Staples and Peaches delivers the lyric emphatically in a fashion that evokes Koko Taylor. Guitarist Wheeler is a very busy player which isn’t as much to this listener’s taste, but James’ organ is much stronger in laying the musical coloring and the rhythm is terrific. She takes the crowd to Louisiana for the zydeco romp, “Gotta Find My Man,” with James sounding like he is on an accordion as Staten plays the frottoir which she calls a washboard and Harper adds some nice harp. Its a very lively number with an irresistible groove as well as vocal. I can see this number getting the dance floor packed.
Peaches credits “I Know You Love Me,” to Tina Turner although the CD lists it as a B.B. King number. Harper is part of the driving accompaniment that evokes Howlin’ Wolf’s recording of “Killing Floor.” “Bad Case of Lovin’ You,” is a rocker originally recorded by Robert Palmer and later than Koko Taylor that Peaches emphatically delivers “Doctor, Doctor give me the news, I got a bad case of lovin’ you.” She picks up the frottoir for “Hole in the Wall,” a hard driving boogie blues rocker evocative of Z.Z. Top, before closing with Alberta Adams’ “Keep On Keepin’ On,” with James laying down some really nice boogie-inflected piano before she joyfully delivers the lyric about spreading the news that Peaches will keep singing the blues and that certainly is good news. Wheeler’s guitar is also much more appealing here with a jazzier touch exhibited.
“Live at Legends” is an impressive introduction to Peaches Staten whom we certainly will be hearing more about in the future.
For purposes of FTC regulations, I received the review copy for this from the publicist for Swississippi Records.
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