Historic Ray Charles Live In France

Eagle Vision has issued an amazing and important DVD by Ray Charles Live in France 1961. This was filmed over four nights during Charles’ first to Europe when he played a Jazz Festival outside of Antibes on the Cote d’Azur and marked a departure in that he brought his big little band as opposed to the larger big band he was touring with in the United States. There is an excellent video of Charles in Brazil from a couple years later that shows The Genius in his prime with the full big band.

With Charles and his piano, we hear the legendary saxophone trio of Hank Crawford, David ‘Fathead’ Newman, and Leroy ‘Hog’ Cooper along with trumpeters Philip Guilbeau and John Hunt; bassist Edgar Willis and drummer Bruno Carr. And also present were the Raelettes of Gwen Berry, Margie Hendrix, Pat Lyles and Darlene McCrea. This was the essentially Ray’s Band during his years at Atlantic Records and the chance to see this band (which was the band on Ray’s live Atlantic Recordings) makes this particular DVD special.

The performances are taken from French television programs of highlights from the Festival and as the folks from Reelin’ In The Years Productions observe, this was filmed not taped which helps explain the excellent video quality. However film, not used after cutting and splicing of source material, was discarded so the 105 minutes which includes multiple performances of several songs is all there is. Radio recordings of the entire shows existed that allowed rearranging the clips from the festival highlights into the performance order and provide superior sound.

The performances include the jazzy instrumentals including renditions James Moody’s The Story, Horace Silver’s Doodlin’, and his instrumental take of One Mint Julep, here played on piano and not organ. Then there are stellar renditions of Let the Good Times Roll, Georgia On My Mind (with Fathead Newman on flute), Sticks and Stones and What’d I Say.” Does anybody need to have me say what a great band this was and that the members get showcased throughout. The filming did have the great Charles’ vocals and piano front and center while focusing on the horns during their solos. Listening and watching how effortlessly he moves from a ballad like Cecil Gant’s classic ballad, I Wonder, to the vocal interchange with Margie Hendrix who admonishes him to Tell The Truth, one is awestruck even 50 years later. Similarly one is amazed watching Charles jazz up My Bonnie, and while getting down for the nitty gritty for I Believe.

Few performers were so at home and so expressive at performing such a wide range of music. This DVD presents Charles at his greatest and in addition to the terrific production, there is a booklet with Rob Bowman’s essay providing the context for these performances. This is a stellar DVD that should be of interest to many.

I received a review copy from a publicist for this release. I will be reviewing a box set of the Complete Ray Charles ABC singles in the near future.

Classic Ray Charles Live Recording Reissued With Unissued Tracks

Concord Records continues with its restoration of the post-Atlantic Records Ray Charles catalog with Live in Concert. The source for this was a September 1964 concert at Los Angeles’ Shrine Civic Auditorium and featured Charles and his band that included backing vocals by the Raeletts, Oliver Beener and Wallace Davenport amongst the trumpets; Julian Priester and James Herbert amongst the trombones; Keg Johnson, David ‘Fathead’ Newman, Bill Pearson, Hank Crawford, and Leroy Cooper on saxophones; Sonny Forriest on guitar; Edgar Willis on bass and Wilbert Hogan on drums. Charles had expanded from his legendary little big band to the full orchestra in 1961 and Quincy Jones had helped with providing arrangements from his big band book.

The performance here (about 70 minutes of music) was the first after a European and Japanese tour and was recorded by Wally Heider who was a pioneer in location recordings of the time. This release includes 7 previously unissued performances that were not included in the original 1964 album release, adding nearly a half hour of unissued performances including renditions of One Mint Julep, Georgia on My Mind, That Lucky Old Sun, In The Evening (When the Sun Goes Down), Busted, Two Ton Tessie, and My Baby (I Love Her, Yes I Do), to go along with such numbers associated with Charles as I Got a Woman, You Don’t Know Me, Hide Nor Hair, Hallelujah, I Love Her So, and What I’d Say.

Of course its a terrific band (Charles’ jazz piano chops are displayed on Swing a Little Taste) with Fathead and Hank Crawford getting solo space, and terrific section work and swing. And its nice to hear Charles at this stage as he was expanding his repertoire, but had not relegated many of his early R&B classics to brief treatment as part of a medley so we get strong renditions of I Got a Woman, Hallelujah, I Love Her So, Don’t Set Me Free, and What’d I Say, along with more recent additions to his repertoire as You Don’t Know Me, Margie, and Georgia On My Mind. And Ray still was front and center with the blues with the terrific In The Evening, and dig Charles’ terrific blues piano at the beginning. Material-wise, the only misstep is Two Ton Tessie, which was likely from some forgettable show, but Charles still puts everything into the performance.

Bill Dahl contributes his usual insights in the accompanying booklet and the sound quality is excellent. Live in Concert is an welcome addition to Ray Charles’ discography. There is some simply terrific music here, capturing “The Genius” at his prime.

My review copy was provided by Concord Records.