Guy Davis Kokomo Kidd

MC Records has just issued Guy Davis' latest release "Kokomo Kidd," with nine originals and four covers. Davis is joined by Professor Louie on piano, John Platinia on slide and electric guitar, Mark Murphy on bass and cello, Gary Burke on drums, and Chris James on mandolin and rhythm electric guitar. Charlie Musselwhite and Fabrizio Poggi each guest on harmonica for one track while Ben Jaffe adds tuba to the opening title track.

Davis is an appealing folk and blues performer and the songs here provide a varied palette of blues that can be seen from the jaunty opening title track about a gentleman who was the grease in the corrupt prohibition era to keep the machine running. The next song, "Wish I Hadn't Stayed Away So Long," with its wistful sense about regretting his hobo's life. He adds some marvelous harmonica and banjo that adds to the flavor of the performance. "Taking Just A Little Bit of Time" has some nimble fingerpicking and a restrained, gruff, vocal.

Davis suggests Bob Dylan at times with several of his vocals including the cover of "Lay Lady Lay," but also "She Just Wants To Be Loved," about a lady who keeps going back for pain when all she wants to be loved with Professor Louie's organ and Chris James' mandolin helping the performance build in intensity. Charlie Musselwhite adds some nice harmonica to a pretty straight rendition of "Little Red Rooster," with Professor Louie adding strong piano as Davis singing capably, but Platania's slide guitar comes off as a bit over the top. Much better is the gem, "Maybe I'll Go," with an accompaniment and a vocal that evokes Mississippi John Hurt. The jaunty "Have You Ever Loved A Women" has Poggi adding his country blues styled harmonica for a lively acoustic performance. Tommy Johnson's "Cool Drink of Water" is a hauntingly beautiful recording and unfortunately Davis' gruff vocal nor the somewhat stilted rhythm suffer compared to the original. The reggae groove adds to the appeal of the closing "Wear Your Love Like Heaven."

"Kokomo Kidd" features a number of gems as well as some less successful songs, but as a whole displays his maturity as a performer and his open ears and imaginative approach to his music.

I received my copy from MC Records. This review originally appeared in the November-December 2015 Jazz & Blues Report (Issue 363), although I made few stylistic changes and corrections. Here is Guy chatting and then performing.

 

Robert Lockwood's Solo Blues Mastery

My last post examining some of the classic recordings of Robert Lockwood, Jr., involves two solo recordings. Delta Crossroads was reviewed in the September-October 2000 Jazz & Blues Report (issue 247) while The Legend Live was reviewed in the March April issue (Issue 267). It is ironic because Lockwood, when I met him in 1970, was not very interested in performing in a somewhat archaic musical style. Yet for someone not fond of performing solo, he did make fine recordings in this vein. I have made minor editorial changes from the originally published reviews. Both of these recordings are still in print. 

Delta Crossroads  Robert Lockwood, Jr., remains a national blues treasure who still sounds as fresh and vital today as he did decades ago. Telarc has issued a new cd, Delta Crossroads, which is surprising in that it is a solo acoustic album with Robert rendering fine performances of a number of his stepfather, Robert Johnson’s songs, along with several other blues standards and some of his own originals. This is not his first album as an acoustic blues performer. He recorded Plays Robert & Robert on a French label which since has been reissued in the US on Evidence. Lockwood has included tracks on prior albums in this vein. Robert has recorded most of these songs in the past, although perhaps under different titles. For example, his This Little Girl of Mine was recorded with his band as Hold Everything on Lockwood’s first Trix album and this writer is familiar with other renditions by him of most of the Robert Johnson songs. Johnson’s 32-20 Blues that opens this album may be the one song I have not heard him record before, but he recorded Dust My Broom even prior to Elmore James, although it never got issued, and he did Rambling on My Mind on his Steady Rolling Man album for Delmark. Lockwood plays with his usual skill and sings straightforwardly and without any artifice. Its nice to hear renditions of performances of such classics he regularly performs as C.C. Rider and Leroy Carr’s Mean Mistreater and In the Evening. The latter number is juxtaposed with a rendition of Love In Vain, which uses the latter tune’s melody. This is beautifully recorded and produced by Joe Harley and is a worthy addition to his growing body of recordings. I hope Telarc (or another label) does not keep us waiting too long for a full album of Robert and his great band. The Legend Live This brand-new Robert Lockwood, Jr. album on MC Records, The Legend Live, is a solo performance recorded at The Rhythm Room in Phoenix last July. There is little in the way of surprises in the material covered, which ranges from a quartet of Robert Johnson songs (including Sweet Home Chicago, Love in Vain and Rambling on My Mind), and several blues standards including Leroy Carr’s How Long Blues and In the Evening, plus Johnny Temple’s Big Legged Woman. Lockwood was a sideman when Roosevelt Sykes waxed Feel Like Blowin’ My Horn for Delmark, and he brings a bit of panache to this along with the swing classic Exactly like You. Having played the twelve string nearly thirty years, it is no wonder that he is able to get such a distinctive sound to match his unique, sophisticated playing while his vocals give no indication that he was 88 when he recorded this. This is another excellent addition to his discography. It’s two bad that the wonderful live Japanese recordings he made with the Aces in the 70’s, along with a superb 90’s Japanese album are currently unavailable in the US, but this will have to suffice for those wanting a document of his marvelous live performances. Tomorrow, I will post the obituary I wrote of Robert Lockwood Jr., after his passing. I likely received review copies for these from Jazz & Blues Report.