2nd Pennsylvania Blues Festival Keeps Tradition of Blues in the Pocono

Teeny Tucker will be at this year's Pennsylvania Blues Festival

Michael Cloeren, and the others involved with the Pocono Blues Festival found a new location to carry out the tradition of bringing the best blues to the Pocono Mountains with last year’s “1st Pennsylvania Blues Festival” at the Blue Mountain Ski Area in Palmerton, Pennsylvania, not far from Allentown, Bethlehem and Easton, Pennsylvania. They have put together the “2nd Pennsylvania Blues Festival” at the Blue Mountain Ski Area that will take place the weekend of Friday July 27 through Sunday July 29.

Eugene 'Hideaway' Bridges

Once again they will be presenting a variety of top-draw blues acts to appeal to diverse blues tastes. Friday night they will host a blues jam featuring Mikey Junior & the Stone Cold Blues Band. Saturday, July 28 they present the first of two full days of blues on the main stage and tent stage. Acts scheduled for the main stage include Marquise Knox; Big Sam’s Funky Nation; Joe Louis Walker and Billy Branch & the Sons of the Blues with Lurrie Bell, Carlos Johnson & Demetria Taylor. In the Tent Stage will be the Canadian duo of Dawn Tyler Watson & Paul Deslauriers; Wallace Coleman along with an acoustic set from Billy Branch & Lurrie Bell and another set of New Orleans Funk by Big Sam’s Funky Nation. Saturday Night will feature Steve Guyger and the Excellos.

The main stage on Sunday will open with Daptone Records artists Naomi Shelton & the Gospel Queens. Others up include Eugene ‘Hideaway’ Bridges; Teeny Tucker; Earl Thomas and the Brooks Family Blues Dynasty with Lonnie, Ronnie and Wayne Baker Brooks. Corey Harris will be featured in the tent along with an acoustic set from the Brooks Family, and sets by Hideaway Bridges and Teeny Tucker.

Joe Louis Walker returns to play blues in the Pocono Mountains at the Pennsylvania Blues Festival

As can be seen by the list of performers, the Festival promises a full weekend of real deal blues. I have my hotel reservations already and I know folks from as far away as San Francisco and the Pacific Northwest that have there plans for this as well. They are offering last years pricing for tickets until June 8th. For more information and on the festival, directions and the festival schedule, check out the Festival website, http://www.skibluemt.com/SkiBlue/special-events/pa_blues_fest.aspx. The Festival also has a Facebook page, https://www.facebook.com/pages/Pennsylvania-Blues-Festival/195740310453821.

Michael Burks was originally scheduled to play at the Festival on Saturday, July 28, but passed away very tragically. He is being replaced by Otis Taylor and his very distinctive and original approach to the blues.

Photos copyright Ron Weinstock.

Tommy Castro's Commanding Blues Revue

One make suggest that it is presumptuous for a varying traveling blues show to call itself “The Legendary Blues Revue” given that few if any of the performers on it deserve the stature of being a legendary performer. The revue grew out of shows that Castro organized as part of the Legendary Rhythm & Blues Cruises which also included Castro and a varying cast of performers doing some tours as the Revue. While the Legendary is more marketing and reflects the tie-in with the popular Cruise, there are some of the more popular ‘blues artists’ such as Tommy Castro, whose band is the anchor of this revue. This tour has been documented previously on Delta Groove with Command Performance which featured Castro, Deanna Bogart, Magic Dick and Ronnie Baker Brooks. Alligator now brings us Tommy Castro Presents The Legendary Rhythm & Blues Revue -- Live!

On this disc Castro is represented on this the most as a featured performer, while more other performers are featured than the earlier CD, although only for a track by each. Castro opens with some hard rocking numbers from the Cruise, his own Wake Up Call, and Bob Dylan’s Gotta Serve Somebody, with plenty of almost over the top guitar, sax from Keith Crosnan and a tight band. Michael Burks is heard on an extended performance from the Kansas City club, Knuckeheads, of his Voodoo Spell. It sports a solid vocal reflecting Albert King’s influence, a lengthy guitar solo from Burks and a nice piano solo from Tony Stead. Up next is a solid performance by Joe Louis Walker of a song by the late J.J.Malone, It’s a Shame, backed by Castro’s band minus the leader.

Castro is on guitar for Sista Monica’s strong performance of her Never Say Never, perhaps my favorite selection in this CD. More strong piano and organ backing here from Tony Stead. With Kid Andersen on guitar, Rick Estrin provides his own take on a relation gone bad on My Next Ex-Wife. I was pleasantly surprised by the brothers and sister band, Trampled Under Foot with their Fog, that shows they are more than a novelty act. Bassist Danielle Schnebelen is an impressive  vocalist. The old Five Royales classic Think is interpreted by Janiva Magness, perhaps in a rendition more influenced by James Brown’s recording, but the performance doesn’t quite fully jell to these ears. Theodis Ealey takes us down a bit on chitlin circuit with his soulful blues, This Time I Know, followed by strong Debbie Davis performance, All I Found.

There are a couple more performances by Castro to round this album out, with the closing Serves Me Right to Suffer, paying his respects to John Lee Hooker, starting as a slow dirge-like blues before picking up an ‘endless boogie’ groove. Its a fun performance if not a compelling one. It ends over an hour of performances that should appeal to the Blues Cruisers, fans of Castro and of the other artists especially. Alligator also provides web-links of the artists on the cd booklet of the artists that hopefully listeners will explore of artists they get introduced here to.


My review copy was provided by Alligator Records

Congratulations For Alligator's 40 Years of HouseRockin' Music

Alligator Records is celebrating its 40th Anniversary this year and as it has in past years, compiled, 40th Anniversary Collection, a two-CD compilation of 38 recordings from the label since it released Genuine Houserockin’ Music by Hound Dog Taylor, which label founder Bruce Iglauer says is the mantra that still governs the label, although he notes the label no longer just records blues, even if the artists are deeply rooted in the blues tradition.

Given the diversity of contents and the purpose of the CD it is not my intent to review the contents here. I suspect folks will find selections they don’t like and others they think are timeless. Besides celebrating Alligator Records, this compilation will hopefully introduce some of the artists and recordings that some may be unfamiliar with whether it is some vintage Koko Taylor and Albert Collins, or more contemporary acts like Michael Burks, Tommy Castro and Anders Osborne. There is a selection from the Grammy Award winning collaboration between Albert Collins, Johnny Copeland and Robert Cray as well as William Clarke’s reworking of Jimmy Witherspoon’s Daddy Pinnochio along with selections from current recordings by Roomful of Blues and Marcia Ball.

For each selection, Bruce includes comments on the artist and the particular recording, and at the booklet’s end he notes some of those performers he could not include which is a mini Blues Who Who in itself. I remember Bruce driving out to Buffalo in the mid-seventies in the middle of a snow storm trying to promote this young guitarist and singer by the name of Son Seals, and while he now has employees, he still is heavily involved at Alligator. The 40th Anniversary Collection is a vibrant celebration of the impressive (and still growing) body of Alligator Records and Bruce Iglauer

Alligator Records sent me my review copy.

Michael Burks' Rocking Blues

Arkansas native Michael Burks muscular new Alligator album, “Iron Man,” should readily appeal to fans of modern hard rocking blues. Burks forceful string-bending on his Flying V will appeal to those who like their blues with a heavy dose of hard-rock tinged guitar, but that oversimplifies his forceful playing. Playing the Flying V, some comparisons are inevitable with Albert King, and while King is obviously an influence, Burks is a more active player. His vocals with a welcome downhome flavor in his voice actually evoke King more. The take of Jimmy Johnson’s “Ashes in My Ashtray,” is a particularly welcome performance but little fault can be found with the solid idiomatic originals such as the driving “Love Disease” that opens this set or his soulful blues-ballad “Empty Promises.” His band of keyboardist Wayne Sharp, bassist Don Garrett and drummer Chuck ‘Popcorn’ Louden are a tight and hard-hitting. While this is not the most subtle blues, they avoid heavy-handedness and complement, not overwhelm, Burks singing. Listen to his delivery on “Icepick Through My Heart” that he co-wrote and then dig his nice guitar break, and the album closes with a rocking "Changed Man," set to the Dust My Broom melody which the band swings hard. While Burks' fiery guitar will obviously be a prominent reason for his appeal, his delivery of the songs sets him apart from most of his contemporaries, as evidenced by this fine recording.