Al Muirhead Quintet -Live from Frankie's & The Yardbird

Al Muirhead Quintet -Live from Frankie's & The Yardbird - Chronograph Records

This album captures Canadian trumpeter Al Muirhead in two performances from a 2018 Canadian Jazz Festival tour. Muirhead, whose career spans eight decades (he first recorded in 1953), leads a top-flight quintet on these recordings. Common to both performances are Muirhead on bass trumpet and trumpet, Kelly Jefferson on Tenor Saxophone, and Neil Swainson on bass. Guitarists Reg Schwager and Jim Head, and drummers Jesse Cahill and Ted Warren round up the players on performances from Yardbird Suite in Edmonton, Alberta, and Frankie's Jazz Club in Vancouver, British Columbia.

Before the tour, a setlist of jazz standards was provided for the improvisations. Muirhead writes, "What you are about to hear is not your usual slick, well-rehearsed, beautifully arranged recording. It is music being performed by a group of musicians, some meeting for the first time on the bandstand, playing the music they love. It is raw, spontaneous, and more importantly, it is real. Musicians working together, knowing their roles, their functions, listening to one another to make music." 

Muirhead's is heard primarily on bass trumpet, which one might mistake for a trombone. He and Jefferson are terrific on Sonny Rollins' "Tenor Madness," on which everyone solos. Different performances of the jazz classic open and close this album. Muirhead exhibits a definite warmth and somewhat wooly texture to his sound on the classic ballad "Emily." At the same time, he certainly can build heat playing bass trumpet as he exhibits on Clifford Brown's "Joy Spring." Jefferson impressed this listener throughout with his full-bodied tone, fluid playing, and imaginative, lyrical improvisations. His open trumpet playing is stellar on "Mona Lisa." Guitarist Head shines with his fleet playing on "Emily," while guitarist Schwager dazzles on "Joy Spring."

Listeners will find plenty of heat and heart in this album." Live from Frankie's & The Yardbird" brings together some first-rate, straight-ahead bop and swing characterized by a top-notch ensemble playing and outstanding soloists.

I received a download to review from a publicist. Here is a short soundcheck of "Emily."

Al Muirhead's Canadian Quintet Undertones

Al Muirhead's Canadian Quintet
Undertones
Chronograph Records

Western Canadian Jazz Icon, Al Muirhead, came to wider prominence in North America with the release of his JUNO-nominated debut album ‘It’s About Time’. At the age of 82 years old, he is making up for lost time with his fourth release in just three years. This recording features Al on the rare bass trumpet with his new Canadian Quintet, all Canadian jazz heavyweights: Kelly Jefferson (sax), Reg Schwager (guitar), Neil Swainson (bass) and Ted Warren (drums).

Muirhead, as trumpeter, composer, arranger, sideman and recording artist has been making listeners take notice for longer than jazz fans might realize. Born in Regina, Saskatchewan, in 1935, he was playing in the Regina Symphony and dance bands by age 12. Muirhead started listening to and being influenced by the likes of Dizzy Gillespie, Miles Davis, and Louis Armstrong. While Muirhead’s playing is infused with the indelible influence of the jazz giants, he brought his own flowing, melodic sound to a career in which he has worked with legends such as Diana Krall, Paul Anka, Rosemary Clooney, Frank Mills and Dizzy Gillespie.

The bass trumpet looks like an oversized version of that brass instrument with a sound like a valve trombone. There are ten songs, eight of them are standards and two originals with the overall tenor of the music being swing to bebop. It is a swinging ensemble and Jefferson is a fine solo foil for Muirhead's melodic trombone sorties with a clean tone and a driving style while guitarist Schwager has more than several occasions to display a fluid attack and thoughtful solos. His comping and the support of Swainson and Warren help generate the nicely paced swinging performances.

The album opens with this he easy bluesy stride of "A Tune For Cal," written for the memory his older brother. Muirhead has an ear for classics of the big band including "Rose Room" that opens with his attractive playing followed choice solos from Jefferson and Schwager with the bass and drums providing a sure foundation as well as a solid bass solo. I'm am most familiar with "'Deed I Do," from the Count Basie recording featuring Jimmy Rushing in which Muirhead delights with his slightly gruff lyricism. The relaxed swing of the rendition of "You're My Everything" is followed by Muirhead's "Take It To Bank Tom," dedicated to Canadian musician Tommy Banks, and also has a bluesy feel in the leader's relaxed solo. It is followed by a marvelous interpretation of the Mancini and Mercer classic waltz, "Charade," with Jefferson's driving, searching solo contrasting with the leader's raspy, yet lyrical, playing.

After a lovely "I Don't Stand a Chance With You," with a splendid solo from Muirhead, the album closes with a spirited rendition of "Four Brothers," a number chosen to honor his sister Elaine, with solo spots to the entire band. Muirhead and his quintet are an impressive, swinging ensemble that have produced a wonderful swinging release.

I received a download to review from a publicist. Here is an interview with Al Muirhead.

Peter Campbell Loving You: Celebrating Shirley Horn

Peter Campbell
Loving You: Celebrating Shirley Horn
Peter Campbell Music

Canadian-American vocalist first came under the spell of Shirley Horn when, as an undergraduate at McGill University he heard her "Here's To Life" album. It was her ability to "express so much with such seeming economy." He was mesmerized by her in performance and cites in the liner notes hallmarks of her performances: "impeccable taste in material; absolute dedication to lyric interpretation; and her distinctive approach at tempo - often at a glacial pace." Campbell views Horn as less a traditional jazz singer with her vocals in service of the lyric and melody. Such a central aspect of her singing was quoting Thomas Cunniffe was "her unique way of making every word count." He considers Horn the greatest ballad singer of her generation and "Loving You" is a tribute to her accompanied by his pianist (and arranger) Mark Kiesetter; guitarist Reg Schwager; bassist Ross Macintyre and trumpeter Kevin Turcotte.

Campbell's vocals sound rooted in the cabaret with a quivering vibrato and his deliberate phrasing (his extension of words over several beats) that provide emphasis to the lyrics. While the backing is evocative, no players is as striking as Horn herself was as a pianist. Still, there are many charms to the performances in addition to Campbell's heartfelt singing, there is trumpeter Turcotte's haunting trumpet on "Wild Is The Wind," or "Forget Me," or guitarist Schwager's fleet bluesy playing on "Sharing the Night with the Blues."  "There's No You," has a crisp, economical solo from Kiesetter. The title track is a marvelous duet by Campbell and his pianist and musical director.

Most of the tracks are taken at a glacial tempo that Campbell finds so appealing in Horn's music. The sameness in tempo over the course of most of the songs make this recording some might sample several tracks at a time as opposed to listening straight throiugh. The slightly brisker pace as on "Sharing the Night with the Blues," or "The Great City," provides a change of pace in this context. It is so telling of Shirley Horn's impact years after she passed that she inspired Campbell and this engaging, heartfelt tribute.

I received a download of this for review from a publicist. Here is Peter Campbell in performance.