Barbara Dane with Tammy Hall Throw It Away …

Barbara Dane with Tammy Hall
Throw It Away …
Dreadnaught Music

What marvelous career Barbara Dane has had ranging the whole spectrum of American music. From her classic jazz recordings, and her memorable album shared with Lightnin' Hopkins over a half century ago, she remains a singular presence on the music scene. Now at 88, she teamed with a wonderful pianist, Tammy Hall and produced "Throw It Away …," with classic blues, torch songs and a few more modern gems. Filling out the backing is bassist Ruth Davies (best known from her time with Charles Brown) and drummer Bill Maginnis with Pablo Menéndez adding blues harp on three tracks and Richard Hadlock adding soprano sax on one.

Dane may not have the range as a singer she once had, but the jazzy accompaniment allows her to "explore entirely new ways of singing." Certainly this is evident in the opening rendition of Memphis Minnie's bawdy "I'm Selling My Porkshops," where her delivery evokes Helen Humes and Ruth Brown in their latter days, and followed by her take on Leonard Cohen's "Slow," with its humorous, half spoken vocal about her partner wanting to get their fast, but she wants to get it last, and that she always liked it slow because it is in her blood. There are a number of other gems including Abby Lincoln's song that provides the CD its title, and that sometimes it is best to let go; Paul Simon's "American Tune;" Duke Ellington's "All Too Soon" which she added lyrics and Hadlock's soprano sax suggesting Johnny Hodges; and the Lennon and McCartney classic, "In My Life."

There is plenty of humor here such as Lu Mitchell's "The Kugelsburg Bank," celebrating a little old lady that is enjoying her slice of the pie south of the border after years of being the bank's outstanding employee as well as her rendition of Mose Allison's "My Brain" (set to the "This Train"/"My Babe" melody). She does not ignore her progressive leanings whether in her environmentally conscious "King Salmon Blues" and her rendition of a Leroy Carr standard "Tell Me How Long" as he asks when we will get justice, tell me how long.

Not the singer of her youth perhaps, but her experiences have helped her shape these performances marvelously and Tammy Hall is a stellar accompanist and the rhythm rendering apt, complementary backing. "Throw It Away …" is a gem of a recording.

I received my review copy from a publicist. Here is a video associated with this release.

Sista Monica Is Living In the Danger Zone

Guitarist Vasti Jackson gave Sista Monica Parker the label of “Lioness of the Blues,” which fairly describes the power and impact of her vocals and performances. Having seen her live a few weeks prior to writing this review, I can attest to the presence of her vocals and performances that she delivers in a natural fashion. She is able to caress a lyric with a whisper before belting out her shouts without it ever sounding mannered or forced. Sista Monica will suggest to some the late Etta James, who along with Koko Taylor, Katie Webster and Ruth Brown, among the Sista’s major inspirations. However, she is her her woman and imitates no one. With a tight band that includes her long-time collaborator Danny B. (Daniel Beconcini), plenty of strong original material and select covers, she commands attention with the soul, warmth and passion she exhibits.

Her most recent recording on her Mo Muscle Records label is Living In The Danger Zone. It has her backed by Danny B.; Artis Joyce on bass; Leon Joyce, Jr. on drums; Don Caruth on guitar; and Danny Sandoval on tenor saxophone with appearances on guitar from Mighty Mike Schermer, Vasti Jackson; Terry Hiatt, Danny Caron and others; as well as appearances by Kelley Hunt on vocals and keyboards; Andy Just on harmonica, and Ruth Davies on acoustic bass.

Sista Monica at the 2012 DC Blues Festival

Monica may well be Fierce Force of Nature, as one of her songs is titled. Her fierceness may be directed against the the man who can’t take the truth when she says goodbye in No Shame In My Game, when he doesn’t meet her needs;  he spends no money on her; or is dancing too close with some other woman as on Worn Out Your Welcome. In contrast on the opening track (that was inspired by a back stage visit with B.B. King), Hug Me Like You Love Me, she sings that when you hug me like you love me I’ll feel it and let you know.” In a similar vein on Fierce Force of Nature, she declares that if her man treats her right she’ll make him scream and dance.

The title track casts a different mood as Monica sings about having to be strong and holding one’s own while Mighty Mike Schermer adds nice guitar fills. Tears is a strong slow blues where Monica sings that she can’t stop crying. It has outstanding guitar from Schermer and piano by Danny B. Andy Just's harp adds to atmosphere of the understated Let Me Moan, where she sings that “if you aren’t coming home, leave me alone and let me moan.” There is a soulful reflectiveness displayed on You Can’t Go Back, with Ruth Davies on bass and Danny Caron on guitar. 

There are more soulful originals including Sista Monica’s positive message on Just Keep Living. There is a solid cover of Robert Cray’s The Forecast Calls For Pain, and a heartfelt rendition of the gospel classic, Glory Hallelujah, where Kelley Hunt adds her piano and shares the vocal (sounding more than a little like Bonnie Raitt). It is a spectacular vocal duet that concludes this recording. Living In The Danger Zone s another excellent addition to Sista Monica Parker’s body of recordings.. As good as she is on record, she is even more enthralling live, and hopefully she is finally getting the recognition she deserves as among the finest blues and rhythm vocalists today.


I received this directly from Sista Monica.  Here she is performing the B.B. King inspired Hug Me Like You Love Me.