Thursday, February 06, 2020

Mark Hummel Way Back Machine

Mark Hummel
Way Back Machine
Electro-Fi Records

This is the latest recording in Mark Hummel's quite distinguished 35-odd year career with over 33 recordings, including several documenting his Blues Harmonica Blowouts. A substantial portion of this new release documents his relationship with The Deep Basement Shakers, who specialize in primal, joint-rockin', barrelhouse blues n' boogie. This East Bay Duo is Aaron Hammerman on piano and guitar and Dave Eagle on percussion, washboard/spoons/train whistles/animal calls/etc. Other playing on this include Kid Andersen on bass, Billy Flynn and Rusty Zinn on guitar, and Alex Pettersen on drums. Joe Beard adds guitar and vocals to three selections.

This recording focuses on the blues that pre-dated the electrified Chicago blues of the post-World War II era, along with a few choice originals. On this recording, Hummel sings with his usual authority, although his harmonica playing on this album is more in the vein of John Lee 'Sonny Boy I' Williamson than Little Walter. The band captures an easy rocking swing while guitarist Flynn (heard on most of this) is typically excellent as he channels Willie Lacey and Big Bill Broonzy.

Standout tracks include the topical original from RW Grigsby "Flim Flam," about the scammers in the world; Baby Boy Warren's "Hello Stranger"; Tampa Red's "So Much Trouble"; "Play With Your Poodle"; and Sonny Boy Williamson 1's "Cut That Out," which some may know from Junior Wells' recording. "Road Dog", with just the Barrelhouse Shakers is an imaginative skiffle style blues et to the medley of "Sloppy Drunk." Percussionist Eagle I found goes a bit over the top here and a couple of places elsewhere (including a rendition of Blind Boy Fuller's "Rag Mama Rag" and the instrumental "Breathtaking Blues," which is rooted in "Saint James Infirmary"). Hammerman, however, is a reliable, straight-forward pianist. Still, with solid blues performances like Robert Nighthawk's "Pepper Mama," and Jazz Gillum's "Gillum's Windy Blues," there is much to delight listeners. The latter number displays Hummel's ability to capture the reedy harmonica style of Gillum, with Flynn's sparkling guitar, a feature of an overall skiffle blues styled performance.

The three selections with Joe Beard's delta-rooted vocals are highlights here. With Kid Anderson on bass and Alex Pettersen on drums, Beard turns a sterling cover of Eddie Boyd's "Five Long Years," with a simple groove and terrific harmonica. Hummel contributed an original, "Say You Will," that Beard turns into a droning blues in the manner of early John Lee Hooker. A lively rendition of "Mean Old Frisco," provides a close to this album of first-rate performances of older blues gems mixed with a few choice originals.

I received my review copy from a publicist. Here is Mark performing as part of a Little Walter tribute band at last year's Calgary Blues Festival.

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