Guitarist Tom Holland will be best known for his lengthy tenure playing behind James Cotton, adding his fretwork behind Mr. Superharp’s harmonica explorations as well as supporting whatever vocalist is fronting the group. Back in Chicago, he can be heard backing Harmonica Hinds and other real deal Chicago blues acts as well as his own group, The Shuffle Kings. The Shuffle Kings are Holland on guitar and vocals, Big D on harmonica, Mike Scharf on bass and Tino Cortes on drums.
Holland recently issued a new CD, No Fluff, Just the Stuff (E Natchel Records) that was crowd-funded on Kickstarter (and I was one of his many Kickstarter supporters). As given his band’s name, and the album title, this is a release of straight blues with no hard rock fluff or filler. On No Fluff, Just the Stuff, Holland & the Shuffle Kings are joined on a few tracks by the great John Primer on guitar and pianist Marty Sammons.
No filler aptly describes this release with a share of wonderfully
played shuffles and slow blues. Holland is an able singer and a fine
guitarist, whether playing straight single note runs or employing a
slide. He contributed all the songs here often employing a clever use of
words as on Waiting For the Other Shoe to Drop, and More Things Change.
Outstanding tracks include the Muddy Waters styled Hurry Up & Wait, with fine slide guitar; the peppy Shuffle King Boogie, with Primer and him each taking taut solos (and nice interplay between the two); and a nice long slow blues, Hardest Part of Loving You,
with Sammons terrific here supporting Holland. The title track is a
crisply played instrumental that ends this entertaining recording on an
upbeat note.
As mentioned, I was kickstarter supporter of this
recording. Tom Holland’s website is http://tomhollandshufflekings.com/
and it is available from cdbaby,
http://www.cdbaby.com/cd/tomhollandtheshuffleking.
Here is a video of Tom Holland & the Shuffle Kings in performance.
Rockin' Johnny Burgin has been playing the blues for a couple decades, having a regular residency on Monday nights at a Chicago club while also honing his skills playing with a variety of blues folks such as Pinetop Perkins, Tail Dragger, Jimmy Burns, Sam Lay and Billy Boy Arnold. Delmark has just issued Grim Reaper, the second album by the Rockin' Johnny Band. The band is comprised of Rick Kreher on rhythm guitar; John Sefner on bass; Steve Bass on drums and Big D on harmonica with Kenny Anderson, Dudley Owens and Jerry DiMuzzio adding horns on occasion.
Comprised of several originals and interpretations of generally blues that have not been overly covered, Rockin’ Johnny has put together a solid album of Chicago blues. One can hear a variety of influences in his approach. On guitar, the West Side styling of Magic Sam and Eddie C. Campbell can be heard while Billy Boy Arnold’s low-power singing (to use Johnny’s characterization) is a strong influence on his vocals.
The title track is an original, co-authored with Ken Kemawshima, is a solid West Side Chicago styled blues with plenty of nice guitar and his earnest singing. It also displays his approach which is to not overplay and let the silences speak as much as what he plays. The band provides the appropriate support without laying down things too heavy. Johnny’s Window To Your Soul channels a bit of Magic Sam with a more low-key vocal and impressive, imaginative fretwork. On I Was Fooled, he channels Billy Boy Arnold vocally on a Jody Williams number that Arnold recorded for Vee-Jay. A swamp blues feel marks Lousy Dimes as he worries about his money problems and on which Big D takes a strong solo with Johnny adding chords and jazzy fills.
The venerable Rollin’ and Tumblin’ is given an understated treatment in a performance that owes as much to Sleepy John Estes (singing about of the river was whiskey and I was a diving duck) as Muddy Waters. Its Expensive To Be Broke is a laid back urban blues with the horn section, while the cover of Otis Rush’s My Baby Is a Good ‘Un, is taken a very leisurely tempo. He takes out the slide for some broom dusting on My Sweet Baby, where DiMuzzio adds his baritone sax behind Rockin’ Johnny’s vocal and guitar and then channels Fenton Robinson in a nice rendition of Robinson’s Somebody Loan Me a Dime with some nice guitar and a heartfelt vocal. Shoe Leather and Tire Rubber is about wearing out shoes and tires looking for some blues gigs as Big D contributes another solid harmonica solo.
Rockin’ Johnny is an engaging, low-key singer as well as a consistently imaginative and tasty guitarist backed by a sympathetic band. With a nice varied collection of songs he has produced a very appealing album.
Delmark provided me with a review copy. He he performs Fenton Robinson's I Hear Some Blues Upstairs.
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