Bob Corritore & Friends - Spider in My Stew

Bob Corritore & Friends - Spider in My Stew - Vizztone/SWMAF Records

This album is yet another compilation from Bob Corritore with the veteran blues harmonica teamed with some of today's most outstanding blues artists for many wonderful traditional Chicago blues. Among those heard, with Corritore's harp backing, are Sugaray Rayford, Lurrie Bell, John Primer, Alabama Mike, Diunna Greenleaf, Francine Reed, Johnny Rawls, Oscar Wilson, Willie Buck, and Bill & Shy Perry. Bell, Primer, Rawls, and Bill Perry also contribute guitar. Other guitarists on this album include Bob Margolin, Junior Watson, Kid Ramos, L.A. Jones, Jimi 'Primetime' Smith, and Jimmy Rapp. Among the keyboard players are Fred Kaplan, Shea Marshall, Doc Holiday, and Bob Welsh. Bob Stroger, Adrian Marie, Kedar Roy, and Troy Sandow are among the bassists, while the drummers include Brian Fahey, Andrew Guterman, Marty Dodson, and June Core. Shea Marshall and Doug James are heard on saxophone.

With this contemporary group of blues all-stars, one should not be surprised with just how good some of these performances are, starting with Oscar Wilson's robust singing on a cover of Fenton Robinson's "Tennessee Woman." Sugaray Rayford's "Soul Food" is one of the few originals here. It sounds like a hot 50's Memphis shuffle as he exuberantly shouts about going to get Big Mama's Soul Food. Corritore's fat wet tone evokes Papa Lightfoot here while drummer Marty Dodson channels Fred Below. Alabama Mike transforms Chuck Willis' "Whatcha Gonna Do" into what it might have sounded if Jesse Fortune had recorded it in Chicago. Junior Watson is outstanding on guitar. Mike also updates Harmonica Slim's "Drop Anchor."

Koko Taylor sang the original rendition of Willie Dixon's "Don't Mess With The Messer." Diunna Greenleaf makes this song her own on a recording that evokes Willie Dixon's productions. Here Corritore playing more in a Sonny Boy Williamson II manner. Add Doug James' rousing baritone sax solo and one has a gem of a performance. Willie Dixon also wrote the title track, which Lurrie Bell pours his heart into with fervent singing and white-hot guitar while Corritore shines on chromatic harmonica. Johnny Rawls contributes a soulful B.B. King-styled "blues, "Sleeping With the Blue." 

With trebly guitar from Kid Ramos and Johnny Main, Francine Reed powerfully updates the Staples Singers "Why Am I Treated So Bad" and Bob Dylan's "I Shall Be Released." Another standout selection is Willie Buck's channeling of Muddy Waters on "Soon Forgotten." Jimi 'Primetime' Smith's guitar, Fred Kaplan's piano, and Corritore's harp contribute to evoke the Chicago blues legend on this stellar cover. Everything on this album is wonderfully played, and again Bob Corritore has put together a collection of first-rate Chicago-styled blues with so many outstanding selections.

I received my review copy from VizzTone. Here is Bob Corritore and Sugaray Rayford.

Johnny Iguana's Chicago Spectacular

Johnny Iguana
Johnny Iguana's Chicago Spectacular
Delmark

This album is subtitled "A Grand and Upright Celebration of Chicago Blues Piano." Pianist Iguana is a Philadelphia native who moved to Chicago after joining the late Junior Wells' Band. This is his first album under his name, although I am familiar with him from the group The Claudettes. Producer Larry Skoller helped provide the organizing theme for this recording as Iguana pays tribute to seven Chicago blues piano legends. Helping him on these sessions are some of today's finest players, including Michael Casey or Kenny Smith on drums; Bill Dickens on bass; Billy Flynn, Bob Margolin, John Primer, Lil' Ed Williams, or Philip-Michael Scales on guitar; and Mathew Skoller or Billy Boy Arnold on harmonica. Singing on this album are Matthew Skoller, Billy Boy Arnold, Lil' Ed Williams, John Primer, and Philip-Michael Scales.

There is plenty to enjoy such as when Iguana evokes Joshua Altheimer's style while Billy Boy Arnold revives Big Bill Broonzy's "Hot Dog Mama" that closes this album. Iguana also suggests Big Maceo on Arnold's revival of John Lee Williamson's "You're an Old Lady." These selections' swinging feel may be due in part to Kenny Smith's drumming and Billy Flynn's fleet guitar.

The album kicks off with Iguana saluting Memphis Slim behind John Primer's vocal on "44 Blues." The rendition is based on Slim's 1959 recording with Willie Dixon, and while Iguana ably pounds on the ivories, one wishes that Caskey was a tad less prominent on the drums here. Primer also handles the vocal on Howlin' Wolf's "Meet Me in the Bottom," with Iguana hinting at Little Johnny Jones' style.

Guitarist and songwriter Philip-Michael Scales contributes an intriguing role rendition of Gil Scott-Heron's "Lady Day and John Coltrane," which allows Iguana to show off a jazzier side. Lil' Ed Williams sings and plays slide guitar on Otis Spann's "Burning Fire" and Elmore James' "Shake You Moneymaker." On these selections, Iguana recalls Otis Spann and Big Moose John Walker, respectively. Lil' Ed sings and plays strongly, and Caskey's drums are not as prominent. Matthew Skoller handles the vocal and plays choice harmonica on "Stop Breakin' Down." This performance is based on Junior Wells' "South Side Blues Jam" recording and again Iguana channels Otis Spann.

I again note that there were no bass players on these selections as Iguana wanted the bass lines to emanate from the studio piano and his left hand rather than a bass player. These selections come off as solid, traditionally rooted Chicago blues. There are four instrumentals with bass player Dickens added to Iguana and Caskey. While displaying Iguana's technique and skillful playing, these selections are enjoyable but a bit too much flash and show for this listener's taste.

If imperfect, overall "Johnny Iguana's Chicago Spectacular," is a showcase of Iguana's considerable talent, and a very notable salute to Chicago blues piano legends.

I erected my review copy from Delmark Records. Here is a video of Johnny Iguana playing Big Maceo's "Chicago Breakdown."

Take 5 with John Primer

For this week, we have a short playlist of Chicago bluesman John Primer. A veteran of the bands of blues legends Muddy Waters and Magic Slim, John Primer is one of today's greatest performers of traditional Chicago blues in the manner of Muddy Waters and others. A superb singer and guitarist, we open with John and Billy Branch doing a Muddy Waters number, "Sugar Sweet."

Here he is heard performing another Muddy Waters song, "40 Days and 40 Nights."

John is among the more gifted Elmore James interpreters. Here he performs "I Held My Baby Last Night."

Here he channels Muddy Waters for "They Call Me John Primer."

To close this, we go back to when John was part of Magic Slim's band, singing "Pretty Women" before Slim took over the show.

John Primer & Bob Corritore The Gypsy Woman Told Me

John Primer & Bob Corritore
The Gypsy Woman Told Me
Vizztone/ SWMAC Records

This is the third recording by the former Muddy Waters-Magic Slim sideman and harmonica player Bob Corritore. Supporting Primer's vocals and guitars and Corritore's harp are a variety of other artists including guitarists Jimi 'Primetime' Smith and Billy Flynn, pianists Bob Welsh and Ben Levin, bassists Kedar Roy, Mike Hightower and Troy Sandow, and drummers June Core and Brian Fahey. Part of this recording of traditional Chicago blues was recorded at Greaseland Studios, and Kid Andersen plays organ on one track.

Primer is in good form with his straight-forward vocals that conjure up Muddy Waters and Magic Slim, while Corritore comes off like little Walter on some tracks and Sonny Boy Williamson elsewhere. The studio bands keep a crisp shuffle groove going and provide tight backing. There are plenty of strong Chicago blues performances, including the title track that Muddy Waters made famous, Jimmy Rogers' "Left Me With a Broken Heart," and the reworking of Little Milton's "Walking the Back Streets and Crying" into a 50s sounding Chicago band blues. Primer plays some driving slim on his original, "Little Bitty Woman," which musically evokes Junior Parker's "Mystery Train." The backing players sit out on an emphatic cover of Lil Son Jackson's "Gambling Blues." At the same time, Primer's "Walked So Long," is performed acoustically with Sandow playing upright bass and Fahey using brushes.

John Primer remains a treasure as he continues to play first-rate down blues in the classic Chicago blues vein with sympathetic backing from Corritore. With an imaginative selection of material and the idiomatic support provided, Primer and Corritore have another gem.

I received my review copy from Vizztone. Here are John Primer & Bob Corritore performing.

Tony Holiday Porch Sessions

Tony Holiday
Porch Sessions
VizzTone

I am not familiar with harmonica player Holiday and guitarist Landon Stone, but the two have been traveling around the country, playing with and recording with a variety of blues folks. With Kid Andersen adding his bass, they ended up with this enjoyable recording with 13 tracks. They hook up on this recording with such artists as Charlie Musselwhite, James Harmon, John Nemeth, John Primer, Bob Corritore, Kid Andersen, Aki Kumar, Rockin’ Johnny Burgin, Kid Ramos, and Mitch Kashmar for a collection of enjoyable, informal blues performances.

Holiday is on harmonica on these tracks but is glad to have others take the spotlight starting with James Harman's whose amusing shuffle "Pickpocket Fingers," has a fine vocal and Kid Ramos adds his guitar. Holiday takes the harmonica chair on Harman's excellent vocal on "Special Friend," while he and Holiday both are heard on a nice country blues styled shuffle, "Goin' To Court." Bob Corritore adds harp behind John Primer's superb Muddy Waters' styled blues "They Call Me John Primer," with a terrific vocal and slide guitar in the vein of Waters with whom Primer played with. Primer also sounds terrific on Howlin' Wolf's "Tell Me Baby" with Corritore wailing on harmonica. Jake Friel sings gruffly on "A Woman Named Trouble" with John Nemeth adding harmonica along with Holiday. Nemeth takes a strong vocal on "Blues Hit Big Town," with Holiday's harmonica taking the tune out.

Aki Kumar sings on "That's All Right" with Charlie Musselwhite and Holiday also on harmonica. Rockin' Johnny adds his guitar on this entertaining, informal jam of a blues classic. It's like the other performances, fun and very entertaining if not classic. Holiday is an able singer as displayed on "Three Way Party" where the third person at the party is a bottle of Jim Beam with Mitch Kashmar and Ronnie Shellist both adding harmonica accompaniment and solos. Rockin' Johnny adds atmospheric guitar behind Holiday on "Coin Operated Woman," a nicely sung humorous lyric. "Hip To It" is a harmonica trio with some intriguing interplay between Kashmar, Shellist and Holiday.

While most of the recording is of Chicago styled blues, the closing track is a small group rendition of an old Bobby Bland number, "This Time I’m Gone For Good," that the late Johnny Adams recorded on his final album. William G. Kidd, a blue-eyed soul-blues singer, who is originally from Virginia, is excellent on this with Ronnie Shellist on harmonica. It is the highpoint of this CD along with the Primer tracks, but the level of these informal recordings is high. One does wish that the packaging provided more detailed information on who was doing what on each selection, and also that Holiday showcased himself up front a bit more, but few will listen to this and not be highly entertained.

I received my review copy from VizzTone. Here is one of several videos from Tony Holiday's Front Porch Sessions, Ali Kumar singing "That's All Right" with Charlie Musselwhite and others on Musselwhite's Front Porch.

 

Bob Corritore & Friends Do the Hip-Shake Baby!

Bob Corritore & Friends
Do the Hip-Shake Baby!
Vizztone/SWMAF Records

"Do the Hip-Shake Baby!" is Bob Corritore's latest blues party recording with a variety of artists including vocalists Mighty Joe Mislap, Alabama Mike, Oscar Wilson, Henry Gray, John Primer, Bill 'Howl-N-Madd' Perry, and Jimi 'Primetime' Smith. Backing musicians include Corritore on harmonica throughout, Gray on piano, Primer on guitar, Andy T and Anson Funderburgh on guitar, LA jones, on guitar, Fred Kaplan on keyboards, and Kedar Roy on bass. There are many others, and the poor layout makes getting some details like songwriting credits hard to read.

Those familiar with the previous recordings Corritore has produced will not be surprised by the solid revivalist Chicago and swamp blues performances heard here. It opens up with a solid rendition by Mighty Joe Mislap of Slim Harpo's "Do the Hip-Shake Baby!" that allows Corritore to display his harp skills over a swampy, trebly foundation. Milsap, who is also backed by the Fremonts, also ably sings another Slim Harpo song, "I'm Gonna Keep What I've Got." Alabama Mike, with LA Jones guitar and Corritore on unamplified harp, rock Jimmy McCracklin's jump blues, "Gonna Tell Your Mama." His performances include two Sam Cooke styled performances, "Worried Blues" and Junior Parker's "Stand By Me," both ably backed by the Andy T Band. Henry Gray sounds pretty vigorous for a pleasant revival of "The Twist."

Oscar Wilson does a nice Jimmy Reed cover, "Bitter Seed," with Corritore emulating Reed's harp style and Fred Kaplan lays down some nice piano in the backing. Jimi 'Primetime' Smith also does a solid Jimmy Reed shuffle, "I Got The World In A Jug," with Corritore on amplified harp, Fred Kaplan on piano, Bob Stroger on bass and Brian Fahey on drums.

Bill 'Howl-N-Madd' Perry wrote and delivers a solid down-home vocal on "You Better Slow Down," that sounds like an unissued Excello recording as Corritore wails in his backing, while John Primer does a homage to his former boss Muddy Waters on "Love Deep As The Ocean," with Bob Welsh channeling Otis Spann. With Junior Watson swinging on guitar, Sugaray Rayford energetically (perhaps a bit over the top) revives Bobby Saxton "Trying to Make a Living" with a fresh arrangement. His other performance is a Howlin' Wolf styled original, "Keep The Lord On With You!" with Kid Ramos on guitar that is the closing track.

With a variety of performers and consistently solid, idiomatic blues performances, Bob Corritore has delivered another winning collection of traditionally oriented blues.

I received my review copy from Vizztone Records. This review originally appeared in the May-June 2019 Jazz & Blues Report (Issue 384). Here is "Do the Hip-Shake Baby!"

John Primer & Bob Corritore Ain't Nothing You Can Do!

John Primer & Bob Corritore
Ain't Nothing You Can Do!
Delta Groove Music

Delta Groove just issued a new recording by the Chicago veteran John Primer and harmonica player Bob Corritore, who is one of the co-producers of this as well. Bring some the likes of Henry Gray or the late Barrelhouse Chuck on piano, Big John Atkinson or Chris James on guitar, Troy Sandow or Patrick Rynn on bass and Brian Fahey on drums and one has a terrific band for the traditional Chicago Blues follow-up to the acclaimed 2013 "Knockin' Around These Blues."

The material is a mix of strong originals and choice covers with the music evoking the late Muddy Waters (Primer was guitarist in Waters final band) with a touch of Magic Slim, with whom Primer played with for many years with the driving, insistent groove. The instrumentation here also lends this the sound of a Muddy Waters recording (with Corritore's harp lending the feel of the Waters Band when James Cotton was in it), although I believe Waters only recorded John Lee 'Sonny Boy' Williamson's "Elevate Me Mama," which has terrific piano from the late Barrelhouse Chuck.

Originals like the topical, opening "Poor Man Blues," who is living the best way he can, and the closing slow, closing Muddy Waters-styled "When I Leave Home," bookend terrific renditions of Johnny Temple's "Big Legged Woman," with Muddy Waters' styled slide; Snooky Pryor's Vee-Jay classic, "Hold Me In Your Arms," has Henry Gray on piano; Magic Slim's chugging "Gambling Blues"; and a Corritore feature, "Harmonica Boogaloo." The Chuck Brooks-penned title track was originally recorded by Albert King. It is a slow blues where Primer authoritatively tells his woman know that no matter what she does, nothing will stop John from loving her or drive him away. With solos from Henry Gray, Corritore Jon Atkinson and Primer himself, Primer and band conjures up the Mississippi King Bee (Muddy Waters) himself here (and elsewhere).

A rendition of Don Nix's "For a Love of a Woman" and Howlin' Wolf's "May I Have Talk With You," where Primer plays some Elmore James's style slide on a rollicking shuffle adaptation of Wolf's song round out a terrific recording that is as a good an evocation of classic Chicago blues (particularly the great Muddy Waters band of the late fifties through early seventies) as has been heard in the past few years.

I received a review copy from Delta Groove. Here is an album teaser.

Shemekia Copeland and Bobby Rush Headline Blues-Filled Catskill Weekend

(Shemekia Copeland)

“Bluzin’ in the Catskills” brings the blues to the Villa Roma Resort in Calicoon, NY, the weekend of March 24–26, 2017. This will be an all-inclusive weekend of great blues Shemekia Copeland and Bobby Rush Headline Blues-Filled Catskill Weekend Shemekia Copeland (photo by Ron Weinstock) performers including Shemekia Copeland, The Bobby Rush Revue, John Primer, Johnny Rawls, Teeny Tucker, Slam Allen, Alexis Suter & the Ministers of sound and much more. This blues land cruise is being produced by Michael Cloeren who has produced Blues Festivals in the Poconos for 25 years and produced other events including the Philadelphia Folk Festival for four years. 

(John Primer)

When Bluzin’ attendees arrive Friday, March 24, they will be greeted by keyboard wizard Dave Keyes. That night they will feature the music of The Slam Allen Band (Slam fronted as vocalist with James Cotton for many years and now exciting crowds everywhere with his music); The Teeny Tucker Band (the daughter of Tommy Tucker evokes blues women greats like Big Mama Thornton and Etta James); and The Bobby Rush Revue, with the Blues Hall of Famer who has been singing and performing for over 50 years. That Night concludes a blues jam hosted by Bobby Kyle and the Administers with Vanessa Collier, Mikey Junior and others. 

(Teeny Tucker)

There is a full day of music on Saturday, March 25 starting with a Centennial Celebration with Bobby Kyle and the Administers with Teeny Tucker, Mikey Junior and Vanessa Collier. It will be followed by John Primer & Steve Bell (Primer is one of the great straight Chicago Blues Guitarists and vocalists and Steve Bell is Carey Bell’s son); Johnny Rawls & Dave Keller (the great soul-blues singer and guitarist as well former member of OV Wright’s band is joined by strong Vermont-based soul-blues singer-guitarist) and followed by pianist Dave Keyes and Friends. Also happening Saturday Afternoon, Guy Davis will perform his one-man show, “The Adventures of Fishy Waters: In Bed With the Blues,” an acclaimed mix of storytelling and musical performance. 

(Johnny Rawls)

Saturday evening opens with Johnny Rawls & the Dave Keller Band, followed by a Tribute to Johnny Clyde Copeland with Bobby Kyle, Randy Lippincott, Joel Perry and Barry Harrison, all former members of the late Blues Legend’s Band. John Primer follows and Shemekia Copeland, a consistent Blues Award nominee and winner finishes up the main show. The late night jam that evening will feature the Dave Keyes Band with guests including Vanessa Collier and Mikey Junior. 

The Festival winds down on Sunday, March 26 with Shemekia Copeland talking about her music and career during the brunch. Dave Keyes will be playing solo piano later and the powerhouse vocalist Alexis Suter & The Ministers of Sound will be performing in the afternoon. Those still at the resort that evening can see the Chris Bergson Band with special guest Ellis Hooks. 

(Alexis Suter)

The all-inclusive packages include Friday dinner, three meals on Saturday and Sunday Brunch, on-site lodging, meet and greet, a movie screening and more. The Villa Roma has an indoor pool, fitness center, Bowling Alley and more. The package does not include adult beverages. Deposits to get the lowest rate must be received by December 5 with the balance due by January 23, 2017. For more information, visit http://www.michaelcloerenproductions.com/, click on the Festivals pull down menu and click on the Bluzin’ in the Catskills button. 

Rob Stone Gotta Keep Rollin’

 

It has been several years since Rob Stone had a splendid album of post-war Chicago-styled harmonica blues and VizzTone has just issued “Gotta Keep Rollin’.” Certainly with the presence of Chris James and Patrick Rynn with whom Stone played together and with Sam Lay, one can expect strong playing and support. Others here include Willie Hayes on drums and Dave Maxwell on piano with appearances by Eddie Shaw, John Primer and Henry Gray.

Certainly the mood is established with the opening shuffle “Wait Baby” followed by the rendition of “Wonderful Time” with Stone’s harp channeling the first Sonny Boy Williamson as opposed to Little Walter with Maxwell playing bouncy piano as James takes a sprite solo. It is as much a joy to listen to Primer’s’ guitar as Rynn and Hayes rocking a crisp shuffle groove supporting Stone’s straight-forward singing on “Lucky 13.”

Shaw adds his immediately recognizable tenor sax to “Anything Can Happen,” with a clever lyric and rollicking backing. “She Belongs to Me” is a nice rendition of a Jazz Gillum number (not the Magic Sam song) with a menacing lyric as Stone threatens to cut this gent if he fools around with Stone’s woman. Billy ‘the Kid’ Emerson’s “Move Baby Move” is a rocker with an original lyric set to a groove of Big Joe Turner’s “Shake Rattle and Roll,” while “Strollin' With Sasquatch” is a nice relaxed instrumental on which Stone showcases his fat, controlled tone.

Henry Grey is present on “Wired and Tired,” a rocking performance that suggest the late sixties Muddy Waters band recordings with Mojo Buford and followed by a nice reworking of Blind Willie McTell’s “Cold Winter Day” with choice John Primer guitar. James’ employment of a slight echoey tremolo to his playing adds to the spirit of the rendition of Lonesome Sundown’s “It's Easy When You Know How.”

I said about Stone’s last album “Back Around Here” (Earwig), “Stone treats the idiom as not simply history, but as a living tradition to be celebrated.” Stone’s strong performances and the wonderful band on “Gotta Keep Rollin’” provide us with another terrific Chicago blues recording.

I received my review copy from VizzTone. My review of his earlier album appeared in 2010. This review priginally appeared in the January-February 2015 Jazz & Blues Report (Issue 358). Here is a clip of Rob performing.

Shawn Holt & the Tear Drops Daddy Told Me

Shawn Holt is the son of the late blues legend, Morris “Magic Slim’ Holt, and after the passing of his father has taken over The Teardrops. Blind Pig has just issued the first CD from Shawn Holt and The Teardrops, Daddy Told Me, and it is a strong recording very much in the vein of his father with driving medium tempo shuffles and slow-drag, bump and grind, blues. In addition to his guitar and vocals, he is joined by Levi William on guitar, Chris Biedron on bass and Brian ‘B.J.’ Jones on drums. On two selections, John Primer, who had a long tenure playing with Magic Slim, replaces William.

The tone is set with the opening Fannie Mae, where the Teardrops groove kicks in with Holt delivering the lyrics playing stinging guitar. The title track is an original, but based on Howlin’ Wolf’s How Many More Years and Baby How Long. Holt is a terrific singer who sings a bit more directly than his late father, as heard on his rendition of A.C. Reed’s Buddy Buddy Friends. This was a staple of Magic Slim’s repertoire which might explain why is is erroneously credit to Holt and not Reed. Other standout tracks include the rollicking rendition of Jimmy Reed’s Down In Virginia, and the Junior Wells, classic Little By Little. Primer handles the vocal and lead on Bo Diddley’s Before You Accuse Me, and which incorporates  the Dust My Broom riff.

Besides his strong singing and guitar playing, Shawn Holt also contributed several originals including the title track and the powerful Love Got Me Walkin’. The music here never sounds hurried or frantic and the medium tempos will undoubtedly appeal to dancers. Shawn Holt and the Teardrops may be perpetuating Magic Slim’s legacy with the performances on this first-rate recording, but he also shows that he is himself a promising, significant voice for today’s blues.

I received my review copy from Blind Pig Records.  Shawn will be appearing at the Pennsylvania Blues Festival in July. Here is a video clip of Shawn at Kingston Mines in Chicago with Eddie Shaw making guest appearance.

Tom Holland & the Shuffle Kings - No Fluff, Just the Stuff

Guitarist Tom Holland will be best known for his lengthy tenure playing behind James Cotton, adding his fretwork behind Mr. Superharp’s harmonica explorations as well as supporting whatever vocalist is fronting the group. Back in Chicago, he can be heard backing Harmonica Hinds and other real deal Chicago blues acts as well as his own group, The Shuffle Kings. The Shuffle Kings are Holland on guitar and vocals, Big D on harmonica, Mike Scharf on bass and Tino Cortes on drums.

Holland recently issued a new CD, No Fluff, Just the Stuff (E Natchel Records) that was crowd-funded on Kickstarter (and I was one of his many Kickstarter supporters). As given his band’s name, and the album title, this is a release of straight blues with no hard rock fluff or filler. On No Fluff, Just the Stuff, Holland & the Shuffle Kings are joined on a few tracks by the great John Primer on guitar and pianist Marty Sammons.

Tom Halland at 2008 New Olreans Jazz & Heritage Festival. Photo © Ron Weinstock

No filler aptly describes this release with a share of wonderfully played shuffles and slow blues. Holland is an able singer and a fine guitarist, whether playing straight single note runs or employing a slide. He contributed all the songs here often employing a clever use of words as on Waiting For the Other Shoe to Drop, and More Things Change.

Outstanding tracks include the Muddy Waters styled Hurry Up & Wait, with fine slide guitar; the peppy Shuffle King Boogie, with Primer and him each taking taut solos (and nice interplay between the two); and a nice long slow blues, Hardest Part of Loving You, with Sammons terrific here supporting Holland. The title track is a crisply played instrumental that ends this entertaining recording on an upbeat note.

As mentioned, I was kickstarter supporter of this recording. Tom Holland’s website is http://tomhollandshufflekings.com/ and it is available from cdbaby, http://www.cdbaby.com/cd/tomhollandtheshuffleking.

Here is a video of Tom Holland & the Shuffle Kings in performance.

Some Hot Jazz and Blues Festivals

We are in the middle of the Festival season and there are any number of festivals of interest for Blues and Jazz lovers upcoming. As this issue gets circulated the annual Portland Waterfront Blues Festival and Mississippi Valley Blues Festival will have likely wrapped up as will the major Jazz Festivals in Victoria, Vancouver, Edmonton, Toronto, Ottawa and Montreal in Canada. This is a very selective list of festivals that include two I will be attending. First, three blues festivals, and then three jazz festivals.

John Primer will be laying down some real blues with no filler at the Pennsylvania and
Riverfront Blues Festival. Photo is from the 2005 Pocono Blues Festival. © Ron Weinstock

The 3rd Pennsylvania Blues Festival takes place at the Blue Mountain Ski Resort in Palmerton Pennsylvania, from Friday evening July 26. through Sunday July 28. Friday evening will feature the Lehigh Valley Blues Showcase with performers including Bev Conklin and Georgie Fame. There is a buffet available in addition to the music.  Saturday July 27’s line-up has performances by John Primer, Bonerama, Sista Monica, Guy Davis, Robert Randolph presents the Slide Brothers featuring Calvin Cooke, Chuck Campbell, Darick Campbell and Aubrey Ghent; and Robert Randolph and the Family Band.  OnSunday July 28, the lineup includes Alexis P Suter with both a gospel and a blues show; Eddie Shaw and the Wolf Gang; Johnny Rawls; Electro-Fi Canadian Blues Showcase with Harrison Kennedy, Diana Braithwaite and Chris Whitley; Ivan Neville and Dumpstaphunk, Ruthie Foster, and Bobby Rush (performing acoustic and full show sets). For more information (including directions and tickets) check out Blue Mountain’s website, http://www.skibluemt.com/seasonal-activities/pa-blues-festival/. I will be there.

James Cotton will be at the Riverfront Blues Festival
Photo from 2007 Western Maryland Blues Festival. © Ron Weinstock

The Riverfront Blues Festival takes place at Tubman-Garrett Riverfront Park, Wilmington Delaware August 2 to August 4. The  lineup on August 2 includes John Primer, Moreland and Arbuckle, Lil Ronnie & the Grand Dukes and The James Cotton Band. On Saturday August 3 the performers include Eden Brent, Jimmy D. Lane, Eric Lindell and the Sunliners featuring Anson Funderburgh; and Rod Piazza and the Mighty Flyers Reunion Band. The lineup for Sunday August 4 includes The Lee Boys, Mac Arnold and Plate Full O’ Blues; and Elvin Bishop. For information on tickets and other matters visit http://riverfrontbluesfestde.com.

The Heritage Music Blues Festival takes place in Wheeling WV on August 9 to August 11. Blues highlights of Friday August 9 include Lionel Young and the Golden State-Lone Star Blues Revue featuring Anson Funderburgh, Little Charlie Baty, & Mark Hummel. Performers on Saturday, August 10 include Little G Weevil (IBC solo winner), Joe Louis Walker and Dr John. Sunday highlights include IBC band winner Selwyn Birchwood, Harrison Kennedy and Ruthie Foster. For more information, check out http://heritagemusicfest.com.

Gregory Porter will be at the Newport, Chicago and Detroit Jazz Festivals.
My photo of him is from the Mid-Atlantic Jazz Festival

The legendary Newport Jazz Festival returns to the Rhode Island community Friday August 2 through Sunday August 4. Highlight of this year’s festival maybe the Wayne Shorter 80th Birthday Celebration and Chick Corea will be leading an All Star new band. It opens Friday night, August 2, Natalie Cole and the Bill Charlap Trio with Special Guest Freddie Cole.

Espernaza Spalding (seen at 2009 New Orleans Jazz & Heritage Festival) is at Newport this summer.
Photo © Ron Weinstock

The line-up on Saturday, August 3 includes Wayne Shorter's 80th Birthday Celebration: Wayne Shorter Quartet featuring Danilo Pérez, John Patitucci & Brian Blade plus special guest Herbie Hancock; Esperanza Spalding's Radio Music Society, Michel Camilo Sextet; Terence Blanchard Quintet; Robert Glasper Experiment; Gregory Porter; Bill Charlap Trio with special guests Bob Wilber & Anat Cohen; Edmar Castañeda with special guest Andrea Tierra; Lew Tabackin Quartet with Randy Brecker, Peter Washington & Lewis Nash; Ray Anderson Pocket Brass Band and more. 

The great Eddie Palmieri will be at the Newport Jazz Festival
He is pictured at the 2007 Duke Ellington (now DC) Jazz Festival. Photo © Ron Weinstock

The line-up on Sunday, August 4 includes Chick Corea & The Vigil with Christian McBride, Tim Garland, Marcus Gilmore, & Charles Altura; Eddie Palmieri Salsa Orchestra; Dizzy Gillespie™ Big Band under the direction of Paquito D'Rivera; Joshua Redman Quartet; Roy Haynes Fountain of Youth Band; Steve Coleman Projects: Five Elements, Talea Ensemble and Duo with David Bryant; Jim Hall with Scott Colley, Lewis Nash and special guest Julian Lage; Dirty Dozen Brass Band; Jon Batiste & Stay Human  and more.

For more information on the Newport Jazz Festival (including travel pacakges through radio station WBGO), visit http://www.newportjazzfest.org.

Christian McBride leads his quartet at the
Chicago Jazz Festival. Photo from 2008
Duke Ellington Jazz Festival.
Photo © Ron Weinstock

Chicago and Detroit both host major Jazz Festivals over Labor Day Weekend. I will be attending the Chicago Jazz Festival that starts Thursday August 29 and runs through Sunday September 1. The Detroit Jazz Festival starts Friday August 30 and runs through labor Day, September 2.

There is quite of range of music at the Chicago Jazz Festival from the trad jazz of Fat babies to the cutting edge sounds of Hamid Drake (who is the Festival’s Artist In Residence), Fast Citizens and Jack DeJohnette who will lead all star special band that with Muhal Richard Abrams, Roscoe Mitchell and Henry Threagill. The Chicago Jazz Festival is a free festival.

While the bulk of the Chicago Jazz Festival takes place at Millennium Park, on Thursday, August 29 performances take place at several locations including the Chicago Cultural Center at, 78 E. Washington with performers including Fat Babies, and the Harrison Bankhead Sextet. At Roosevelt University’s Ganz Hall at 430 S. Michigan Ave.there will be a 5:00PM performance of Hamid Drake’s Chicago Trio with Ernest Dawkins and Harrison Bankhead. That evening at the Jay Pritzker Pavilion in Millennium Park (201 E. Randolph St.) is Made in Chicago: World Class Jazz -Jack DeJohnette: Special Legends Edition Chicago featuring, Muhal Richard Abrams, Larry Gray, Roscoe Mitchell and Henry Threadgill. 

Evan Christopher (see at d.b.a's in New Orleans) will bring his marvelous clarinet to the Chicago
Jazz Festival. Photo © Ron Weinstock

Starting Friday, August 30 performances are at Millennium Park. In the afternoon one can see bassist’s Christopher McBride’s Quartet;  the Ben Paterson Organ Quartet; the Mike Smith Quartet, and Hamid Drake with Michael Zerang, Eigen Aoki and Tsukasa drummers directed by Tatsu Aoki. Highlights of the evening performances Wadada Leo Smith’s Ten Freedom Summers, performed by WLS’s Golden Quartet and Pacifica Red Coral with video artist Jesse Gilbert; and Charles Lloyd and Friends featuring Bill Frisell.

On Saturday August 31, afternoon performers include Hamid Drake Quartet with Kidd Jordan, William Parker and Cooper-Moore; Ernie Krivda Quartet; Nick Mazzarella Trio and the Erin McDougald Quartet. Evening performances feature Stafford James String and Percussion Ensemble featuring M’BOOM; Gregory Porter; Rudresh Mahanthappa’s GAMAK and Jason Moran: Fats Waller Dance Party. 

Sunday, September 1 afternoon performers include Fast Citizens;  Evan Christopher; and Fareed Haque and Tony Monaco; The evening performers include the legendary Jimmy Heath Quartet with Jeb Patton; Hamid Drake & Bindu: Reggaeology; Robert Glasper Trio; and Donald Harrison and The Congo Square Nation with special guest Willie Pickens.

For more information visit http://www.cityofchicago.org/city/en/depts/dca/supp_info/chicago_jazz_festival.html.

Danilo Pérez is the Artist-in-Residence at this year’s Detroit Jazz Festival. This is also a free festival The Detroit Jazz Festival occupies two million square feet of downtown Detroit – from Hart Plaza on the riverfront, three blocks north to beautiful Campus Martius Park. There are two stages on the North end and three stages at Hart Plaza, plus a Jazz Talk Tent. While a free festival, the Festival offers VIP passes for donations.

The Cookers will be among the acts performing at the Detroit Jazz Festival

The Festival line-up includes performances by Danilo Pérez including his Panama Suite and other works for a large orchestra; David Murray Big Band with Macy Gray; Ahmad Jamal; Joshua Redman with Strings; Shelia Jordan with Strings featuring the Alan Broadbent Trio; Charles Lloyd Quartet with Bill Frisell; McCoy Tyner Trio with special guest Savion Glover; Saxophone Summit – Joe Lovano, David Liebman, Ravi Coltrane; Gregory Porter; Bill Frisell – Lennon Project; Eddie Daniels and Roger Kellaway, with Celo-Duke at the Roadside; Geri Allen and the Detroit Homecoming Band; Danilo Pérez and Geri Allen Acoustic Piano Duo; Jon Faddis, Jesse Davis & the Bill Charlap Trio; Tribute to Detroit’s Pepper Adams – Gary Smulyan, Howard Johnson, Frank Basile; Lee Konitz Quartet; Freddie Cole; The Cookers featuring Billy Harper, Eddie Henderson, George Cables, Cecil McBee, Billy Hart, David Weiss; and more. 

The day to day schedule had not been posted when I prepared this overview. For more information on the Detroit jazz Festival, visit http://www.detroitjazzfest.com/schedule.html.

September brings the annual Monterey Jazz Festival which your editor and publisher highlights and early October brings the annual king Biscuit Blues Festival which I hope to highlight in the next issue.

John Primer and Bob Corritore are Knockin’ Around These Blues

The fact that John Primer and Bob Corritore share the billing on a new Delta Groove release, Knockin’ Around These Blues, is certain to be welcome to fans of real deal blues. Primer, a member of Muddy Waters last band and a long time member of Magic Slim’s Band, has deservedly acquired a reputation as among the finest living ‘old school’ Chicago blues artists still with us. The fact that Bob Corritore (who produced this) has teamed up with Primer for this new release is doubly welcome as his recent collaborations have been generally outstanding. The album was recorded in two sessions. One session in Phoenix with Chris James on guitar, Patrick Rynn on bass and Brian Fahey on drums. The other session was in Chicago with Billy Flynn on guitar, Bob Stroger on bass and Kenny ‘Beedy Eyes’ Smith on drums. Pianist Barrelhouse Chuck is on both sessions. 

The personnel listing should give a sense of what to expect, and indeed this is a recording that fans of classic Chicago blues will savor. While most of the album are covers, the songs covered such as the opening rollicking rendition of Jimmy Reed’s The Clock, will be fresh and even the most familiar songs, Little Walter’s Blue and Lonesome (with some real nice slide guitar), and Robert Lockwood Jr.’s Little Boy Blue (sounding as if Muddy Waters had recorded), are reworked so they sound new. Primer sings and plays strong, Corritore wails and Barrelhouse Chuck pounds the 88s. 

The originals are Primer’s When I Get Lonely, which has the feeling of some of Eddie Taylor’s fifties recordings and Corritore’s Harmonica Joyride, a rollicking feature for him. Other highlight’s include Primer’s take on Artie White’s Leanin’ Tree, taking that soulful blues to Pepper’s Lounge, Lil Son Jackson’s Cairo Blues, transformed into a Chicago blues shuffle and a rendition of Lightnin’ Hopkins’ Going Back Home sounding as Muddy Waters might have done it back in the sixties. 

Bob Corritore has to be thanked for his efforts to bring deserving blues performers into the spotlight. John Primer should have been a household name amongst blues lovers for several years, and if there is any justice, the stellar Knockin’ Around These Blues will elevate him to this status. He is among today's finest blues performers.

I received my review copy from Delta Groove. John Primer will be performing at the Chicago Blues Festival, the Mississippi Valley Blues Festival, Safeway Waterfront Blues Festival, the Pennsylvania Blues Festival, the Riverfront Blues Festival and other blues events this summer. Here is John performing They Call Me John Primer from a few years back.

Incidentally here is a link to my blog entry where I reviewed several of John's earlier albums.

Al Miller's In Between Time

Harmonica player and singer, Al Miller, is a contemporary of Paul Butterfield, Charlie Musselwhite and Mike Bloomfield who was among the first wave of white Chicago bluesmen. He worked with Chicago Slim and Johnny Young, was in a band The Wurds which was the first white blues band signed by Chess, spent a couple years in San Francisco working with Bloomfield, and returned to the Windy City. In the early 1990s he recorded a debut CD, “Wild Cards” for Delmark which featured Willie Kent, Dave Spector, Tad Robinson and Steve Freund. In 1999 and 2000 he assembled some of Chicago’s finest talent including John Primer, Dave Spector, Willie Smith, Ken Saydak, Billy Flynn, Harlan Terson and Kenny Smith, which Delmark has just released as … In Between Time.

This album is one of straight-ahead Chicago blues. As Scott Dirks says in the liner booklet, “Al Miller isn’t out to reinvent the wheel, or shoehorn disparate genres into an ill-fitting blues hybrid and call it “original … .” He mixes in a few idiomatic originals with covers of songs by Johnny Young, Jimmy McCracklin, Percy Mayfield, Elmore James, and Eddie Taylor. The varying line-ups share one thing in common, and that is playing old school blues, whether a slow blues and rocking shuffle. 

Whether listening to Miller reprise Johnny Young’s My Baby Walked Out with Barrelhouse Chuck contributing two-fisted piano; or John Primer channeling Magic Sam (on vocal as well as guitar) for a strong rendition of B.B. King’s I Need You So Bad, this recording shines. Miller is an able vocalist, but his harp really shines such as his original Old Friends, with a nice latin groove. The title track is a Muddy Waters flavored original with Billy Flynn on slide followed by a rollicking take of Johnny Young’s instrumental I Got It, with more tough harmonica from Miller. 

On A Better Day, Flynn channels Earl Hooker’s wah-wah slide guitar on a recording that evokes Hooker’s recording, You Gotta Lose. Another Johnny Young cover, Tighten Up On It, has more explosive harmonica. It is followed by John Primer taking the vocal on Elmore James’ 1839 Blues, on an accompaniment (Ken Saydak on piano) suggesting Otis Spann’s Hungry Country Woman. Billy’s Boogie is a lively feature for Flynn’s fretwork followed by Flynn channeling Bo Diddley on Miller’s cover of Little Walter’s Make It Alright. Rob Waters adds organ as Miller imaginatively reworks Percy Mayfield’s uptown Bachelor Blues into a Chicago blues, while Primer is featured in a tribute to one of his mentors, Sammy Lawhorn, on Primer’s Lawhorn Special.

Al Miller is a capable singer and an excellent harmonica player. He is complemented by some excellent players on a mix of originals and covers of songs that have not been over-recorded. With a generous helping of over an hour of music, … In Between Time is an exceptional, straight-ahead, Chicago blues recording.

Delmark sent me a review copy of this.  

Excellent If Not The Essential Magic Slim

Morris Holt, best known as Magic Slim, has had a celebrated recording career over 40 years, and rarely produced a blues record that was merely good. It is misleading for Blind Pig to call the compilation of some of the best tracks from his half dozen or so Blind Pig albums, The Essential Magic Slim since any compilation of Slim’s recordings that do not span his entire career including the superb records that have been issued on Rooster Blues, Alligator and the Austrian Wolf label can hardly be called Essential. Best of Magic Slim on Blind Pig would be more accurate.

This is not to say that the music here is substandard. In fact the music here is typical of the hard-driving rocking Chicago blues that Slim has been producing since his 1966 45 of Scufflin’. Opening with a rocking rendition of Bo Diddley’s Before You Accuse Me, rocketing through the terrific shuffle, Mind Your Own Business and continuing with a driving updating of Jimmy McCracklin’s Think, Magic Slim forcefully delivers his lyrics while laying down some stringing guitar. He is one of the few who can produce a listenable Mustang Sally while going down in the alley on the slow groove of Crazy Woman. Those backing him here include guitarists John Primer, Steve Freund, Michael Dotson and Jon McDonald, with brother Nick Holt handling the bass on most of the 15 tracks.

This may not be “The Essential” Magic Slim, but it is an excellent introduction to his music if you are not familiar with his distinctive and recognizable style.

I wrote this review in 2007 for the DC Blues Calendar and Jazz & Blues Report but I am not sure if either publication ran it. I likely received a review copy from Blind Pig.

Mississippi Heat Lives It Up

It has been nearly twenty years since Pierre Lacocque formed the Chicago blues band and revue in one, Mississippi Heat, who have just issued their latest album on Delmark, Let’s Live It Up! Over the years, Lacocque has assembled various line-ups and for this disc vocalist Inetta Visor returns while Christopher ‘Hambone’ Cameron handles the keyboards and Stephen Howard the bass with Kenny Smith handling the drums for some of the 14 performances. Special guests include guitarists Carl Weathersby and John Primer, with the latter handling several vocals, and the Chicago Horns.

Lacocque contributed most of the songs here (originals with one exception) including the wild-ass p[arty rocker that opens this. He covers so many bases as a writer, able to handle songs in a traditional Chicago style such as Steadfast, Loyal and True, with some prime singing and playing from Primer. Jumpin’ in Chi-Town, is a supersonic tempo rocker with nice chromatic harp and brassy horns punctuating Inetta’s sassy vocal, while Inetta soulfully delivers She Died of a Broken Heart, an original she and Cameron collaborated on.

Primer is up front on “Betty Sue,” a hard rocker in the vein of Linda Lu, with some driving chicken-picking guitar in addition to Primer’s vocal. Another Sleepless Night, is a soul-blues with a strong lyric and an insistent vocal from Inetta backed by a driving backing with nice imaginative harp and a strong chromatic solo. Peace Train, is a gospel number with rollicking piano in the backing, while Weathersby biting guitar is prominent on Been Good To You, with choice solos also by Cameron and the leader.

The one cover here is the lively rendering of Sugar Pie DeSanto I Want To Know. Another highlight is Daggers & Spears, which introduces another singer, Rhonda Preston, who belts out the vocal. He delivery is more in the vein of a shouter in contrast to Inetta Visor’s more dry, sober approach with Giles Covey taking a solid solo. Primer’s own I Got the News Today, is another terrific performance in the traditional Chicago blues style, before the closing Until We Meet Again, a peppy closing number that is unusual to hear on a recording with Giles Covey a spirited solo before Lacocque closes it out on chromatic.

Mississippi Heat maintains their winning formula on Let’s Live It Up! with good original material, strong and authoritative singing, an excellent band that is comfortable in several different blues styles and excellent soloists. The result is another collection of blues that should appeal to those loving Chicago blues.

This review originally appeared in the July 2010 Jazz & Blues Report. I received my review copy from Delmark.

Excellent Rough Dried Magic Slim

It might surprise blues fans, but the Austrian Wolf label has issued 14 albums by Magic Slim & the Teardrops, way more than any other label. And these are not some run of the mill issues. Three of them have won WC Handy Awards and five were recorded at the legendary Zoo Bar which became Slim’s musical home some time ago. The 14th and latest Wolf album is Rough Dried Woman, which is subtitled “Magic Slim’s best 14 songs.” It is compiled from sessions recorded for Wolf between 1986 and 1992 and include 3 previously unissued live recordings. Present on all the recordings are Slim, his brother Nick Holt on bass guitar and second guitarist John Primer with four different drummers present on the sessions.

Magic Slim’s music is not fancy. It is pretty simple and direct with Slim’s emphatic driving guitar with its single note runs that show a bit of Albert King’s influence, the interaction with him and his second guitarist who during this period was John Primer, and brother Nick’s bass which originated the “lump ta lump” style made for the strong, immediately recognizable Teardrops sound. Nick passed away a little while ago and this CD is dedicated to his memory.

From the opening rendition of Big Mac’s Rough Dried Woman through the reworking of Buster Benton’s Spider in My Stew, to the concluding notes of Roy Brown’s Hard Luck Blues, this is typically solid Magic Slim recording. And the songs come from a variety of sources including Albert King, Lefty Dizz, Bo Diddley, Muddy Waters, Bonnie Lee and Roy Brown. In this strong grouping of blues a few tracks stand out. There is a terrific slow rendition of “Matchbox Blues as done by Albert King as well as the down-in-the alley, slow grind of the cover of Lefty Dizz’s Bad Avenue. Slim’s marriage of a Dust My Broom groove to Bo Diddley’s Before You Accuse Me, is an driving rocker while the medium tempo reworking of Eddie Taylor’s Bad Boy is similarly irresistible before the stunning live rendition of Hard Luck Blues.

One rarely will go wrong with a Magic Slim recording and Rough Dried Woman is one of the better ones by him.

This was a purchase.

Chicago Blues A Living History: The Revolution Continues

It was a couple years ago that Raisin’ Music issued the first double CD, Chicago Blues: A Living History, a superb CD that revived some classic and lesser known Chicago blues by the likes of Sonny Boy Williamson, Muddy Waters, Little Walter, Howlin’ Wolf, Elmore James, Memphis Slim, Otis Rush, Buddy Guy, Earl Hooker and Magic Sam. Well, now comes a sequel, Chicago Blues A Living History: The (R)evolution Continues. The Two CDs contain 23 selections and a bit over 80 minutes.


Like the prior release, the solid backing band, The Living History Band, returns with guitarist Billy Flynn, Pianist Johnny Iguana, bassist Felton Crews and drummer Kenny Smith. With the support by this band, the spotlight is focused on Billy Boy Arnold, John Primer, Lurrie Bell, Billy Branch and Carlos Johnson with featured guest appearances by Buddy Guy, Magic Slim, James Cotton, Ronnie Baker Brooks, Zora Young and Mike Avery. The CD opens with three performances by Billy Boy Arnold of artists associated with the forties Chicago scene, Lonnie Johnson, Tampa Red and Sonny Boy Williamson before we move on to the post-war era with more emphasis on the post mid-fifties scene and extending to the nineties.


Arnold is really good, with the rendition of Tampa Red’s I’ll Be Up Again Someday, being especially fine. With just bass and drums, John Primer does a solid Muddy Waters copy on Canary Bird before taking a lighter tack on the Jimmy Rogers shuffle, Chicago Bound. Floyd Jones was one of the artists whose recordings were skipped on the earlier disc, but Lurrie Bell does a strong rendition of Stockyard Blues, with Matthew Skoller adding harmonica (the late Snooky Pryor played on the original). Billy Branch and James Cotton both play harmonica on a rendition of the Jackie Brenston hit, Rocket 88, that Cotton recorded for Vanguard. Branch takes the vocal here as he does on a medley of Little Walter and Bo Diddley songs, while Primer handles the vocal on Chuck Berry’s Reelin’ and Rockin’, on which Billy Flynn emulates Berry’s guitar style.


The second disc opens with Buddy Guy doing a straight remake of his classic Chess recording T he First Time I Met the Blues, which is followed by John Primer being reunited with Magic Slim for a chugging rendition of Chuck Willis’ Keep a Drivin’. Magic Sam’s cousin Michael Avery was a revelation on the initial release and continues to impress as he reprises Easy Baby. Primer handles Howlin’ Wolf’s Howlin’ For My Baby, while Billy Boy Arnold handles the vocal on Robert Lockwood, Jr.’s My Daily Wish, that Lockwood waxed originally with Otis Spann in 1960. Pianist Iguana is excellent here as is Flynn who evokes Lockwood’s jazzy style on this.


Yonder’s Wall is based on the recording of it by Junior Wells, with Billy Branch honoring one of his mentors and evoking Wells’ harp style, while Zora Young takes the vocal on the late Sunnyland Slim’s Be Careful How You Vote. Its nice that Fenton robinson is remembered by Carlos Johnson who provides a fresh arrangement of Somebody Loan Me a Dime. Johnson also does his take on the title track of Otis Rush’s Grammy Award winning album Ain’t Enough Comin’ In. A couple of sons pay respects to their dads with Lurrie doing his own Got To Leave Chi-Town, as a tribute to Carey Bell (with Billy Branch playing some tough harp here) while Ronnie Baker Brooks salutes his father Lonnie Brooks on the mix of Chicago blues, funk and bayou boogie, Don’t Take Advantage of Me. Ronnie also does his plea “Make These Blues Survive, as he worries about the music’s future. The recording concludes with a rendition of Brownie McGhee’s lively shuffle, The Blues Had a Baby, with vocals by Bell, Arnold, Branch and Primer.


This is another satisfying salute to the Chicago Blues tradition that covers a wide spectrum of performers, that is package in a double CD digipack and contains a booklet with producer Larry Skoller’s notes, commentary on the selections and an illustrated Chicago Blues History timeline which is provides an overview of the artists whose recordings are mined and the performers heard on this. Fans of the prior release will have similar feelings about this sequel. And there is so much of the Chicago Blues History that they have yet to explore that hopefully might merit a third release in this series. Recommended. 

This review originally appeared in the May 1-June 15 Jazz & Blues Report (Issue 335) which can be downloaded at jazz-blues.com. My review copy was supplied by a publicist for this release.