The Blues Is Alive and Well
Silvertone/ RCA Records
According to the press materials, this is Buddy Guy's 18th solo album. It is produced by Tom Hambridge who has been a recent producer and collaborator with Guy, who also had a hand of nearly every song here and plays drums. The rest of the core backing band here is Kevin McKendree on keyboards, Willie Weeks on bass and Rob McNelly on rhythm or slide guitar m(although he sits out some tracks). Also heard here are guest appearances from Jeff Beck (who called Guy his favorite guitarist decades ago), Keith Richards, James Bay and Mick Jagger.
It is a solid, straight-forward recording pretty much in the vein of Guy's recent recordings. There is plenty of punch in the backing and the tone of Guy's guitar and his vocals belie his age of 81 years. There is an in-your-face quality to his fretwork on the opening "A Few Good Years," supporting his strong vocal on one of a number of strong originals here. It is followed by a rollicking shuffle "Guilty as Charged," with McKendree outstanding in his accompaniment while Guy plays more blistering guitar. Jeff Beck and Keith Richards add their guitar to "Cognac," with Beck especially pulling out all the stops as Guy sings about the merits of "Cognac," which has "liquid gold in every sip." The Muscle Shoals Horns add punch to the backing on the title track, with Guy singing soulfully about her woman having another man. I do not who James Bay but he adds his guitar and vocals to "Blue No More," with its low-key manner and is it may be Bay who contributes the B.B. King styled playing here.
Hambridge contributes a sledge hammer groove with a drum loop along with Guy's hammering out his guitar as he shouts about "Whiskey For Sale," with the McCrary Sisters adding vocal harmony on this minor entry here. Mick Jagger adds some nice harmonica adding to the late night feel of a slow blues, "You Did the Crime." The Muscle Shoals Horns return for "Old Fashioned" which is perhaps a bit over-the-top for these ears as Hambridge anchors the driving backing here. Rice Miler's "Nine Below Zero" is transformed into a hard hitting Muddy Waters' styled number followed by a Memphis styled rocker, "Ooh Daddy."
"End of the Line" is a Jimmy Reed-styled shuffle with Guy's easy going vocal, shattering guitar along with punchy horns before the album closes with a brief "Milking Muther For Ya," where Guy sings a verse of the Dirty Red song accompanied only by his guitar. 15 very different performances on this album which certainly will satisfy those wanting Guy's sizzling guitar playing, but also displays his fine singing as well.
I received my review copy from a publicist. This review originally appeared in the July-August 2018 Jazz & Blues Report (Issue 379). Here is the audio of Buddy Guy's performance of "Cognac" with guests Jeff Beck and Keith Richards from this CD.
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