Butch Warren & Freddie Redd Baltimore Jazz Loft

Butch Warren & Freddie Redd
Baltimore Jazz Loft
Brad Linde

"Baltimore Jazz Loft" captured an informal performance complementing a session organized to record unheard compositions from Freddie Redd. This album was the last album released during Freddie Redd's career. Redd was a part of the New York scene in the 50s and 60s. He is most famous for composing the music for the play and film "The Connection" and the Blue Note album of music from that play that included Jackie McLean. While not the most prolific recording artist, he had recorded a number of memorable recordings over the intervening decades. Joining him is bassist Butch Warren who played on many classic Blue Note albums by the likes of Sonny Clark, Herbie Hancock, and Dexter Gordon and was part of Thelonious Monk's Quartet for a couple of years.

On this album, Redd and Warren are joined by Washington DC area saxophonist, composer, and arranger Brad Linde. Linde was responsible for organizing these recordings. Matt Wilson, who had been looking forward to working with Warren, is on drums. This album was recorded in October 2013. Warren died not long after this date that is intended to capture the spirit of the jazz loft activities found in New York in the fifties and sixties, such as displayed in the documentary "The Jazz Loft." Recorded at Baltimore's An Die Musik, it has an appropriate ambiance.

After a short piano prelude, the rhythm section kicks off on Redd's "Nothing But the Blues," which provides an opportunity for Redd and Warren to shine. Redd has a piano style that these ears find reminiscent of Duke Ellington with a touch of Monk, while Warren's playing focuses on the walking quarter-note pulse he provides. Linde on tenor sax joins in for "I Can't Get Started" with a warm style in a Lester Young vein. Warren's "I Remember Monk" is a medium-tempo swinger that alludes to Monk more than is an imitation of Monk's music. Redd's spare playing, particularly in his accompaniment to Linde, evokes Monk. Like Monk, Redd makes use of silence as well as what he plays. His playing is not as angular in his lines as Monk. Linde is as impressive here as elsewhere. Warren's "A Little Chippie" opens with a choice bass solo before Linde melodic playing. Another highpoint is Warren's "Barack Obama," taken with a light Latin groove.

I am not sure if there was a live audience for most of this, but on the closing "There Will Never Be Another You," there is an appreciative one for the trio. This performance opens with Redd playing a chorus of "'Round Midnight" before the band launches into the standard. The sound is generally reasonably good, although Linde's sax sounds at times a bit muffled. The music is very, very good, and thanks to Brad Linde for having this recorded and making it available. It is available at Bandcamp as a digital download and a limited edition cd, https://bradlinde.bandcamp.com/album/baltimore-jazz-loft.

I purchased this as a download. Here is a 2011 performance by Butch Warren and Freddie Redd at Bohemian Caverns in Washington DC.