Kid Ramos/ Bob Corritore Phoenix Blues Sessions

Kid Ramos/ Bob Corritore
Phoenix Blues Sessions
SWMAF Records/ Vizztone

This album is one of three new releases from harmonica player and blues producer Bob Corritore's vaults. These are sessions from the late 1990s to the early 2000s that were initially released as a benefit album for Kid Ramos in 2012 when he had a cancer scare. It has been revised, remastered, and reimagined for a commercial release. Included are previously unissued material, new mixes of material, and alternate takes. Besides Ramos on guitar and Corritore on harmonica, Chico Chism is on drums throughout. Chico sings on one track. Other singers here include Nappy Brown on two songs, Henry Gray on four (he plays piano on five), Chief Schabuttie Gilliame on two, Big Pete Pearson on two, and Dr. Fish on one. Other players include Johnny Rapp on guitar or mandolin, Paul Thomas on bass on all but one song, Mario Moreno on bass on one, and Tom Mahon on piano for six.

There is plenty of straight-forward and noteworthy performances starting with an exceptional shuffle rendition by Nappy Brown of Walter 'Lightnin' Bug' Rhodes' "Aw Shucks Baby," with the Kid laying down an easy rhythm accompaniment as Henry Gray rocks the ivories. In contrast to Nappy's blues shouting, he takes a more relaxed folky vocal on Smokey Hogg's "Baby Don't You Touch My Clothes." Kid Ramos is more prominent with some slashing guitar backing Henry Gray's vocal on "Come On In." I am not familiar with Dr. Fish, but he is outstanding singing Eddie Boyd's "24 Hours." Corritore is terrific on chromatic harmonica while Kid Ramos plays some jazzy single note fills. Henry Gray returns for a first-rate rendition of Elmore James' "I Held My Baby Last Night." Gray is upfront with Kid Ramos' guitar in the background as he channels some of Elmore's accompaniments to Willie Love and Sonny Boy Williamson. Gray also enthusiastically revives Hot Lips Page's "They Raided The Joint," and the easy rocking shuffle "Talkin' Bout You."

Big Pete Pearson's cover of Albert King's "Natural Ball" is taken at a more relaxed pace than King's original, with Kid Ramos adding drive to the groove with his playing. Kid Ramos' stunning Muddy Waters styled slide guitar is present on Pearson's reworking of Little Milton's recording "Possum in My Tree." Pearson takes this strong soul-blues and makes it an intense Chicago blues for one of this album's highlights. Chico Chism handles the vocal on an imaginative rendition of "Mother-in-Law Blues," as Kid Ramos channeled Willie Johnson and Calvin Newborn. It is a sterling performance taken at a much slower tempo than the song is usually performed at. Chief Schabuttie sings "No More Doggin'" with a hoarse, graveling vocal set against a chugging groove. Kid Ramos adds some stunning playing to Schabuttie's "Snake Crawls at Night" that closes this disc.

Blues lovers will enjoy this collection of very entertaining traditional ensemble blues, and for those, like me, who missed the original release will welcome this edition.

I received my review copy from Vizztone. Here is a performance by Bob Corritore and Kid Ramos but not from this album.

Outstanding New Blues Recordings of 2007

The first of three posts to include CDs that I consider outstanding releases of 2007. This focuses on the blues and soul releases. I have links to reviews posted on this blog.

Carey Bell & Lurrie Bell - Gettin’ Up Live (Delmark) Last recordings of harp icon with son who played DC many times. Also available on DVD.
Lurrie Bell - Let’s Talk About Love (Aria B.G. Records) Excellent disc by Carey's son
Nappy Brown - Long Time Coming (Blind Pig) Excellent disc by veteran singer with DC area's Big Joe Maher on drums
Franklin & Baytop - Searchin’ For Frank - (Patuxent) DC area artists doing terrific acoustic blues
Billy Gibson - Southern Livin’ (Inside Memphis)
ZZ Jill Jr - Goin' To Mississippi (Delta Roots) Great soul blues recording by Chicago based singer
The Holmes Brothers - State of Grace (Alligator) Marvelous album that defis categorization
Marie Knight - Let Us Get Together: A Tribute to Reverend Gary Davis (MC) (Inspired tribute to the legendary fingerpinker)
Frankie Lee - Standing at the Crossroads (Blues Express) One of my favorites singers.
Lady Bianca - Through A Woman's Eyes (Magic-O) Amazing good singer and pianist. Marcia Ball has nothing on her.
Little Milton - The Last Concert - (Juke Joint Media). The last performance a few weeks before he suffered stroke and passed. I have DVD but I believe there is CD of this. I was there.
New Orleans Rhythm Conspiracy -Dancin' Ground (self-produced). Post-Katrina band formed by members of Walter Woilfman Washington's RoadMasters, bassist Jack Cruz and drummer Wilbert 'Junkyard Dog' Arnold along with guitarist George Sartin with Uganda Roberts, Jimmy Carpenter and the Wolfman present on a set of blues, soul-funk and Mardi Gras Indian chants. Marilyn Barbarin and Tyrone Pollard handle the vocals with Brother Tyrone covering Blue Moon Risin', one of my favorite Wolfman Washington recordings (Wolfman and Cruz wrote it) updated for post-Katrina comments.
Nick Moss & the Flip Tops - Play It ‘Til Tomorrow (Blue Bella) Great double album of Chicago blues, one electric in style of Magic Slim and the Teardrops and the other acoustic
John Németh - Magic Touch (Blind Pig)
Darrell Nulisch - Goin’ Back to Dallas (Severn)
Papa Grows Funk - Mr. Patterson's Hat (self-produced) Latest recording by New Orleans and his jamming funk band that includes guitarist June Yamagishi, and drummer Jeffrey 'Jellybean' Alexander
Big Pete Pearson - I’m Here Baby (Blue Witch)
Tad Robinson - A New Point of View (Severn)
Ryan Shaw - This is Ryan Shaw (Columbia) Amazing twenties singer brings Wilson Pickett and others to life
Roscoe Shelton - Save Me (SRV Blue Late veteran Nashville R&B blues shouter
Various - House Rockin’ and Blues Shoutin’!, (Blue Witch)

Big Pete's Big New Blues

Big Pete Pearson
While the back of the CD cover for I’m Here Baby (Blue Witch) calls Phoenix based Big Pete Pearson a shouter, he comes across more like James Cotton crossed with a bit of Lonnie Brooks to give a sense what he sounds like.. Produced by Bob Corritore and joined by the likes of Ike Turner, Johnny Dyer, Joey Francesco, Leon Blue, Kid Ramos and W.C.Clark. The opening Too Many Drivers is a rocking shuffle in the vein Cotton excelled at with Matt Bishop providing the rollicking piano as Chris James and Johnny Rapp on guitar help push the groove while producer Corritore wails on harp. Its a good indication of what’s to come on this set of straight, no chaser blues. Leon Blue handles the ivories and Corritore is on chromatic harp on a nice version of Tin Pan Alley with a nice gritty vocal. A good song writer, his original The Way I See It, has him reaching down on his vocal, while Worried About My Baby is an easy rocking number with Johnny Dyer contributing a nice harp break on a recording that would have been at home on a vintage Chicago blues collection. I’m Here Baby, is a slow-drag bump and grind number that Pearson just pours his heart into. Ike Turner and Joey DeFrancesco are present for Big Legged Woman, a number that brings Lonnie Brooks to mind while a more West Coast flavor is on the evocative rendition of Percy Mayfield’s The Highway Is Like a Woman. Cousin W.C. Clark join on a spirited blues medley, trading verses and songs as well as the closing Texas Blues Memories. Possum Up the Tree, with Kid Ramos on guitar evokes vintage Muddy Waters while there is a down home flavor added to Natural Ball. While Texas born, Big Pete’s music sounds like he was in Chicago, not Phoenix, the past fifty years. This is an exhilarating blues disc that certainly should make him a singer in demand on the hopefully reviving blues circuit. This is a good one. Check out www.bluewitchrecords.com or www.bigpetepearson.net for more information.