Showing posts with label Cole Porter. Show all posts
Showing posts with label Cole Porter. Show all posts

Friday, February 14, 2014

The Early Years of Fred Astaire

Sony Masterworks, in conjunction with Turner Classic Movies, has issued a double CD by the legendary Fred Astaire The Early Years At RKO. Astaire is the star of the month on Turner Classic Movies for December 2013 and is known for the classic movies he starred in along with Ginger Rogers for RKO including “Top Hat,” “Swing Time” and “Shall We Dance.” 

Backed by orchestras led by the esteemed conductors Leo Reisman, Ray Noble, and Astaire’s friend Johnny Green, Astaire introduced the world to many of the cornerstones of what we call today “The American Songbook.” Among the songs heard here, written some of American’s greatest songwriters and composers including Irving Berlin, Jerome Kern and George and Ira Gershwin, are Night And Day, Cheek To Cheek, The Way You Look Tonight, They All Laughed, They Can't Take That Away From Me and Nice Work If You Can Get It.

In his liner notes, Michael Feinstein observes that Astaire is “considered by many to be the most sublime popular singer and dancer of any generation.” These were recorded around the time of the films these appeared in and Astaire’s vocals seem as effortless as his stunning dancing, coveting a fair amount of his sophisticated charm. The orchestrations are sublime with very skillful use of strings along with some muted trumpet obligatos, some doses of stride piano and some showcase his dancing (for example Let Yourself Go).

As Michael Feinstein notes, Fred Astaire was a favorite singer for songwriters such as Berlin and Gershwin, although he hated his voice. Yet listening to the controlled exuberance as he sings about going out on the town in Top Hat, White Tie and Tails, as well as the humor of sailors who looked to see the world, but instead sings that We Saw the Sea. Fred Astaire’s performances on The Early Years At RKO still enchant over 75 years when they first were recorded, and help us realize that even apart from his movies, he was a superb interpreter of songs. 

I received this recording as a digital download from Sony. This review has been published in the January - February 2014 Jazz & Blues Report (Issue 352) which can be downloaded at www.jazz-blues.com.  Here is Fred Astaire performing Top Hat, White Tie and Tails from the movie Top Hat.


Saturday, December 10, 2011

Sinatra. A Choice Of The Best By The Best

Best of the Best is a new CD compilation for the first time collects Frank Sinatra recordings from both Capitol Records and Reprise Records. The 23 tracks (13 from Capitol and 10 from Reprise) collect his most memorable and iconic recordings. One is hard-pressed to say anything new about this music which should be familiar to many.

From I’ve Got The World On A String to Theme From ‘New York New York’ listeners are treated to classic interpretations of songs from the great tune smiths like Cole Porter, Rogers and Hart, Sammy Cahn and James Van Heusen. These are presented in arrangements from such masters as Nelson Riddle, Don Costa, Billy May, Quincy Jones, and Ernie Freeman. From spectacular big bands to lush orchestra stylings, the voice, the songs and the performances are timeless and marvelously mastered.

Despite the familiarity of the material, some tunes are gong to come off as almost new to the listener such as In the Wee Small Hours Of The Morning, Angel Eyes and Summer Wind. Then there is Fly Me To The Moon from a session with Count Basie that Quincy Jones arranged. At the same time, one appreciates nuances in the songs and the arrangements that one might have missed hearing Sinatra over a Car radio.

Frank Sinatra Jr. provides commentary on each performance, providing insights on how the material was selected and the imprint his father’s recording left. For example, I was unaware that a Kingston Trio recording was the basis of Sinatra’s classic,It Was a Very Good Year. As his son notes, Frank Sinatra was unequalled in recognizing great lyrics. Sinatra’s music has been anthologized, subject of box sets, and prior “Best Of” collections. Let others quarrel about specific songs that are not included. I will simply continue to enjoy the Best of the Best.

Incidentally, this is available as simply a CD, or in a deluxe package that also includes a DVD of a long out-of-print Seattle concert. I did not receive a copy of the DVD so cannot comment on it.

I received a review copy from a publicist. Here is a you tube clip of him singing perhaps the song most associated with him (except for Yankee fans).