Chris O'Leary Gonna Die Trying

There is something about Chris O'Leary's music that strikes the listener immediately and it is the authority that he brings to his songs, and his songs have a reality to them that make his vigorous singing sound so powerful. O'Leary served in the Marines for 7 years and played for six years as a mem­ber of Levon Helm’s Barn­burn­ers, and this is reflected in his superb new American Showcase Music CD "Gonna Die Trying." In addition to his vocals and strong harmonica playing, he is backed by Chris Vitarello on gui­tar, Andy Stahl and Chris Difrancesco on sax­o­phones, Matt Ray­mond on bass and Jay Devlin on drums. In addition to his band, other players on this include Bruce Katz on piano & organ, Vin­nie Nobile on trom­bone, and Willa Pan­vini McCarthy & Libby Cabello on back­ground vocals. John Mooney is a spe­cial guest on one track.

One thing that strikes this listener from the first selection, "Can't Help Yourself," is his raspy, cleanly articulated, rapid-fire vocals. He commands our attention singing about going of the war and then returning home to find promises made before he served were empty; that jobs being exported overseas labor overseas with unions being blamed; and there being too little money for our war casualties today. Similarly powerful songs include "19¢ a Day," set against a crisp John Lee Hooker boogie groove, and the stark "Letters From Home," (opening with terrific guitar from Vitarello) where O'Leary sings of being terrified and lonesome in a dirty hole a thousand miles from home with desert winds chilling him to the bone in the god-forsaken combat zone. His vocal is compelling (his vocal dynamics is exemplary) and the backing is terrific. "One More Saturday Night," is a superb shuffle as he displays his formidable harmonica chops, on a song about about making it through the week, and needing one more Saturday night to let loose. The spirited "Harvest Time" has a New Orleans second-line groove with John Mooney adding slide guitar.

There is so much to like about Chris O'Leary and with excellent songs, and first-rate backing from his band and guests, O'Leary's "Gonna Die Trying" is sensational.

I received my review copy from the label. Here is he performing "Letters From Home."

John Mooney's Big Ol' Fiya

The following review appeared in the December 2006 Jazz & Blues Report (issue 289) and oddly my comment opening this review still holds true as its been Mooney’s last release and its been over four years since this was released. I picked it one of the outstanding releases of 2006 and is still available (although perhaps easier to download than find a physical copy).

Its been four years since John Mooney had a new album out Big Ol’ Fiya, and he has produced his latest on LML Records (Live Music Lives), which should satisfy fans of his unique musical gumbo of Son House-influenced delta blues with Crescent City grooves.


This album also includes the keyboards of Jon Cleary along with the bass of the late Jeff Sarli, percussionist Alfred ‘Uganda’ Roberts and drummer Raymond Webber although Bernard ‘Bunche’ Johnson is on two tracks and engineer Mark Bingham picks up the bass for one track. Opening with a hot groove on 2 Get 2 Heaven, the band kicks into high gear as Mooney sings “I didn’t come here, to preach & pray; I ain’t here to soothe you; ‘Cause you works all day; I ain’t here, tokiss & tell; I’m just tryin’ to getta out this hell.” as Mooney adds some driving, crying slide. The title track follows as thetempo slows a bit with Cleary on organ as Mooney adds some nice slide runs with a lyric about what was love at first sight and how she is on his mind all day long but she left him and broke his heart. Voice and slide are in harmony as Mooney starts Dig My Way 2 China, how his woman left him so low heis digging his way down to China.


Few attempt to rework Son House songs, but Mooney’s interpretations carry an authority that in part reflect what he learned directly from the archetypal blues legend. Here he provides us a strong small band rendition of House’s Louis McGhee, with Sarli, Roberts and Webber providing the strong complimentary backing for Mooney. A Mooney original, Do You Love Me, is another strong performance rooted in the delta blues of House and his friend Willie Brown.


The remainder is in a similar vein and is a most welcome addition to Mooney’s strong discography. For more information can check Mooney’s website, www.johnmooneylive.com which will link you to www.cdbaby.com which is where your reviewer obtained this strong release.