Showing posts with label Oscar Peterson. Show all posts
Showing posts with label Oscar Peterson. Show all posts

Thursday, September 24, 2015

The Late Clark Terry Kept On Keepin' On

"Keep On Keepin' On" is a remarkable documentary about the late Clark Terry and his relationship with a young blind pianist, Justin Kauflin. The documentary captures Terry, who was suffering severe health issues related to diabetes and young Kauflin, in several different episodes interspersed with clips of Terry from throughout his legendary musical career. Also caught are some moments with the late Quincy Jones, who Terry mentored when Jones was a teenager and who takes Justin on the road with him towards the film's end. Interspersed are clips of Terry playing with Duke Ellington, Oscar Peterson, and various big bands along with Justin performing at the Monk competition and later being featured with Quincy Jones in Europe where he performs his composition dedicated to Terry, "For Clark."

Ashley Kahn notes that the soundtrack is not simply an encapsulation of the film, but an overview of Terry's career interspersed with dialog by Terry, Kauflin and Quincy Jones, and some solo performances from young Kauflin. There are some excerpts of Terry's playing although there are full performances with Duke Ellington (a very fresh take on "Harlem Air Shaft"), Oscar Peterson (including "Mumbles"); a terrific "Stardust" with his Quintet as part of jazz at the Philharmonic; Count Basie (a blistering "Blee Blop Blues"); a marvelous orchestral rendition of "Misty;" and "I Remember Clifford" with Quincy Jones." Young Kauflin displays his wonderful touch and imagination on his solo piano that is heard under Terry's narration of "Letter to Justin #1," and the closing "For Clark" that closes this soundtrack.

Ashley Kahn notes that is the first collection of Terry's music although it  only provides a sample of his remarkable legacy It is a document of more than simply Clark Terry's music with the dialogue and advice presented here. One cannot recommend the movie "Keep On Keepin' On" highly enough as well as this soundtrack. While probably enjoyed most by those who have seen the movie, it certainly stands up well on its own. Recommended, and perhaps may we get a fuller career retrospective on CD of Clark Terry's music.

I received a download from a  publicist. Here is the movie trailer for "Keep On Keepin' On."

Sunday, October 30, 2011

Oscar Peterson Re-Performed on Unmistakable

Unmistakable is the title of the “Zenph Re-Performance®” release of Oscar Peterson on Sony Masterworks. According to the back of the CD package, this process takes audio performances and turning them back into live performances through software that extracts every nuance of the recorded performance and storing this in a high-resolution digital file, the files contain every note played including pedal actions, volume and articulations. The files are then played back on an acoustic piano fitted with sophisticated computers so the listener can sit in the room’ as if one wad there when the original performance took place. This is the ambition and it has been used for classical performances as well as a CD of Art Tatum.

On this CD we have eight performances by the legendary Oscar Peterson from several different recordings of live performances. High points include a breakneck Back Home In Indiana, When I Fall in Love, an extended Duke Ellington Medley and Goodbye. There are moments of exhilarating displays of Peterson’s Tatum-esque virtuosity mixed in with some contemplative ones. Peterson has his advocates and critics, but the restoration does provide wonderful sound, although without the audience and ambience of the original recordings.

The music is presented in both a stereo version and a binaural stereo version which is stated to be the ultimate headphone experience. While the CD contains almost 80 minutes of music, there is actually about 40 minutes of each and I could not distinguish the two versions on my headphones playing this through my MacBook. While audiophiles may have a different experience, many will view this as purchasing two virtually identical presentations of the eight performances. Fans of Oscar Peterson will certainly enjoy the vividness of the sound on this in any event.

My review copy was provided by a publicist.