Showing posts with label Roberta Gambarini. Show all posts
Showing posts with label Roberta Gambarini. Show all posts

Saturday, March 04, 2017

Clare Fischer Latin Jazz Big Band ¡Intenso!

Clare Fischer Latin Jazz Big Band
¡Intenso!
lavo Records

Four years after the passing of Clare Fischer we have another posthumous recording prepared and produced by his son Brent. Brent states that working his father they planned and prepared to release his music and he captured his father with a small group at home in his last years so that other musicians could be added one day. The latest project is this Latin jazz big band album with a number of special guests and featuring Roberta Gambarini, Sheila E, Luis Conte, Scott Whitfield, Don Shelton, and others, with Brent sometimes cresting new arrangements based on his father's original ones.

The album opens with a terrific "Algo Bueno (Something Good)," which is a spirited salsa reworking of Dizzy Gillespie's "Woody 'N' You," with a standout solo from Don Shelton. Fisher's own "Gaviota (Seagull)" is one of two selections with Ms. Gambarini adding her lovely vocal with a dreamy Fischer keyboard solo and a serpentine soprano sax weaving in around Gambarini towards the end of this. The Ellington classic "Rockin' in Rhythm," is reimagined with an Afro-Cuban 6/8 groove with a Rob Hardt tenor sax solo set against the imaginative orchestration here. Sheila E. adds her percussion to "Solar Patrol," with its funky feel and Adam Budman's sax solo while Gambarini returns for the lively, breezy "The Butterfly Samba," singing and scatting at the brisk tempo, with trombonist Whitfield joining her as they scat through the changes with the horns trading fours with them.

The breath of Fischer's compositions and arrangements is displayed with "Renacimiento." The title means Renaissance in Spanish and opens with medieval melodies before shifting to quasi-Latin rhythms with Brian Clancy's robust tenor the first of several fine solos. The "Le Mucura" has Clare Fischer's big band arrangement of this traditional Columbia cumbia with noteworthy soprano sax, trumpet solos and keyboard solos. Another adaptation is Osvaldo Farrés' "Tres Palabras," which Clare Fischer had written and refined arrangements for over time and which Brent and Matt Wong have orchestrated for the lovely performance with a alto flute solo.

The closing "Play Time" is, according to Brent, the last song Clare recorded and appears here on a recording here for the first time with a blistering trombone solo from Francesco Torres that fades out as it keeps percolating with its irresistible rhythms. It is a lively close to another fascinating, imaginative and passionate recording that Brent Fischer has brought us as he helps perpetuate his father's amazing legacy.


I received my review copy from a publicist. This review originally appeared in the January-February Jazz & Blues Report (Issue 370). Here is the Clare Fischer Latin Jazz Big Band in performance.

 

Friday, July 20, 2012

Roberta Gambarini and Hank Jones Were There

Roberta Gambarini certainly has come a long way in a few years since coming to the United States in 1998 from her native Italy. Within two weeks of her arrival, she was a finalist at the Thelonious Monk Competition, devoted to jazz vocalists that year along with Jane Monheit and Terry Thornton. Since then her career has slowly taken off, accelerating in more recent years after the release of her first American recording, Easy to Love, and now her major label debut with the great Hank Jones on Emarcy, You Are There. In the interim she has been nominated for a Grammy, selected by the Jazz Journalists Association as best female jazz vocalist and selected as Talent Deserving Wider Recognition in the Downbeat Critics Poll, while making acclaimed concert and festival appearances with some of the greatest jazz musicians in the world including Roy Hargrove’s Big Band and the Dizzy Gillespie Alumni Orchestra.

Hank Jones and Roberta Gambarini at the 2007 Duke Ellington Jazz Festival
Roberta Gambarini possesses such a beautiful voice and if one can here some echoes of Sarah Vaughan and Ella Fitzgerald, she has become such a marvelous singer in her own right. Her pitch perfect, her phrasing exquisite, her enunciation of the lyrics so magical. Between her delivery of the lyrics and her scatting her voice is another instrument. Backed by only Hank Jones’ piano, she takes us on at our of some of the great songs, such as Deep Purple, Just Squeeze Me, Lush Life and Stardust. She introduces us to lesser known gems like a Benny Carter song, When Lights Are Low, and a Gigi Gyrce and Jon Hendricks ballad, Reminiscing. Most interesting is Irving Berlin’s Suppertime, that is done in tribute to Ethel Waters who first sang this moving song in the musical revue, As Thousands Cheered. As Ms. Gambarini notes, this was “the first song to address the unspeakable evil of racial lynching.” The lyrics do not describe the strange fruit of southern tress, but rather the heartache of the wife and mother who knows her husband and the children’s father is not coming home. “I know I should set the table cause it’s Suppertime,” but is unable ‘because that man of mine ain’t coming home no more.” With Jones understated accompaniment here, this is simply a powerful performance.

Elsewhere Jones gets a number of opportunities to stretch out as on the Ellington classic, Just Squeeze Me. After his solo, she scats and then trades fours with him. The delight the two have making music together comes across throughout this recording that certainly will be among the most highly recorded vocal jazz recordings issued in the United States this year. Having the pleasure of having seen the two performing this past fall, this writer has been awaiting the US release of this 2005 recording session, and it has certainly been waiting for.

This was a purchase. Here is Roberta Gambarini and Hank Jones with a rhythm section performing.


Wednesday, June 06, 2012

DC Jazz Festival Picks for June 7

Michael Thomas
This is the seventh post I am making to highlight some of the shows associated with this year’s DC Jazz Festival. I am specifically not highlighting the DC JazzLoft Fest since I have posted on this already. I will may also pick a few other shows around the DC Virginia area that should not be overlooked. I am posting this a day ahead of the date of performances.  For more information visit http://www.dcjazzfest.org/content.cfm/schedule_and_major_events.

At 1:00 PM, as part of the East River Jazz Festival, Todd Marcus Ensemble will be at the East River Washington Senior Wellness Center. Todd Marcus, one of the few who specialize in the bass clarinet, leads a little big band which displays his compositions and ability to make use of a variety of musical colors. Capital Bop notes that he leads a nine piece ensemble. “Thankfully, both Marcus’s oddball instrumentalism and his offbeat ensemble are astonishingly strong, modern and infectious. Few people improvise with more fervor or write music better than he does.”

At 5:00PM, trumpeter Michael Thomas will be featured at the Phillips Collection with their hard bop and blues inspired by such legendary figures as Lee Morgan, Freddie Hubbard and Art Blakey. This is hard swinging music at its finest.
Roberta Gambarini
The Hamilton hosts the wonderful singer Roberta Gambarini along with the Cyrus Chestnut Trio, led by one of today’s most accomplished pianists.

The 6th and I Historic Synagogue will host the Anat Cohen Quartet. Proficient on saxophone as well as clarinet, Anat Cohen is a repeat poll winner on the clarinet and brings a contemporary approach to traditional jazz and Brazilian music as well as displays her mastery of the modern jazz canon.
Anat Cohen with guitarist Howard Alden

Tuesday, June 29, 2010

Roy Hargrove Big Band in Montreal

Last night in Montréal , Monday June 28, Roy was wearing a dark suit and Roberta Gambarini was lovely in a chiffon blue dress (this picture was taken in Washington DC 12 days ago). I was seated in the back of the lower level with my camera stowed away and listened to another riveting evening by this superb big band at one of the concert halls at the Place d'Artes.

Like the previous show, Roy took the mike, this time during "Autumn Leaves" but a highlight of the performance (amongst the many) may have been New Orleans pianist Jonathan Batiste who was not with Roy in Washington. Throughout the evening he was mostly in the background, helping drive the band and rhythm with his playing while exhibiting a deft touch. It was marvelous watching and listening to him soften his touch comping behind Roberta Gambarini's enchanting vocals. Than on "Autumn Leaves," he started a solo in a very Monk-ish way, deliberately playing some skittish, angular figures before a display of his technical virtuosity. Then he dazzled us on the opening of a hot latin number before the band kicked in.

Its a band of terrific soloists and ensemble playing and watching Hargrove dance around while Roberta was singing or listening to his soloists enhanced the marvelous evening. I had previously placed in my Amazon cart the album "Emergence," based on the DC performance. Last night's performance cemented that decision. Now to locate some Jonathan Batiste music.

For FTC regulation purposes, I purchased my ticket.

Friday, May 28, 2010

Early June Promises Great Jazz & Blues In And Around the Nation's Capital

Living around Washington DC, I felt it appropriate to note some really great events around Washington, the beginning of June.

July 3 to 6, the Western Maryland Blues Festival returns to Hagerstown (July 3-6) with a Hamilton Loomis and Bernard Allison on Friday June 4; Kenny Neal, Eric Liddell, Trombone Shorty, Michael Burks and Tommy Castro on Saturday June 5; and a family Picnic with Eden Brent and Corey Harris & Phil Wiggins on Sunday June 6. The shows take place downtown Hagerstown, Maryland except the Sunday picnic at City Hall Park. For more information, check out http://www.blues-fest.org.



The DC Jazz Festival (formerly the Duke Ellington Jazz Festival) returns to the Nation’s capital with events taking place between June 1 and June 13. The Festival will have concerts through the city as well as partner with clubs and museums for various events. There will be stellar line-up of talent from around the globe including such celebrated artists as Paquito D’Rivera; Dianne Reeves; the Eddie Palmieri Latin Jazz Band; the Roy Hargrove Big Band; James Moody; Claudio Roditi; Edmar Castaneda; Michael Philip Mossman; Akua Dixon and Quartette Indigo; the Berklee World Jazz Nonet; Roberta Gambarini; the Marshall Keys Quartet; the Marian Petrescu Quartet featuring Andreas Öberg; Tony Madruga, Uri Gurvich; and many others.

Among signature performances will be Janine Gill at the Phillips Collection on June 3 for a special Phillips Collection After 5. June 4, as part of the Jazz in the Hoods will feature Trumpeter Thad Wilson at the Madison Hotel; the Felicia Carter Quartet at the Mandarin Oriental; and Stanley Clarke with Hiromi at Blues Alley. June 6 and 7 will be Jazz’n’Families Fun Day at the Phillips Collection with featured performers including the Berklee World Jazz Nonet, Brad Lind, George V. Johnson, Janelle Gill, Reginald Cyntje, the DC Jazz Collaborative, Susan Priester, and Victor Provost, as one can listen to jazz and view Renoir, Pablo Picasso, Georgia O’Keefe, Marc Rothko, and many others. Tuesday, June 8, the Festival presents A Tribute to Oscar Peterson at the 6th and I Historic Synagogue by Marian Petrescu Quartet w/ Special Guest Andreas Oberg. Thursday, June 10th will be one of the signature events at the Lincoln Theater, NEA Jazz Masters Live Concert with All-Star tribute to James Moody featuring the Dizzy Gillespie All-Stars, and special guests Regina Carter, Roy Hargrove, Roberta Gambarini & NEA Jazz Masters Kenny Barron and Paquito D’Rivera. Friday, June 11 will feature Jazz Under the Stars at the Carter Barron Amphitheatre with some great latin jazz including the world - renowned Poncho Sanchez Latin Jazz Band and Colombian Jazz harpist Edmar Castaneda, with special guest Paquito D’ Rivera. Saturday June 12, they highlight will be two shows at George Washington University’s Lisner Auditorium: a free afternoon show with Claudio Roditi Quartet (Brazil) & the Eddie Palmieri Latin Jazz Band and and an ticketed evening show with Dianne Reeves and the Roy Hargrove Big Band, with special guest Roberta Gambarini. On Sunday, the signature Festival event will be two performances at the Kennedy Center, Paquito D’Rivera Presents The Jelly Roll Morton Latin Tinge Project with Paquito D’Rivera, Michael Philip Mossman, Akua Dixon & Quartette Indigo and Pernell Santurino. Pat Martino is at Blues Alley and the Dizzy Gillespie All Stars with Cryus Chestnutt, are at Bohemian Gardens this weekend part of the many shows under the Jazz in the Hoods umbrella For more information, contact the Festival’s website, http://www.dcjazzfest.org.

That same weekend, the Washington area hosts the Tinner Hill Blues Festival in Falls Church, Virginia. Thursday night, June 10, at the State Theatre in Falls Church the Festival opens with Chuck Brown Sings The Blues, where the King of Go Go will join the stage with DC’s Blues Legend Bobby Parker. Nadine Rae will open. Other vents include a panel on Saturday Morning, June 12, at City Hall Park, near the Cherry Hill Farmhouse, Red, Black and Blues: Native Americans, African Americans and their shared blues musical traditions with Dr. Ron Welburn, Elaine Bomberry, Pura Fe. Lee Gates, Murray Porter and Corey Harris. Starting at 1:00PM will be a free festival in the Park with Patty Reese; M.S.G. The Acoustic Trio; Murray Porter; Corey Harris & Phil Wiggins; Big Daddy Stallings, Pura Fe and Clarence ‘Bluesman‘ Turner. There will be showings of the film “John Jackson: A Blues Treasure” and a cd release party for the Smithsonian-Folkways release of John Jackson’s Rappahannock Blues, culled from hundreds of performances. Sunday, June 13 will be a Blues Brunch and Jam at Bangkok Blues. For more information visit, http://www.tinnerhill.org/blues.

Monday, September 17, 2007

A magical evening at the Duke Ellington Festival



Last Thursday, September 13, I saw a wonderful intimate performance by vocalist Roberta Gambarini and pianist Hank Jones as part of the 3rd Duke Ellington Jazz Festival in Washington DC. This performance which included wonderful interpretations from the American songbook (including Duke Ellington's Come Sunday, Billy Strayhorn's Lush Life and others). One highpoint was her performance of Sunny Side of the Street based on Dizzy Gillespie's recording with Sonny Stitt and Sonny Rollins. She scats like Ella, does some vocalese and has such a pure voice that is an instrument like the voice was for Ella. The most sterling moment was Irving Berlin's Supper Time written for a thirties review. Written for Ethel Waters, it is a song about a woman waiting for her husband who won't be home for supper because he's been lynched. A very simple, straight-forward delivery that was quite moving. As one might expect, Hank Jones was marvelous as an accompanist. They have a duet album coming out, so keep an eye for it.

BTW, they answered some Q's and A's from the audience and one member of the audience came with her mother who had suang with Hank at the Anchor Bar in Buffalo in the fifties. hank spent a lot of time in Cleveland and Buffalo in those years. And after his night was done he would catch Art Tatum at some other Buffalo venue. Chicken wings were invented later at the Anchor Bar.

Hank also accompanied Marilyn Monroe when she sang Happy Birthday to President Kennedy. He is the older brother of the late drummer Elvin and late trumpeter-composer Thad. Quite a family and he was quite funny in addition to being a marvelous pianist.

Recommended listening-
Roberta Gambarini - Easy to Love
Hank Jones as part of The Great Jazz Trio (with his late brother Elvin)

Ron