Showing posts with label Warren Storm. Show all posts
Showing posts with label Warren Storm. Show all posts

Thursday, April 28, 2011

Some JazzFest recommendations for Day 1 Friday April 29

Corey Ledet
I will be heading down to New Orleans for the Annual Jazz & Heritage Festival for the first weekend. I will also be attending Lil’ Band O’ Gold’s Bobby Charles Tribute at the House of Blues’ Parish Room on Friday Night and WWOZ Piano Night on Monday May 2. Of course this assumes no problems with my flight getting down there, etc. However, here are some recommendations of lesser known performers that you should think about seeing. I have avoided major touring acts like Jeff Beck, Robert Plant or Tom Jones or Wyclef Jean and also some of my favorites like the Joe Krown Trio and Irma Thomas.


For Day 1 here are several acts of note


11:15 at the Sheraton New Orleans Fais Do Do Stage - Corey Ledet & His Zydeco Band. Ledet is among the more traditional of today’s zydeco acts, but certainly can lay down a hot two step or waltz. He can channel Clifton Chenier or John Delaphose, and do a zydeco take of an Elvis hit, Burning Love. He has a fine CD A Matter of Time as well as with Cedric Watson recorded the excellent Going Down to Lousiana.


Henry Gray
12:00 in the Blues Tent - Henry Gray & The Cats. Howling Wolf’s pianist for over a decade before he moved back south to Baton Rouge for the past four decades or so where he has mixed in his Big Maceo influenced piano style heard on recordings by Wolf, Jimmy Rogers and others with a healthy dose of Louisiana Swamp Blues exemplified by his Cold Chills. He has never received the acclaim of a Pinetop Perkins, but in my mind he is Pinetop’s equal and a better singer. His annual JazzFest appearance is always a treat.


12:15 in the WWOZ Jazz Tent - Derek Douget. If Derek had moved out of New Orleans, he is a saxophonist people would be talking about. I have seen him play with the marvelous trumpeter Maurice Brown as well as with Irwin Mayfield’s NYNO. He has a terrific CD, Perpetual Motion, as well as appeared to numerous cds including those by Adonis Rose, Leah Chase, Maurice Brown and Ellis Marsalis (He is the saxophonist on An Open Letter to Thelonious).
Derek Douget


1:30 in the WWOZ Jazz Tent - Germaine Bazzle. . What can one add to New Orleans jazz Diva, a singer of exquisite tone, taste and nuance. Always has some of Crescent City’s best musicians supporting her.


Germaine Bazzle
2:45 at the Sheraton New Orleans Fais Do Do Stage - Warren Storm - Willie Tee & Cypress. As a drummer, One probably cannot count the number of recordings Warren Storm played on (many Excello swamp blues classic) but he is also a great blues-eyed soul singer which can be heard when he anchors Lil’ Band ‘0 Gold. I am less familiar with Willie Tee Trahan, but the saxophonist and Storm hooked up in the 1980s playing bars throughout the Gulf Coast and recording some fine ‘swamp pop.’ Really looking forward to seeing them.


Warren Storm
4:00PM in the WWOZ Jazz Tent - Anat Cohen Quartet. She is becoming a perennial nominee for Best Clarinet Player in the Jazz Journalist Awards and the DownBeat Awards. Conversant with traditional swing, hard bop and world music, the Israeli born Anat will be also leading her Quartet on Saturday in the People’s Health Economy Hall Tent which might suggest two very different performances displaying two different sides of this remarkable msuician and composer.]


There are a few selections. Plenty of other great music including John Mooney, Donald Harrison, Jon Cleary, Los Hombres Caliente, Keb' Mo and the Golden Striker Trio featuring Ron Carter. 
Anat Cohen

Wednesday, May 19, 2010

Lil' Band O' Gold Leads Us to "The Promised Land"

“I won’t leave Louisiana, Louisiana my home sweet home,” echoes a line in David Egan’s “Spoonbread,” the opening song on “The Promised Land” (Dust Devil Music), the new album by Lil’ Band ‘O Gold. Lil’ Band ‘O Gold is a group formed by some very notable Louisiana musicians including guitarist and roots rocker CC Adcock; Cajun accordionist Steve Riley; swamp-pop legend and drummer Warren Storm; and pianist and songwriter David Egan. Add steel guitar, and saxophones (with occasional fiddle) and one has a group that can touch on the blue-eyed soul that is at Swamp Pop’s heart mixed with some Fats Domino piano triplets and some swamp country seasoning. The album accompanies the film of the same title about the distinctive Louisiana musical genre, swamp pop which I haven’t seen, but it also provides fans of Lil’ Band ‘O Gold with a new recording that showcases their versatile repertoire and compelling sources. With a band that includes steel guitar and saxophones, the performances provide a definite musical stew of influences that make for a wonderful musical blend.

I would not be surprised that in a blindfold test, an average listener might identify the opening “Spoonful,” as a number by the Band, but its such a terrific performance with vocals being traded and great backing that it stands on its own. Next up is a great number by the late Bobby Charles “I Don’t Want to Know,” with Warren Storm’s vocal almost matching the Late Johnny Adams as Riley adds a terrific accordion solo with Richard Comeaux contributing some piercing steel guitar. C.C. Adcock revives a Gene Terry & the Boogie Ramblers rockabilly-tinged “Teardrops,” while Riley, accordion at the fore handles the vocal on a rocker with Adcock adding some hot guitar riffs with the saxophones wailing in support.

“Dreamer” is another Egan original with the steel guitar, the rhythm and the saxophones injecting some Tex-Mex flavor to Egan’s reflective vocals. Warren Storm’s vocal shines on the country flavored “Sunshine,” that was penned by the great Mickey Newbury. Adcock penned the hard rock and rolling “Runaway’s Life,” that evokes classic 50s music with an insistent driving beat followed by Warren’s wonderful haunting rendition of David Kitt’s ballad “Faster and Faster.” “Hold on Tight” “to your dreams,” Steve Riley sings (including the verse in French) as his accordion and Kenny Bill Stinson’s organ suggest the Sir Douglas Quintet in this imaginative reworking of an Electric Light Orchestra single. “Hard Enough,” another Egan original is a superb old-fashioned piece of country soul with Storm’s vocal complemented by Comeaux’s weeping steel guitar. Swamp pop legend Tommy McClain guests on the tear-in-the-throat vocal on the low-key “Memories,” while Riley revives Lawrence Walker’s cajun rock and roll, “Evangeline Rock. More country-folk flavor from Adcock on “The Last Hayride,” before the closing “So Long,” a nice rendering of an Allen Toussaint composition, with Storm leading the way on the vocal with the braying saxophones and the backing chorus adding to the mood. It is a terrific closer to a superb recording.

It has been a decade since Lil’ Band ‘O Gold’s debut recording, which has been frankly ten years too long. They are truly one of the great rock and roll bands today and “The Promised Land,” is a superb disk that continues their loving embrace of the musical legacy of their home, Louisiana which never gets mired in nostalgia but keeps pushing the music forward.

This is available in the United States from the Louisiana Music Factory in New Orleans (website is www.louisianamusicfactory.com). I am not certain about availability outside the US, but it may be on itunes in Australia.

I purchased this.