Showing posts with label down-home blues. Show all posts
Showing posts with label down-home blues. Show all posts

Monday, October 14, 2019

Big Jack Reynolds That's a Good Way To Get To Heaven

Big Jack Reynolds
That's a Good Way To Get To Heaven
Third Street Cigar Records

"That's a Good Way To Get To Heaven" is a CD/DVD dedicated to the music of Big Jack Reynolds, who passed away a little over twenty-five years ago. The CD provides twenty songs displaying Big Jack Reynold's deep down-home blues style, while the DVD has a documentary about him as seen by the musicians who played with him or were his contemporaries. It also has as extras, his only television performances, and an interview with him.

This CD/DVD set is a wonderful labor of love for one Marshall "Big Jack" Reynolds. The details of his life are provided in the booklet that accompanies this release (including a moving poem from Joel Lipman that was written when he passed away). Reynolds was born in Albany, Georgia, in 1921, who grew up surrounded by country blues. Having relatives in Ohio and Michigan, he often visited them with his family. Johnson eventually moved north, becoming part of the vibrant Detroit blues scene that produced the likes of John Lee Hooker, Eddie Burns, Eddie Kirkland, Washboard Willie, Calvin Frazier, and others and recorded for Fortune and other labels including Hi-Q and Mah's. By the late 1960s, he was spending increasing time in Toledo and by the 1970s made Toledo his permanent home. In Toledo, he played with other groups, including playing drums with the Griswolds. Reynolds, in fact, recorded with the Griswolds for the Blue Suit. In the mid-eighties, he hooked up with the band, the Haircuts that included guitarist Larry Gold who produced the CD, John Newmark on bass, John Rockwood on harmonica, and Marc Cary on drums. With the Haircuts, Big Jack recorded some 45s that are included on the CD.

But also around this time, his health began to decline with diabetic and liver issues, leading him to need dialysis with friends like John Rockwood, taking him to get his dialysis treatments. Another friend was John Henry, a financial services company CEO, owner of Third Street Cigar, and a die-hard blues fan who championed Big Jack's music and when Big Jack passed away December 29, 1993, and no next of kin could be located. John Henry and another fan Paul Croy paid for Big Jack's funeral service and cremation, and when Third Street Cigar opened, John Henry placed the urn with Reynolds' remains a Rockwood photograph, and a guitar in a dedicated memorial spot. It was at this store where the plans that led to this memorial began.

If I could find any fault with the documentary, it might be the shortness of actual performance clips incorporated in it; the two songs are included as extras on the DVD. His life, his music, his influences (a prime dose of Jimmy Reed) and what he meant to those who knew him are given life through the recollections of photographer Rockwood, Gold, Newmark and the other members of the Haircuts, as well as other members of the Detroit and Toledo blues scenes who knew him. He could be a rascal and a hard band leader (telling the drummer he was messing up), but he wanted his music played right, And when he got the blues played right, it could be quite moving and real.

By itself, the DVD would be worth the price, but the CD with 20 solid down-home blues performances from various sources. There are solid covers of Jimmy Reed's "Honest I Do," "Go On To School," and "Shame, Shame, Shame" along with the swamp blues of Slim Harpo's "Scratch My Back." Even when the backing gets the tempo a tad too brisk as on the cover of "Help Me," or "Walk On Up (But Keep That Red Dress On)" (set to the melody of "Fannie Mae"), or the shuffle "Poor Boy," Reynolds sings authoritatively while his harp playing goes far beyond being merely a Jimmy Reed copy. On "Poor Boy," Larry Gold plays some excellent guitar.

On "Mean Old People," he sings about going back South with his country blues guitar adding to the flavor of the performance. "Hot Potato" is a hardy, funky instrumental with him on guitar, while "Gonna Love Somebody" is his heartfelt reworking of a Muddy Waters number with just his harmonica. "Going Down Slow" was recorded in 1963 for Fortune Records and shows what a robust singer he was then. "Made It Up In Your Mind," with the drummer laying down a mambo groove, finds Big Jack's vocal suggesting New Orleans Snooks Eaglin. It is followed by the shuffle "I Had a Little Dog," with some greasy organ in the backing as he sings about pitching a boogie-woogie. There is also a vibrant rendition of Muddy Waters' "She Moves Me" with just vocal and harmonica.

One won't claim Big Jack Reynolds was one the iconic blues giants, but this reissue establishes that he was a more than capable with his robust, deep singing and excellent, idiomatic harmonica and guitar. The result is a highly recommended blues reissue that, with the documentary, provides a marvelous memorial to this Big blues artist who was a mainstay of the Toledo blue scene.

I am not sure where I got this but likely from Third Cigar Store Records. Here is a video that was associated with the premiere of the documentary about Big Jack Reynolds.


Saturday, September 29, 2018

Little Freddie King Fried Rice & Chicken

Little Freddie King
Fried Rice & Chicken
Orleans Records

Having Little Freddie King's Orleans' recordings made available again will certainly be welcome by fans of the Crescent City's down-home blues performer. He was 55 in 1995, the year Orleans Records released 'Swamp Boogie,' that was his first album. For much of his career, he played hole-in-the-wall bar gigs in New Orleans, as a sideman for John "Harmonica" Williams, Polka Dot Slim, Bill "Boogie Bill" Webb and "Brother" Percy Randolph. Gary Rouzan brought him to Carlo Ditta and Ditta put together a session of sympathetic players including bassists Earl Stanley (famous for the local classic "Pass the Hatchet"), Robert Wilson and Jason Sipher; drummers Kerry Brown and Bradley Wisham; and organist and pianist "Crazy" Rick Allen. The first six sides of this 11 track CD (and side A of the vinyl LP) are from this session. The last five are live recordings issued initially King's in-concert album "Sing Sang Sung," released in 2000 with his longtime drummer "Wacko" Wade Wright; bassist Anthony Anderson, bass; and harmonica player Bobby Lewis Titullio. There are also recordings from two 1999 shows at the Dream Palace on Frenchmen Street.

Little Freddie King, unlike his namesake, was no virtuoso nor would one call him a great singer, but his exuberance and simple, straight-forward approach provide plenty for a listener (or someone at his shows to enjoy) as he plays driving, danceable songs with plenty of honesty and fervor. Jimmy Reed and the swamp blues tradition of Baton Rouge may be a source of his musical inspirations, but Freddie King's recordings is another one.

Of the eleven tracks, there are six instrumentals starting with the opening "Cleo's Back." Of interest is "The Great Chinese," which starts off as a cover of "Tequila," but only takes off from the first bars of that classic. There is a twangy rendition of "Cotton Fields Back Home, "titled "Kinky Cotton Fields." The live tracks open with "Sing, Sang, Sung," a retitled rendition of Freddie King's " Sen-sa-shun," which itself is an instrumental version of "Got My Mojo Working." Another nod to the Texas Cannonball (Freddie King) is "Hideaway."

The vocals include a nice slow blues "Mean Little Woman," a credible "What'd I Say," and the swamp blues styled "I Used To Be Down," with its Jimmy Reed's touches and it incorporates Reed's "Down in Virginia." There is a tinge of funk on "Do She Ever Think of Me" as he wonders if she ever thinks about poor Freddie and a Jimmy Reed cover, "Honest I Do."

The album closes with "Bad Chicken," a tune he continues to play today with his chicken scratching guitar. It concludes a welcome release that brings together the best of his Orleans recordings that displays the simple exuberant blues he so capably still plays.

I received my review copy from a publicist. Here is Little Freddie King performing.