Annika Chambers Kiss My Sass

Annika Chambers
Kiss My Sass
VizzTone

About Annika Chambers' 2014 debut album "Making My Mark," I wrote about this excellent debut, "Annika Chambers may possess a powerful voice but she also is a marvelous singer whose timing, phrasing and her sense of dynamics is quite impressive, and one awaits more funky blues and soul from her in the future." In the interim, she won the 2019 Blues Music Award for Female Soul-Blues Artist. This is her third album and produced by Richard Cagle and Larry Fulcher who produced her debut album with drummer Tony Braunagel co-producing two selections he plays drums on. Fulcher is the bassist on this with a variety of other musicians including guitarists The Might Org, David Carter, and James Wilhite. One track is a duet with Canadian guitarist Paul DesLauriers.

There is a nice mix of songs from a variety of sources opening with the "Let the Sass Out," where after a workweek is over and she no longer has to take crap she can let her sass out. Her impressive vocal is set against an insistent groove, and there is some hot guitar. As strong as that vocal is, she is perhaps even more commanding on "That's What You Made Me," singing about what her cheating man has made her. She commands the listener's attention with her articulation, dynamics, phrasing, and passion in her singing.

Her singing is superb throughout, and the backing is first-rate. A few more of the stand-out tracks include Mack Rice's "What Your Thing," where Ruthie Foster adds background vocals and on which the Mighty Org lays down pedal steel guitar in the backing. Then there is a marvelous rendition of Angela Strehli's "Two-Bit Texas Town" celebrating listening to the blues over the radio and Muddy Waters, Lightnin' Hopkins, and others making them want to dance. Barry Sellen's Hammond B-3 adds grease to this spirited performance. Chambers and Fulcher wrote "A Brand New Day," a terrific blues where her heartfelt singing is backed just by the Mighty Org's nuanced guitar, Randy Wall's keyboards and Fulcher's bass. Perhaps no performance better displays the emotion and soulfulness she sings with than a Carolyn Wonderland blues-ballad, "Stay." Then there is a marvelous cover of the Sugar Pie DeSanto-Etta James classic "In The Basement."

The album closes with Chris Smither's "I Feel So Same," where Canadian blues wizard Paul DesLauriers whose provides the steel guitar slide accompaniment as well as adds vocal responses to Chambers vocal. It is another moving performance on an excellent album.

I received my review copy from VizzTone. I will be posting my review of "Making My Mark" shortly. This review appeared in the September-October 2019 Jazz & Blues Report (Issue 386), although I made minor stylistic changes. Here is a recent performance of "Kiss My Sass."