Surefire Sweat
Self-produced
On its website, Surefire Sweat describes itself as "made up of a diverse and multi-generational roster of Toronto-based artists. The music, composed by Juno-nominated drummer, Larry Graves, draws on an amalgam of Funk, Jazz, Brass Band, Blues, and Worldly rhythms." Led by Graves, others members of this group include Rob Neal Christian - Flute; Elena Kapeleris - Tenor Sax; Vocals; Paul Metcalfe - Baritone Sax; Brad Eaton - Trumpet; Paul MacDougall - Guitar; Vocals; Liam Smith - Bass Guitar, Rhodes, Vocals; and Dave Chan - Percussion, Hammond Organ, Vocals.
According to some of the press materials, the original intention for this project "was to provide audiences with a sort of innovative dance music, but the music seems to be as successful in 'listening room' as with environments offering a 'dance floor.'" Indeed that is established on the opening "Threshold" with is driving Afro[pop groove, unison horn parts and Brad Eaton's hot, yet lyrical trumpet solo, where if one is not at least tapping one's feet, then one's pulse should be checked. Much can be said about the other tracks with powerful, focused ensemble playing and excellent soloing. Guitarist Paul MacDougall is an especially striking player as on "Sunshine Interference" where he is the leading voice with African-accented riffs before his scintillating solo. A group chant opens "A Tale of Two Times" with a more sedate tempo and Metcalfe's brawny baritone sax trading fours with MacDougall's bell-ringing guitar before Metcalfe's intense, full-throated solo.
There is a contagious playful spirit on a number of the songs including "RH Factor" with Graves taking several short drum breaks at the beginning of a lively performance which also provides a spotlight for bassist Liam Smith and trumpeter Eaton. "Number Nine" is a vibrant tribute to the great Nigerian drummer Tony Allen with superb trumpet while Graves' driving attack provides an irresistible pulse. "Scoffle Strut" was inspired by guitarist John Scofield and the recording exhibits a bit of a fusion tone. Chan adds color on organ, while Kapeleris' burly tenor sax makes its presence felt on with MacDougall playing with a bit more twang and a touch of reverb. It provides a close to an excellent recording that is wonderfully played and makes for high-spirited, captivating listening.
I received a download to review from a publicist. Here is a video of Surefire Sweat performing "A Tale of Two Times."
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