Jimmy Heath Love Letter

Jimmy Heath
Love Letter
Verve

Gary Giddins relates in the liner notes for "Love Letter," its origin arose from a query, friend, and photographer, Carol Friedman, who asked if Jimmy Heath would record an album of ballads. The answer is this recording, which Giddins scribes as "Heath's stunningly elegant last testament." On this, his final recordings, Heath is supported by a fabulous backing band of pianist Kenny Barron, guitarist Russell Malone, vibraphonist Monte Croft, bassist David Wong, and drummer Lewis Nash. Augmenting the group on separate tracks are vocalists Gregory Porter and Cécile McLorin Salvant, and trumpeter Wynton Marsalis.

Giddins quotes, from conversations with Friedman, Heath about saxophonists playing ballads, "Ben Webster would play in the lower register of the saxophone and you could hear his breath. But Coltrane found a way to play in the high register of the tenor. Having played alto before, he could hear up there and he learned the altissimo range of the tenor. When he played a melody of a ballad it was ethereal. It was like heaven. Coltrane would play up in the heavens. Ben and Coleman Hawkins and everybody would be downstairs—they'd be down here on earth! Trane found a way to Trane found a way to sing in the high register that I found was unique." Heath has incorporated some both approaches as he often plays in the tenor sax's lower register but without Webster's pronounced vibrato or Hawkins relatively harsh sound.

This splendid recording opens with Heath's "Ballad from Upper Neighbor's Suite," on which Heath  exhibits his nuanced tone and phrasing set against an exquisite, delicate quartet backing with Barron being especially outstanding. One should not be surprised by the superb singing by Cécile McLorin Salvant ("Left Alone") and Gregory Porter ("Don't Misunderstand"). There is a purity in Ms. Salvant's voice with the airy backing by Malone, Croft, Wong, and Nash, before Heath's gorgeous solo. Porter's romanticism on "Don't Misunderstand" is enhanced by Barron's sophisticated elegance as Heath sings with his tenor sax.

There is a gentle warmth exhibited when Heath, with Malone and Croft in support, provides a lyrical reading of Dizzy Gillespie's "Con Alma." Wynton Marsalis joins Heath, Barron, Croft, and Nash for a winsome rendition of Kenny Dorham's ballad, "La Mesha." In addition to the sublime beauty of the horns, Barron's solo is one of elegant sophistication. There is a reflective quality to Heath's playing on "Inside Your Heart," the one track on which he employs the soprano sax.

The album closes with Heath's poignant performance of "Don't Explain," a song that Barron, Croft, and Nash recorded with Heath, later overdubbing a solo of considerable beauty and feeling. As Carol Friedman stated about Heath, "His mastery is such that you could swear that the rhythm section—Kenny in particular—is following Jimmy's lead." It is the coda of a remarkable recording, and career belies the fact that Jimmy Heath was 93 at the time. There is nothing in the robustness of his playing and impeccable pitch and timing that suggested any diminishment of his talent. Gary Giddins closes his liner notes, "Farewell, Jimmy, and welcome back. Consider this the second *rebirth*, because people are going to be talking about you all over again." Indeed, with this outstanding recording, people will be talking about Jimmy Heath for many more years.

I received a  download to review from a publicist. Here is "Con Alma" from this recording.

Whisper Not: The Autobiography of Benny Golson

Whisper Not: The Autobiography of Benny Golson
Benny Golson and Jim Merod
Philadelphia:Temple University Press:
2016; 336+xvi pp.

Anyone who has had the pleasure of seeing the marvelous saxophonist and composer Benny Golson, has been treated to not simply marvelous music but also his storytelling in introducing the tunes performed, whether recollections about growing up with John Coltrane, or the origins of some of his classic compositions such as "Along Came Betty," "I Remember Clifford," "Stablemates," and so many more. Now, Benny has put some of these stories and more in this new volume that was written with Jim Merod.

This is not a usual autobiography where the person provides a chronicle of his life. Instead the book is more of a systematic organization of vignettes of the manner he would tell in performance, except perhaps he gets into more depth about some and a number of them are matters that would not normally come up unless he was being interviewed.

The book is organized into eight parts and it would give an overview of the contents to describe each of the parts and some of the contents of that part. After Merod's preface, which provides an overview of Golson's life and contribution, while his own introduction is an indication of the positive, as opposed to negative, messages he hopes to provide in detailing his story.

Part 1 is entitled John Coltrane and in its three chapters discusses his interactions with Coltrane including John and him meeting Bird and Diz and then being the musical dynamo. Part II is entitled "The 'Hood' and Youthful Reckonings" and includes some of his early musical adventures as well as his Uncle Robert and Benny's first visit to Minton's, early musical experiences and then hard times. Part 111, entitled "Great P People," takes us to his experiences with the likes of Bull Moose Jackson and Earl Bostic, Art Blakey, Tadd Dameron, Clifford Brown and Fats Navarro, Jimmy and Percy Heath, Betty Carter, Art Farmer, and others. as well as discussing going to Howard University and further matters. Part IV, "Hollywood," was a revelation for me as I was unaware he had left the jazz world to spend several years scoring for film and TV. Included are his recollections of what was musically involved along with his three years with the show, "M*A*S*H."

Part V, "Amazing Friendships," has his recollections of Quincy Jones, Harry 'Sweets' Edison, Dizzy Gillespie, Philly Joe Jones (who he went back with to his youth), Thelonious Monk, Max Roach, Dinah Washington and Curtis Fuller as well as tells the story of The Jazztet that he and Art Farmer co-led. Part VI, "Music and Writing," includes his discussion of how his approach to writing music developed along with discussions of "Stablemates," his first recorded song, "Along Came Betty," and "I Remember Clifford." He was (and still is) not happy with changes Miles Davis made in his composition in the first recording of "Stablemates" (which included John Coltrane in Davis' Band). Elsewhere he recalls very sad circumstances of learning of Clifford Brown's passing that led to one of his most famous compositions. The last chapter in this part, "The Ballad and 'Weight,'" is one of the most thought provoking, as Golson considers playing of ballads such a great factor in the music's art and the import of the ballad as almost a genre in itself while in playing ballads, emphasis is on the weight given to each specific note played.

Part VII, "Icons," has his recollections of persons he had met that stand apart from simply great musicians. Included is his recollections of Steven Spielberg and Tom Hanks, and performing in the film, "The Terminal." There are also recollections of Duke Ellington and Billy Strayhorn, Coleman Hawkins, Art Blakey, Kenny Dorham, Lee Morgan, Peggy Lee, Diana Ross, Sonny Rollins, Miles Davis, Milt Jackson, Charles Mingus, Benny Goodman, Gigi Gryce, Larry Young, Mickey Rooney, Redd Foxx, Jersey Joe Walcott, and Muhammad Ali amongst those disccussed. Part VIII, "Verses And A Coda," includes how he resumed his musical performing career after his Hollywood hiatus, the centrality of the blues and the Coda which is a brief discussion of his becoming a Jehovah Witness.

The text is clean and readily accessible as a Golson melody and a photo album includes a number of memorable images. Golson is such a positive person, and that is conveyed throughout his graceful telling of his story. This is an important addition to the body of jazz biographies and autobiographies.

I purchased this. Here is Benny talking about John Coltrane.

DC Jazz Festival Picks for June 5

This is the fifth post I am making to highlight some of the shows associated with this year’s DC Jazz Festival. I am specifically not highlighting the DC JazzLoft Fest since I have posted on this already. I will may also pick a few other shows around the DC Virginia area that should not be overlooked. I am posting this a day ahead of the date of performances.  For more information visit http://www.dcjazzfest.org/content.cfm/schedule_and_major_events.

Jimmy Heath

At 6:00PM the Millennium Stage will host The Bohemian Caverns Jazz Orchestra. For information of them visit http://www.bohemiancavernsjazzorchestra.com/live/.

The Hamilton hosts a show with the Antonio Hart Organ Trio and NEA Jazz Master, Jimmy Heath. Hart is a Baltimore Native who has become amongst the most acclaimed alto saxophonists today. In addition to his own seven albums, he has worked with the David Holland Big Band, Roy Hargrove, Frank Wess, Gary Bartz and others. Jimmy Heath is a little giant of the tenor saxophonist, acclaimed as a composer, as well as a musician and part of the legendary Heath brothers. One probably cannot name a major jazz figure with whom he wasn’t friends or worked with ranging from John Coltrane, james Moody to Miles Davis (who recorded Heath’s Gingerbread Boy among other tunes.

DC Jazz Festival Brings 10 Days of Jazz To The Nation's Capital

Ron Carter

The 2012 DC Jazz Festival takes place in the Nation’s Capital June 1 and runs through June 10. The Festival this year will have a variety of signature programs including Jazz Meets the Classics at the Kennedy Center; Jazz in the ‘Hoods at a variety of clubs and museums, presented by Events DC; Jazz’‘n’ Families Fun Days at The Phillips Collection; Jazz at the Hamilton presented by The Washington Post; and Jazz at the Howard.

Jazz Meets the Classics, co-presented by the Kennedy Center on June 4th, will feature an all-star lineup performing unique and exciting jazz interpretations of works by Bach, Chopin, Mozart, Rachmaninoff and Tchaikovsky. Headlining the concert is the Classical Jazz Quartet, with NEA Jazz Masters bassist Ron Carter and pianist Kenny Barron, vibraphonist Stefon Harris and drummer Lewis Nash. Also headlining is NEA Jazz Master and 10-time Grammy Award-winner Paquito D’Rivera, joined by Spain’s Pepe Rivero Trio, Michael Phillip Mossman and Pernell Saturnino.

Lena Seikaly

The Jazz in the ‘Hoods program highlights the innovative CapitalBop D.C. Jazz Loft, Bohemian Caverns, and more than 80 performances at over 40 museums, clubs, restaurants, hotels, and galleries across the city with performers like Loide, Michael Thomas, Mark Prince, and Rodney Richardson with Lena Seikaly. The D.C. Jazz Loft Series, presented by Capital Bop, returns to spotlight some cutting edge music and will span 3 days including an all day manifest on June 9. Performers include Marc Cary’s Cosmic Indigenous; Tarbaby, featuring Orrin Evans, Nasheet Waits. Eric Revis; and the Todd Marcus Nonet. I will hopefully have a separate post on Capital Bop’s DC Jazz Loft Series separately.

Elijah Balbed

The free annual Jazz ‘n’ Families Fun Days at The Phillips Collection on Saturday, June 2nd and Sunday, June 3rd will treat families to performances from some of the finest musicians from around the region, including Marianne Solivan, Victor Provost, the Herman Burney Trio, and the Elijah Balbed Quartet. Jazz at the Hamilton, the Festival’s main venue, will feature 10 nights of performances with such noted artists as Randy Weston, Monty Alexander, Roy Hargrove, Jimmy Heath, David Sanchez, Les Nubians, Antonio Hart, Cyrus Chestnut, Jonathan Batiste, Ben Williams, Etienne Charles, John Scofield, Roberta Gambarini, and Marshall Keys.

Jimmy Heath

Jazz at the Howard celebrates the tradition of jazz in D.C. at the newly restored and reopened historic Howard Theatre. Headline artists include multiple Grammy Award-winning vocalist Dianne Reeves and famed Italian guitarist Pino Daniele. The Festival also hosts a performance by the dazzling clarinetist and saxophonist Anat Cohen at the Sixth & I Historic Synagogue, and six concerts co-presented by the Kennedy Center at the Millennium Stage featuring artists such as Malika Zara, the Bohemian Caverns Jazz Orchestra, and Origem.  There is plenty of terrific jazz in a variety of musical flavors for the casual and discerning music lover at the 2012 DC Jazz Festival.

Roy Hargrove

The DC Jazz Festival (DCJF) is the largest music festival in Washington, D.C. A project of Festivals DC, Ltd., a 501 © (3) non-profit organization, the DCJF is one of the most highly-anticipated cultural events in the nation’s capital. The DC Jazz Festival is sponsored in part with a grant from the National Endowment for the Arts (NEA), and by the DC Commission on the Arts and Humanities, an agency supported in part by the National Endowment for the Arts. For more information about the DC Jazz Festival and upcoming programs, visit www.dcjazzfest.org.

All photos © by Ron Weinstock

Nasar Abadey Will Be at Mid-Atlantic Jazz Festival

091007 Duke Ellington Fest Gala-1143
Originally uploaded by NoVARon

Its less than 24 hours from when I post this, when the terrific Nasar Abadey (seen here at the 2007 Duke Ellington Festival Gala) will be leading his band, Supernova at the Mid-Atlantic Jazz Festival. Its a terrific line-up with Jimmy Heath, Kirk Whalum, Janine Gilbert-Carter, Randy Brecker, Paul Carr and so much more. I am looking for some terrific music and hope to post some blog entries about it. All this takes placing at the Hilton Hotel in Rockville, MD. For more information visit http://www.midatlanticjazzfestival.org/.

Mid-Atlantic Jazz Festival Standing Up For Real Jazz

Its less than two weeks until this year’s Mid-Atlantic Jazz Festival taking place at the Rockville, Maryland Hilton Hotel over the President’s Day Weekend. Under the auspices of Washington DC area saxophonist and educator, Paul Carr, the Festival has a focus on not simply bringing some of the best local and national jazz performers to the area, but to help nurture and support Jazz Education.

The Mid-Atlantic Jazz Festival was attempt to continue the legacy of the East Coast Jazz Festival that ran for 15 years starting in 1992. The ECJF originated in honor of Elmore “Fish” Middleton, a Washington, DC jazz radio programmer, whose commitment to promoting jazz music and supporting emerging jazz artists became the guiding principle behind the festival. The driving force of the ECJF was the late Ronnie Wells, a Washington DC jazz icon. After her passing, so did the ECJF.

Jimmy Heath will be featured at the 2011 Mid-Atlantic Jazz Festival. He is seen here at the 2005 New Orleans Jazz & Heritage Festival with brother, Albert 'Tootie' Heath as The Heath Brothers.

As stated on its website “The Mid Atlantic Jazz Festival (MAJF) represents an auspicious renewal of the spirit and intent of the ECJF, as a showcase for some of the DC area’s finest established and emerging artists, student ensembles, and a healthy dose of renowned touring jazz artists as well. MAJF is designed to take the ECJF mid-winter jazz festival tradition to the next level and to further enhance arts & culture in the Washington, DC region.”


This year’s MAJF has an auspicious program and here are links to the overview (http://www.midatlanticjazzfestival.org/news/mid-atlantic-jazz-festival-2011-february-18th-21st)of the activities the festival website as well as a full schedule (http://www.midatlanticjazzfestival.org/schedule).


Here are some acts of special interest to me.


Friday night, February 18, at 7:00 p.m. in the Ronnie Wells Main Stage will be the explosive Nasar Abadey & Supernova, celebrating their brand new release Diamond in the Rough. This group with Joe Ford, James King and Allyn Johnson was also one of the group’s that participated in 2010 in “The Rhythm Road: American Music Abroad,” a program that Jazz at Lincoln Center administers for the United States Department of State Bureau of Educational and Cultural Affairs.


At 10PM that night, the great Jimmy Heath will be performing. One of the giants of modern jazz as a saxophonist, composer, big band leader, he has truly walked with giants which alludes to his recently published autobiography and he is an NEA Jazz Master. Earlier in the day Jimmy will be doing a JazzTimes magazine Before & After blindfold test with Larry Applebaum. Heath will be signing his autobiography, I Walked With Giants, on Saturday.


Saturday has many events.


Williard Jenkins will be signing African Rhythms, the autobiography of Randy Weston (Composed by Randy Weston, Arranged by Willard Jenkins).

Janine Gilbert-Carter at 2008 DC Blues Festival

At 1:30 the Festival presents an acclaimed program of the essence of jazz song: “Sistas Can Sang,” a tribute to female legends of jazz & blues featuring the voices of Lavenia Nesmith, Janine Gilbert-Carter, Bonnie Harris, Kristine Key, and Dottye Williams. I look forward to this. Of these ladies, I have only had the pleasure of seeing Janine Carter-Gilbert perform.


At 7:00PM, The Bobby Broom Trio will be performing on the Main Stage. I recently reviewed his CD of Sonny Rollins recordings and greatly anticipate this performance.


At 10:00PM the great Freddie Cole performs. Freddie is also participating in a JazzTimes magazine Before & After blindfold test during the Festival.


Sunday afternoon will include a gospel brunch and a performance by saxophonist Kirk Whalum who has a recent recording that is a tribute to the music of Donny Hathaway.


Sunday night the Jazz Academy Orchestra featuring special guest, trumpeter Randy Brecker, will perform at 7:00 PM.


Sharon Clark, one of the Washington area’s finest vocalists will be on the main stage at 8:30PM

Sharon Clark at 2007 Duke Ellington Jazz Festival

Paul Carr will lead his quintet featuring Bobby Broom, Allyn Johnson, Michael Bowie, and Harold Summey at 10PM.


Local High School Big Bands will be performing in the Hotel Atrium throughout the Festival and also a smaller venue, MAJF Club that will feature a number of performers.


As can be seen, this will be a pretty full weekend of music. The website for the festival with all the details is http://www.midatlanticjazzfestival.org/.


I am looking forward to it and hope to post on the shows (hopefully with some photos).


I took the photos on this page.