Bob Ferrel's Jazztopian Dream

Bob Ferrel
Bob Ferrel's Jazztopian Dream
BFM Productions

One gets overwhelmed at times with releases, that some get lost. Trombonist Bob Ferrel's album from 2017 is one that I recently discovered rummaging around. Ferrel is a four-decade veteran of the Duke Ellington Orchestra and also spent twenty years touring with Southside Johnny & the Asbury Jukes. It was about time he recorded as a leader. He has assembled a strong studio band with the likes of trumpeters Vinnie Cutro, and Rob Henke, saxophonists Joe Ford, Frank Elmo, and Roy Nicolosi, pianist Sharp Radway, bassist Daryl Johns, drummer Steve Johns, and percussionist Frank Valdes. Several songs feature vocalist Dwight West

The music on this album ranges from a larger jazz combo to a big little band. It showcases Ferrel as a masterful vigorous trombonist whose sense of dynamics ranges from deep growls to cottony melodic caresses. He solos on all ten selections. With the handsomely provided arrangements, the music is generally in a swinging post-bop idiom. His ability to caress a melody is evident on the opening "My Secret Love." "Yardbird Suite" is one of the four vocals by West, who impresses with the clarity and warmth of his singing. Former McCoy Tyner alto saxophonist Ford places his stamp on this performance with his solo. Most folks associate 'Don't Go To Strangers" with the late Etta Jones, but West's vocal with a brisker tempo leads to a fresh take on this. West also sings on a riveting interpretation of Pharaoh Sanders' "You've Got To Have Freedom." This is another selection with a Joe Ford solo, with other solos from the leader and trumpeter Vinnie Cutro.

Slightly different personnel are present for the Latin Jazz of "We Began With A Kiss," with Hector Davila on piano and Ruben Rodriguez on the Zorko baby bass. Ferrel's only original, "Soul Bop," opens with some growling multi-phonics and some of the most open playing on this. The Jazztopian dream closes with a rollicking "Everyday I Have the Blues." In this performance, they sound like a mini-Basie band. West incorporates a bit of Louis Jordan's lyrics from "Let the Good Times Roll" in a top-flight vocal. Radway is fabulous on this, while Ferrel growls a blues-drenched trombone solo. Hopefully, others besides me, will also no longer overlook this gem of a recording.

I likely received my review copy from a publicist. Here is a promotional video for this recording.

2013-0919 Nasar Abadey at Museum of American Art-9190316

2013-0919 Nasar Abadey at Museum of American Art-9190316, a photo by NoVARon on Flickr.

Nasar Abadey and Supernova® were the featured performers at the Museum of American Art's monthly Take 5 series of Jazz Concerts on Thursday evening, September 19, 2013. The them of this concert was Jazz and the Civil Rights movement as the master drummer-composer Abadey led his quintet through jazz compositions inspired by the Civil Rights Movement, including works by Max Roach, Charles Mingus, John Coltrane, Cal Massey and Allyn Johnson.

With Abadey were pianist Allyn Johnson, bassist James King, saxophonist Joe Ford, and trumpeter DonVonte Mccoy for some excellent music. I only was there for the first of two sets when they opened with Charles Mingus' "Work Song," continued with a Cal Massey composition whose title I forgot, continued with Coltrane's "Alabama" and the set concluded with an Allyn Johnson composition "Four Voices Silenced." I am not sure about if the name of this latter composition is correct and will correct when I have fuller information. On this last number, they were joined by vocalist Navasha Daya for an extraordinary performance that concluded a remarkable set.

While this was recorded and filmed from the audience, this group and their performance of this material certainly needs to be memorialized and I know I would welcome a CD of this group performing this material.

Simply outstanding. Here are a few addition photos from this performance.

Navasha Daya singing with Allyn Johnson on piano, Joe Ford on alto sax, DonVonte McCoy on trumpet, Nasar Abadey on drums. Not visible is bassist James King

James King

Navasha Daya

Allyn Johnson

Avery Sharpe Honors His Mentors

Bassist Avery Sharpe is perhaps best known for his lengthy tenure with the great McCoy Tyner who he joined in 1980. A varied career, he has worked with such significant artists as Art Blakey, Archie Shepp, Dizzy Gillespie and Pat Metheny in addition to his long tenure with Tyner. He has also recorded a number of highly praised albums that showcase his original compositions. On his JKNM Records label, he has issued Legends and Mentors: The Music of McCoy Tyner, Archie Shepp and Yusef Lateef, on which he plays homage to them, first performing an original dedictated to each as well as two compositions by each. For this disc he has brought together a band that includes John Blake on violin; Joe Ford on saxophones as well as flute; Onaje Allan Gumbs on piano; and Winard Harper on drums. Blake and Ford both are also alumni of Tyner’s band.

The first trio of tunes is Sharpe’s Big Mac, his salute to Tyner followed by Tyner’s Ballad For Aisha and Fly With the Wind Big Mac brings together distinctive voicings of Blake’s violin and Ford’s alto along with strong solos. Tyner’s Ballad For Aisha has a middle-eastern flavor which Blake’s violin brings to the fore with Gumbs maintaining the flow after which Ford enters on soprano sax followed by Sharpe taking center stage. Sharpe launches Fly With a Wind, which one assumes Sharpe, Ford and Blake played numerous times with Tyner. The exhilarating composition never grows stale.

The Chief is the tribute to Archie Shepp, and its stately melody also features one of Ford’s strongest solos here, with Sharpe’s solo serving as a bridge to Blake. Shepp’s Steam is a lovely waltz while Ujaama hits a hot tempo with Ford back on alto and Blake solo is followed by Gumbs and Ford, with Sharpe solid anchoring the performance.

Gentle Giant, a performance that features changing tempos opens with some marvelous flute from Ford, while Sharpe takes an unaccompanied solo followed by Harper’s thoughtful drum solo. Lateef’s slightly exotic Morning, with its delicate, dance-like rhythms is a strong feature for Ford on tenor while the uptempo Because They Love Me is an exhilarating romp with Ford again on tenor and Blake and Gumbs both playing impressive here. Lateef’s music perhaps has not remained as much in the forefront of the jazz world as that of Tyner and Shepp, and hopefully tthesef performances will rectify that.

Legends & Mentors is a loving tribute by Sharpe and his colleagues of three of the past century’s major jazz artists who are done proud by the performances here.

This review originally appeared is the April 2008 Jazz & Blues Report (Issue 303). I received my review copy a publicist for this recording. Avery Sharpe’s website is http://www.averysharpe.com/ and he has a new recording out, Running Man.


Here is Avery Sharpe with his trio doing Mr. P.C.

2011-0211 Mid-Atlantic Jazz Festival-2189165

2011-0211 Mid-Atlantic Jazz Festival-2189165
Originally uploaded by NoVARon

First night of the 2nd Mid-Atlantic Jazz Festival and among the featured performers was Nasar Abadey & Supernova. I first met and watched Nasar play while living in Buffalo where he was a member of Birthright. Supernova, named after the Wayne Shorter recording, was formed in 1976. After relocating to Washington DC in 1977, Nasar continued the group with various personnel over the years. The current line-up includes saxophonists Gary Thomas and Joe Ford, Bassist James King and pianist Allyn Johnson. Thomas was not part of Supernova as they performed to open the main stage for the Festival and performed a terrific set mostly with selections taken from his newest CD, "Diamond in the Rough."

Mid-Atlantic Jazz Festival Standing Up For Real Jazz

Its less than two weeks until this year’s Mid-Atlantic Jazz Festival taking place at the Rockville, Maryland Hilton Hotel over the President’s Day Weekend. Under the auspices of Washington DC area saxophonist and educator, Paul Carr, the Festival has a focus on not simply bringing some of the best local and national jazz performers to the area, but to help nurture and support Jazz Education.

The Mid-Atlantic Jazz Festival was attempt to continue the legacy of the East Coast Jazz Festival that ran for 15 years starting in 1992. The ECJF originated in honor of Elmore “Fish” Middleton, a Washington, DC jazz radio programmer, whose commitment to promoting jazz music and supporting emerging jazz artists became the guiding principle behind the festival. The driving force of the ECJF was the late Ronnie Wells, a Washington DC jazz icon. After her passing, so did the ECJF.

Jimmy Heath will be featured at the 2011 Mid-Atlantic Jazz Festival. He is seen here at the 2005 New Orleans Jazz & Heritage Festival with brother, Albert 'Tootie' Heath as The Heath Brothers.

As stated on its website “The Mid Atlantic Jazz Festival (MAJF) represents an auspicious renewal of the spirit and intent of the ECJF, as a showcase for some of the DC area’s finest established and emerging artists, student ensembles, and a healthy dose of renowned touring jazz artists as well. MAJF is designed to take the ECJF mid-winter jazz festival tradition to the next level and to further enhance arts & culture in the Washington, DC region.”


This year’s MAJF has an auspicious program and here are links to the overview (http://www.midatlanticjazzfestival.org/news/mid-atlantic-jazz-festival-2011-february-18th-21st)of the activities the festival website as well as a full schedule (http://www.midatlanticjazzfestival.org/schedule).


Here are some acts of special interest to me.


Friday night, February 18, at 7:00 p.m. in the Ronnie Wells Main Stage will be the explosive Nasar Abadey & Supernova, celebrating their brand new release Diamond in the Rough. This group with Joe Ford, James King and Allyn Johnson was also one of the group’s that participated in 2010 in “The Rhythm Road: American Music Abroad,” a program that Jazz at Lincoln Center administers for the United States Department of State Bureau of Educational and Cultural Affairs.


At 10PM that night, the great Jimmy Heath will be performing. One of the giants of modern jazz as a saxophonist, composer, big band leader, he has truly walked with giants which alludes to his recently published autobiography and he is an NEA Jazz Master. Earlier in the day Jimmy will be doing a JazzTimes magazine Before & After blindfold test with Larry Applebaum. Heath will be signing his autobiography, I Walked With Giants, on Saturday.


Saturday has many events.


Williard Jenkins will be signing African Rhythms, the autobiography of Randy Weston (Composed by Randy Weston, Arranged by Willard Jenkins).

Janine Gilbert-Carter at 2008 DC Blues Festival

At 1:30 the Festival presents an acclaimed program of the essence of jazz song: “Sistas Can Sang,” a tribute to female legends of jazz & blues featuring the voices of Lavenia Nesmith, Janine Gilbert-Carter, Bonnie Harris, Kristine Key, and Dottye Williams. I look forward to this. Of these ladies, I have only had the pleasure of seeing Janine Carter-Gilbert perform.


At 7:00PM, The Bobby Broom Trio will be performing on the Main Stage. I recently reviewed his CD of Sonny Rollins recordings and greatly anticipate this performance.


At 10:00PM the great Freddie Cole performs. Freddie is also participating in a JazzTimes magazine Before & After blindfold test during the Festival.


Sunday afternoon will include a gospel brunch and a performance by saxophonist Kirk Whalum who has a recent recording that is a tribute to the music of Donny Hathaway.


Sunday night the Jazz Academy Orchestra featuring special guest, trumpeter Randy Brecker, will perform at 7:00 PM.


Sharon Clark, one of the Washington area’s finest vocalists will be on the main stage at 8:30PM

Sharon Clark at 2007 Duke Ellington Jazz Festival

Paul Carr will lead his quintet featuring Bobby Broom, Allyn Johnson, Michael Bowie, and Harold Summey at 10PM.


Local High School Big Bands will be performing in the Hotel Atrium throughout the Festival and also a smaller venue, MAJF Club that will feature a number of performers.


As can be seen, this will be a pretty full weekend of music. The website for the festival with all the details is http://www.midatlanticjazzfestival.org/.


I am looking forward to it and hope to post on the shows (hopefully with some photos).


I took the photos on this page.